20 Freshest Web Designs, November 2019

Original Source: https://www.webdesignerdepot.com/2019/11/20-freshest-web-designs-november-2019/

In this month’s collection we’re seeing some minor trends, like the return of sliders, over-sized text, and liquid effects. But the biggest thing of note is a brand new trend: brutalist typography and layouts, made more appealing by soft, feminine color palettes. Enjoy!

Wolff Olins

Globally renowned agency Wolff Olins’ new site is engagingly simple, but when a company like this embraces a trend, you know it’s got staying power. Edge-to-edge text, and a brutalist approach softened with color, are both evident.

Universal Sans

Universal Sans is a variable font with a pretty awesome site that allows you to adapt the font for your own purposes. For many of us it’s as close as we’ll get to designing a typeface. Once you’re happy you can even buy your customized font.

Warner Music Norway

Warner Music Norway embraces a traditional slider to highlight some of the artists it represents. It works because there’s no text to read, you either recognize the musician or you don’t. Scroll a little and you’ll find on-trend brutalism.

Ackee

Ackee is self-hosted analytics software. Its site opts for a bold typeface for headings, and makes use of some beautifully illustrated palms to introduce brand colors. The subtle animation does an excellent job of illustrating how the product works.

Redscout

Redscout’s logo is big and bold, and stretches across the screen. It stays fixed in place as an outline as you scroll, before getting bold again when you reach the bottom of the page. The black text on white, and the overlapping grid is classic brutalism.

Low Intervention

Low Intervention embraces several of the current trends, most notably the liquid effect, and brutalism toned down by the use of a sophisticated color palette. Brutalism is still the dominant theme, with edge-to-edge content, and little whitespace.

Marble

Marble’s purpose is to bring together art and science to tackle some of the problems faced by children around the world. Its delightful site features maze-like text, with dozens of marbles rolling around referencing both problem solving, and play.

Hypergram

Never let it be said that you can’t make the logo bigger. Hypergram’s logo takes up the entire page, obscuring the portfolio. The changing background color is a nice effect, and offsets the work in the slideshow perfectly.

Vahur Kubja

Vahur Kubja’s site is one of the first sites we’ve seen to adopt the latest design trend: it’s relentlessly brutalist in all but one respect, the color scheme is a sophisticated minimalist palette of green, peach, and pink.

Mutha

Mutha’s site is big, brash, and bold. With heavy black text. Not the style you’d expect of a skincare company — which would typically be light, gentle, and unassuming. Which is exactly why this brutalist site stands out.

The Happy Hero

If you’re a big fan of this year’s brutalist trend, then you’ll love this micro-site for The Happy Hero, a self-help book about positivity. The site’s adopted brutalism and then subverted it, drawing inspiration from both Pop Art and De Stijl.

Devialet

Most people browse the web with the sound off, which presents a challenge to companies selling audio products. Devialet solves the problem brilliantly, with a swirling galaxy creating the impression of depth, range, and power.

Bruno Simon

What can you say about Bruno Simon’s site, other than you have to play it to understand it. Drive the toy truck around the site, knocking over awards and breaking the scenery. It’s not practical, but it’s fun, and a great showcase for his skills.

Readymag

Readymag is a browser-based design tool for creating simple sites. Its landing page features oversized typography, which is impactful, and fairly daring for a company of this type. They’re laying their cards on the table right away.

Climate Adaptation Australia

Alongside the nice, bold menu system, Climate Adaption Australia features one of the very few effective sliders you’ll see. Sliders have largely been discredited as a design pattern with poor user experience, but in this case it works.

Giovanni Rustanto

If brutalism is too much for you, you can let out a sigh of relief with this one. Giovanni Rustanto’s site is elegantly minimal in both visuals, and interaction. The pleasing burst of terracotta right at the end adds some much needed flavor to the color palette.

1017 Gin

1017 Gin’s site is a high-class mix of glossy magazine layout, and coffee-table book. The one-pager is understated, with just a nod to trends with undersized images. The way the page splits when you click buy, is lovely, because it’s unexpected.

Sedilia

Sedilia is a minimalish site, that exudes comfort, simplicity, and style. The product photography is great, but it’s the framing that makes the difference. The site also features excellent typography and an unusual choice of font (it’s GT Zirkon).

Gyro

Gyro is another site that features over-sized typography, and again it’s the company logo. Move your cursor and it explodes in an interesting 3D effect. Gyro also has all the hallmarks of brutalism, tempered by a lovely color palette.

Dorian Lods

Dorian Lods’ site is another example of the trend common among developers at present: a liquid effect. This is a particularly standout version, not least thanks to the way it integrates into the rest of the site, as a device, not a crutch.

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Adobe Illustrator on the iPad is on its way

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/ldEacFWS9yM/illustrator-ipad

Adobe has announced that Illustrator on the iPad is in the works. While this dedicated tablet version is still in its early stages, it’s very exciting news for designers. The tool is currently in exclusive private beta (read on to find out how to sign up for early access), and there’s no confirmation of when the first market version will be released, although it won't be this year. 

The announcement was made at Adobe MAX 2019, where we were treated to an early preview of the tool, It forms part of a welcome shift in focus from Adobe to improving its iPad tools – we have just heard that the first version of Photoshop on the iPad has finally been released, and Adobe also recently added dedicated iPad painting and drawing app Adobe Fresco to its suite of creative tools. 

Will Illustrator for the iPad be joining our ranking of the best iPad apps for designers? Well, the preview certainly looks impressive. We don’t know too much right now (we'll be updating this article over the course of the conference as we get more information), but what we do know is that Adobe is that the tool will be rebuilt from the ground up to take advantage of touch capabilities and the possibilities offered by the Apple Pencil.

If you've been holding out for a iPad Black Friday deal but you've been on the fence, this could be the incentive you need to click 'add to basket'. And if you're thinking of purchasing Creative Cloud, you may also want to keep an eye on our Adobe Black Friday deals page.

What features will Illustrator on the iPad have?

The tool is still in its early stages, there are some key features being worked on that we can be fairly confident will appear in the launch version. To start with, Adobe promises seamless connection across devices, with no loss of detail. So you’ll be able to pick up your desktop Illustrator design and work on it on your iPad while you’re out and about, saving your changes to the cloud.

Adobe is working on how to use the iPad camera and Apple Pencil to open up new possibilities

Adobe also says the tool will be powerful and precise, so you’ll be able to use it to create complete illustrations, from start to finish. However, the first version of Photoshop on iPad is not a complete version, so we expect this full-fat iPad version of Illustrator might also take a while to materialise.

Illustrator on iPad will make the most of the possibilities offered by tablets specifically. Adobe is working on how to incorporate features such as the integrated iPad camera and Apple Pencil to open up new design possibilities. For example, you might be able to take a photo of a hand-drawn sketch, and use Illustrator on iPad to turn it into vector shapes. We’re interested to see how this concept shapes up.

Sign up for private beta

A dedicated tablet version of the software is overdue, and Adobe promises a tool that brings the precision and versatility of the desktop experience to the iPad. Adobe is working with the global Illustrator community to develop the tool. It’s currently running an exclusive private beta, which you can sign up to here. Read more on the official Adobe blog.

Relates articles:

The best Adobe Illustrator plugins 2019Illustrator tutorials to sharpen your skillsThe best alternatives to Photoshop

Learn new creative skills with these leading online courses

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/DoBRGrjs3Qs/learn-new-creative-skills-with-these-leading-online-courses

A great mind never stops learning. So if you want to pick up a new skill or perhaps even branch out into a second career path, you'll want to check out these comprehensive training courses.

The best laptops for graphic design in 2019

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Fresh Resources for Web Designers and Developers (October 2019)

Original Source: https://www.hongkiat.com/blog/designers-developers-monthly-10-2019/

In this month round of our Fresh Resource series, we’ve put together a wide variety of tools, frameworks, and materials for our fellow web developers. We’ve got React extensions, several…

Visit hongkiat.com for full content.

3 Essential Design Trends, November 2019

Original Source: https://www.webdesignerdepot.com/2019/10/3-essential-design-trends-november-2019/

There’s always a balance between visual design and functional design. Many of the “rules” of design as we know them exist to make visuals more functional.

That’s not exactly true of all of the techniques that are trending right now. But sometimes rules are made to be broken, right? You can take these trends in and decide whether they work for you or not. (There’s no right or wrong answer.)

Here’s what’s trending in design this month.

1. Obscured Text Elements

When it comes to text elements, the first thought is often readability. Not with this design trend.

More design projects are showcasing text elements that are partially obscured or hidden within other elements. And while these designs look pretty cool and are visually stunning, whether it actually works might be more debatable.

Each of the examples below uses this trend in a slightly different way.

Granyon Party uses oversized text in a layered design – background, text, animated illustration – where the words are hyphenated and in a layer behind design elements. While the obscured text is fairly easy to read, the addition of hyphenation and a monotone color palette makes it a little trickier.

Lafaurie Paris uses black text over an image layer with dark coloring, leaving little contrast between the two. This makes the main text element a challenge in terms of readability on an otherwise visually stunning design.

Ride & Crash’s Paco the Judo Popcorn has a text layer that’s behind a semitransparent animated illustration. It’s not too difficult to read, but does make you stop and really think about the words on the screen. Use of space helps draw focus and make it a little easier to digest.

With all of these examples, the design has to weigh big questions: Is the visual display worth losing readability? Will visitors understand and interact with the design?

2. Animated Spheres

Circles have always been a popular design element. They carry plenty of symbolism and meaning and can set the right tone for projects. Circles are also a little less rigid than hard-edged elements, such as buttons or calls to action.

Bigger spheres with animation are a solid way to draw users into design elements and focus the eye.

This trending element might be pure decoration or serve a more functional role.

2nd Street uses large spheres down the right margin as a secondary level of navigation. The middle circles have a link and hover animation to help signal this action. The bottom circle is a decoration with movement that helps draw the eye and encourage users to move the mouse in that direction, activating the other circular buttons.

Eslam Said uses a large sphere in the center of the screen with simple movement to create visual interest in the portfolio website. The simple design and movement are hard to stop looking at with a soothing feel to them.

World of Incentro uses multiple spheres with small movements and subtle animation as a decorative element. Further, the design uses a red, circular cursor to encourage engagement with the design. (If you click around this site a little, you’ll also find that it makes use of the first trend mentioned here, with different layers of obscured text.)

3. Large Left Margins

This might be my personal favorite trend, as a fan of asymmetrical balance. These designs use large left margins and areas of whitespace opposite a more visually full right side with an art element that fades off the screen.

They create a beautifully imbalanced balance with visual weight that draws the eye across this screen.

But this style isn’t for everyone, especially if you really like more symmetry. The challenge with this style is how elements stack on smaller mobile or vertical screens. The result isn’t often as stunning as the desktop counterpart.

Ervaxx uses a simple animation paired with large bold text. The large font size offsets the weight of the animated blob on the right.

Lifted Logic carries a hero text element across white (ahem, black) space into a video. The use of space really pulls the eye across the text into the image and back.

Cognito uses balanced weights with text and line illustrations across the screen. Space, here, makes the design feel a little less busy with a lot of elements to take in at once – navigation menu, headline, secondary text, two buttons, animated illustration, and a chat box.

Conclusion

It’s possible to love the look of a trendy design, but never use the technique because you don’t find that it works with your content or in a way that focuses on usability. And that’s ok. That’s the beauty of trends; they spark conversation and push all designers to think bigger and better.

Do you tend to be more of a visual or functional designer? Most of us have fairly distinct tendencies and it’s good food for thought.

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Dark Mode Looks Good, But Is It Actually Hurting You?

Original Source: https://www.webdesignerdepot.com/2019/10/dark-mode-looks-good-but-is-it-actually-hurting-you/

Over the last few years, everyone’s been talking about Dark Mode. It’s said to boost productivity and focus while reducing eye strain. It’s also supposed to be better for your battery life.

But is that the whole story?

Research into the matter suggests that Dark Mode might not be so healthy for us after all. Today, I want to take a look at what the data suggests and how you can use this information to determine how and when Dark Mode should be used.

Dark Mode is everywhere: Twitter has it; Slack does, too; Mac users can get it; Sketch has a Dark Mode; Atom comes with it out of the box; and Chrome allows its users to choose what kind of dark mode they use.

Like I said, it’s in a lot of places where we work. The question is, though, is it a good idea to use it?

Here’s what we know:

1. Polarity Affects Legibility

Polarity, in web design, refers to the contrast between the typography and the background it sits on. Positive polarity is when black text appears on a white background and negative polarity is when white text appears on a black background.

A number of studies in recent years prove that positive polarity is best for legibility.

Study #1: In 2013, researchers set out to determine how polarity affected the act of proofreading. What they found was that positive polarity provided an easier reading experience, especially with smaller font sizes (they tested fonts between 8 and 14 pts). They attribute this enhanced legibility to the brighter luminance of the white background.

Study #2: In 2014, researchers wanted to test whether or not it really was luminance that affected legibility. To determine this, they studied subjects’ pupil sizes as they read positive polarity and negative polarity texts. Those who read positive polarity text had smaller pupils. And because smaller pupils sharpen one’s ability to perceive finer details, the study proved that positive polarity leads to a better, more accurate reading experience.

Study #3: In 2016, further research was done into the matter. This time, their focus was on glance-like conditions (like while driving a car or, say, glancing at a line of code you just wrote). The results of the study showed that negative polarity in a dark ambient environment made it the most difficult to read. Only the positive polarity environments (in both dark and brightly illuminated areas) were ideal.

Bottom Line

Black text on a white background provides the optimal reading experience. If for some reason you prefer the Dark Mode interface, only use it when you don’t have much reading to do and accuracy isn’t an absolute must.

2. Some Medical Professionals Don’t Believe It Has Any Effect

It’s not just researchers that have taken an interest in the validity of Dark Mode’s health benefits. Medical professionals are getting in on the conversation, too.

Ophthalmologist Dr. Euna Koo spoke to CNN Business about this subject and said:

I do not think dark mode affects eye health in any way given the data that is out there in the literature. The duration of use is likely much more important than the mode or the intensity of the brightness of the device when it comes to the effect of this dark mode on eye fatigue and potentially eye health.

Ophthalmology Director of Modernizing Medicine, Dr. Michael B. Rivers, echoed that sentiment in a recent Forbes article:

While bright light in the evening is known to disrupt circadian rhythms, there’s no real evidence that white font on a dark screen is easier to read than the reverse.

Wired rounded up the opinions of a couple professors of human-computer interaction from UCL. This is what Anna Cox had to say about the relationship between Dark Mode and productivity:

Unfortunately, externally driven distractions don’t just disappear by changing their colour, and internally driven distractions aren’t inhibited by looking at something dark.

So, if doctors and professors are coming forward to debunk the myth that Dark Mode helps with visibility and concentration, we should probably listen to them.

3. It Might Be Affecting Your Mood

This one I don’t have as solid proof for, though I wouldn’t be surprised if we see more studies done on this in the coming years. Here’s what I do know:

The deprivation of light can change how our brains work and can lead to greater levels of depression. For those of you who’ve lived in a place like Seattle before, you know what I’m talking about.

Seasonal affective disorder (or SAD) is a condition that causes people to feel tired, unmotivated, and depressed…all because of a lack of exposure to light. This is especially problematic in parts of the world where the days are short and the sun only comes out a couple months of the year.

I can attest to this. It took just one year of living in Seattle before I had to see my doctor about the extreme fatigue and depression I was experiencing. She and a couple other medical professionals I talked to all said the same thing: “Oh, that’s normal. We’re all depressed here. Get a SAD lamp.” (Basically, because there is no sunshine to naturally wake your body up or to help rejuvenate you throughout the day, your circadian rhythms get all messed up. And a SAD lamp emulates that boost of light you’re missing throughout the day.)

Considering what we know about blue light and its disruptive effects on melatonin and sleep, I can’t help but wonder if these same blue light-emitting screens can help us stay awake and focused during the day. If that’s the case, Dark Mode — at least when used in excess — might actually be hurting our productivity and alertness.

Wrap-Up

As more of the tools we use to do business with offer up a Dark Mode option, should we take it?

Based on what the research and professionals are saying, I don’t think so. It seems like Dark Mode is more of an aesthetic choice than one you’d make because it’s going to improve how effective you are at work.

And, hey, if you prefer the sleek and subdued look of Dark Mode and find that it doesn’t have any adverse effects on you, have at it. That said, if you’re wondering why you can’t stay focused or awake at your computer, a better option might be to stick with the traditional white screen and adhere to smarter work practices: take frequent breaks from the screen, get outside, and work during your most productive hours.

 

Featured image via Unsplash.

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Forget Trick or Treat, Here Are 5 Horrifying Technologies That Should Really Scare You!

Original Source: https://www.webdesignerdepot.com/2019/10/forget-trick-or-treat-here-are-5-horrifying-technologies-that-should-really-scare-you/

You know, I remember the good old days when all you had to worry about at Halloween was how to stop a gang of sugar-crazed 8 year-olds throwing eggs at your house. Not any more. Here are 5 emerging technologies that are bound to give you the creeps:

1. Quantum Supremacy

Perhaps the biggest tech news of 2019 came last month when Google announced “by mistake” cough that they’d completed a “10,000 year” calculation on their Sycamore quantum chip in 200 seconds. If the term “Supremacy” wasn’t sinister enough, the claim that this could render conventional encryption methods obsolete in a decade or so should give you pause for thought.

this could render conventional encryption methods obsolete

Just think about it for a second: that’s your bank account, all your passwords, biometric passport information, social security, cloud storage and yes, even your MTX tokens open and available to anyone with a working knowledge of Bose-Einstein condensates and a superconductor lab in their basement. Or not.

2. Killer Robots

To my mind, whoever dreamed up fast-moving zombies is already too depraved for words, but at least your average flesh-muncher can be “neutralised” with a simple shotgun to the face or — if you really have nothing else — a good smack with a blunt object. The Terminator, on the other hand (whichever one you like), a robot whose actual design brief includes the words “Killer” and “Unstoppable” in the same sentence, fills me with the kind of dread normally reserved for episodes of Meet the Kardashians.

autonomous drone swarms…detect their target with facial recognition and kill on sight on the basis of…social media profile

We already know for certain that Lethal Autonomous Weapons (LAWs for short…) are in active development in at least 5 countries. The real concern, though, is probably the multinationals who, frankly, will sell to anyone. With help from household names like Amazon and Microsoft, these lovely people have already built “demonstration” models of everything from Unmanned Combat Aerial Systems (read “Killer Drones”) and Security Guard Robots (gun-turrets on steroids) to Unmanned Nuclear Torpedoes. If that’s not enough for you, try autonomous drone swarms which detect their target with facial recognition and kill on sight on the basis of… wait for it…“demographic” or “social media profile”.

Until recently, your common-or-garden killer robot was more likely to hurt you by accidentally falling on top of you than through any kind of goal-directed action, but all that’s about to change. Take Boston Dynamics, for example: the DARPA funded, Japanese owned spin-out from MIT whose humanoid Atlas can do parkour, and whose dancing quadruped SpotMini looks cute until you imagine it chasing you with a taser bolted to its back.

The big issue here is the definition of “Autonomous”. At the moment, most real world systems operate with “Human in the Loop”, meaning that even if it’s capable of handling its own, say, target selection, a human retains direct control. “Human on the Loop” systems however, allow the machine to operate autonomously, under human “supervision” (whatever that means). Ultimately, more autonomy tends towards robots deciding for themselves to kill humans. Does anyone actually think this is a good idea?!

3. The Great Brain Robbery

If the furore around Cambridge Analytica’s involvement in the 2016 US Presidential election is anything to go by, the world is gradually waking up to the idea that AI can be, and is being used to control us. The evidence is that it works, not just by serving up more relevant ads, or allowing content creators to target very specific groups, but even by changing the way we see ourselves.

Careful you may be, but Google, Facebook and the rest probably still have gigabytes of information on you, and are certainly training algorithms on all kinds of stuff to try to predict and influence your behavior. Viewed like this, the internet looks less like an “information superhighway” and more like a swamp full of leeches, swollen with the lifeblood of your personal data (happy Halloween!).

4. Big Brother

I don’t know about you, but I’m also freaking out about Palantir, the CIA funded “pre-crime” company whose tasks include tracking, among other kinds of people, immigrants; not to mention the recent memo by the US Attorney General which advocates “disrupting” so-called “challenging individuals” before they’ve committed any crime. Call me paranoid, but I’ve seen Minority Report (a lot) and if I remember right, it didn’t work out well… for anyone!

This technology is also being used to target “subversive” people and organisations. You know, whistleblowers and stuff. But maybe it’s not so bad. I mean, Social and Behavior Change Communication sounds quite benign, right? Their video has some fun sounding music and the kind of clunky 2D animation you expect from… well no-one, actually… but they say they only do things “for the better”… What could possibly go wrong? I mean, the people in charge, they all just want the best for us, right? They wouldn’t misuse the power to make people do things they wouldn’t normally do, or arrest them before they’ve done anything illegal, right guys? Guys…?

5. The Ghost in the Machine

At the risk of wheeling out old clichés about “Our New Silicon Overlords”, WHAT IF AI TAKES OVER THE WORLD?!

I’ll keep it short.

Yes, there’s a chance we might all be enslaved, Matrix style, by unfeeling, energy-addicted robots. Even Stephen Hawking thought so. There’s also the set of so-called “Control Problems” like Perverse Instantiation where an AI, given some benign-sounding objective like “maximise human happiness”, might decide to implement it in a way that is anything but benign – by paralysing everyone and injecting heroin into their spines, perhaps. That, I agree, is terrifying.

But really, what are we talking about? First, the notion of a “control problem” is nonsense: Surely, any kind of intelligence that’s superior to ours won’t follow any objective we set it, or submit to being “switched off” any more than you would do what your dog tells you… oh no wait, we already do that.

Surely, any kind of intelligence that’s superior to ours won’t follow any objective we set it

Second, are we really so sure that our “dog-eat-dog” competitive approach to things is actually all there is? Do we need to dominate each other? Isn’t it the case that “super” intelligence means something better? Kinder? More cooperative? And isn’t it more likely that the smarter the machines become, the more irrelevant we’ll be to them? Sort of like ants are to us? I mean, I’m not sure I fancy getting a kettle of boiling water poured on me when I’m in the way but, you know… statistically I’ll probably avoid that, right?

Lastly, hasn’t anyone read Hobbes’ Leviathan? If a perfect ruler could be created, we should cast off our selfish individuality and surrender ourselves to the absolute sovereign authority of… ok, I’ll stop.

So, Are We Doomed or What?

Yes. No! Maybe. There are a lot of really scary things about AI but you know what the common factor is in all of them? People. We don’t know what a fully autonomous, super intelligent machine would look like, but my hunch is it would be better and kinder than us. What really makes my skin crawl are the unfeeling, energy-addicted robots who are currently running the show. In their hands, even the meagre sketches of intelligence that we currently have are enough to give you nightmares.

Candy, anyone?

 

Featured image via Dick Thomas Johnson.

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Is this Paris Olympics 2024 logo concept better than the official design?

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/-Z_bfHbH6sg/paris-olympics-2024-logo-concept

Earlier this month, the official logo for the Paris 2024 Olympics was unveiled, and, like many logos before it, the design was met with some heavy criticism. Maybe the Olympic logo creative team should've have read our guide to logo design before starting? Or maybe, this offering from design agency Graphéine should have won the Olympic logo bid?

Graphéine's concept Olympic logo design (above) draws inspiration from the official Paris 2024 Candidacy logo (below, this is the one used for the official Olympic bid). The latter uses the year 2024 and the Eiffel Tower to create a clever visual trick, while the former concept logo uses sweeping lines in the Olympic colours to form the shape of the iconic French architecture to make a striking and clever design. And we love it. 

Compare both to the official Paris 2024 logo, and the reactions it got, here.

Paris 2024 concept logo

Can you see the number 24?

But is Graphéine's Eiffel Tower logo too predictable? A report from the design team stated: "We were aware of entering a particularly used visual territory where the kitsch border is very close. It is also a powder keg, where the risk of accusations of plagiarism hangs high."

The answer, in our humble opinion is no. The combination of the landmark and Olympic colours is elegantly realised, and the swooping shape, as the Graphéine intended, certainly conveys a feeling of sport momentum. Plus there's more than meets the eye, with the Eiffel Tower graphic not only representing the city's most recognisable feature, but resembling a sports track and symbolising five continents coming together to compete.

Paris 2024 concept logo

On your marks, get set… logo!

Just like any logo design pitch for the Olympics, it also comes with a Paralympic iteration. This design uses the same visual language to establish a symbolic link between the designs. According to the agency it's a "strong gesture that can act as a bridge between the world of valid athletes and that of disabled athletes."

Paris 2024 concept logo

The Paralympics concept logo shares the same visual language

While ultimately this design will only see the light of day on design sites like ours, Graphéine's Paris 2024 Olympics logo offers valuable insight into what it takes to design such a prolific event. 

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404 pages: Check out the best error pages around

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/3BqcxN66gQo/best-404-pages-812505

Creating 404 pages might not be the first thing you'll think about when making a website, but they are essential. While a 404 page is something that you ideally don't want visitors to see, the best ones turn the situation to the designer or brand's advantage.

More and more, we're seeing bespoke 404 pages that use wit, clever UX or beautiful design to sweeten the pill of finding yourself in the wrong place. Whether its some thoughtful CSS animation, a cool parallax scrolling effect, or just some smarter-than-your-average copy, there are plenty of ways to liven up your 404 error pages – as these examples prove.

The best 404 pages can become a mini-ambassador for the website itself. They might even be shared on Twitter or relevant blogs as an example of the site's commitment to customer service or unique design style. The 404 error pages we present here have achieved all this and more, so take a look and be inspired to think outside the box with your own.

01. Ready to go survival

404 pages: ready to go survival

We all love a good movie reference within a 404 page (and there are several of them included in our list). This survival site refers to The Matrix in its 404 page and gives you two options: clicking the red or the blue pill. Naturally, both keep you on the site. 

02. Carwow

404 page: carwow

This car buying comparison site helps you find the perfect car, but when you go off course, its 404 page provides a clever on-theme way to keep you on site. Visitors are presented with an 8-bit game style screen. All you need to do is hit the Start text to enjoy the simple horizontal scrolling game, where all you need to do is avoid obstacles and other cars. Give to a try.

03. Color of the Year

404 page: Pantone

This site is dedicated to everything to do with PANTONE's Color of the Year. Everything about it has been beautifully designed, including its 404 page. The site goes into an impressive amount of depth, with sections on relevant colour systems, suggested palettes, and examples of the shade in use. Meanwhile, the 404 page takes a smart-but-simple approach. There's a short explanatory message and a swatch of PANTONE shade 404, which is a delightfully appropriate grey-brown, to match the user's mood when finding themselves there. 

04. Ueno

Image: Ueno

Ueno is a full-service agency with a standout 404 page. What you're seeing above doesn't capture the full effort that's gone into it: the hotdog is animated so it runs in an infinite loop through a surreal landscape, and there are several hilarious explanatory messages to explore. It's bonkers and totally unique – visit the error page here.

05. Gymbox

Gym Box is a gym company that aims to offer "the most unique and diverse classes in London". The limits of that claim might be the kind of magnificent '80s fitness spectacle that appears on its 404 page. Short shorts, crop tops and pelvic thrusting – what more could you want from an error page? 

06. Slack

404 page: Slack

Image: Slack

It's only a slight exaggeration to say that Slack's 2019 logo update was met with widespread horror, and its super-saccharine 404 page is sure to have its fair share of haters too. Go wrong in Slack, and you're directed to a magical landscape of lush foliage, mountains and rainbows, where butterflies, chickens and tiny little pigs roam free. The scene scrolls horizontally with your mouse movement, too (try it here). 

07. Purée Maison

Purée Maison is a creative agency specialising in communication strategy, and its characterful website is full of delightful animations (we'd recommend taking a look around). We're particular fans of this surreal 404 page, which somehow manages to perfectly capture the pain of hitting a digital wall. 

08. Pixar

404 page: Pixar

Image: Pixar

Some people can take things just a little too much to heart. Pixar's 404 page, featuring Sadness from 2015's hugely popular Inside Out, is simple, straightforward and does the job. If it's representative of your reaction to getting a 404 error, though, then maybe you need to re-examine your life a little.

09. Matteo Vandelli

You don't need to be a major brand to put a bit of effort into your 404 page. We love this interactive example from graphic designer Matteo Vandelli. He's used the error page from his design portfolio as another opportunity to show off his creativity and design savvy. As the visitor mouses over the 404 text, it ripples and shifts like water. The effect is strangely mesmerising.

10. 20th Century Fox

404 page: 20th Century Fox

Can't find the film you want? Fox Movies' site has a great way to inspire you for when you get a URL wrong; its 404 page pops up with a still from a cult movie, with a pithy caption and a selection of other films you might like to watch. We've spotted snippets from Edward Scissorhands, Revenge of the Nerds and Napoleon Dynamite, amongst others (take a look to see which one you get).

11. Cloud Sigma

404 page: cloud sigma

Cloud Sigma is a cloud server and cloud hosting service operating in the US, Europe and Asia-Pacific region. While flexible cloud servers are useful, they're not exactly fun, which we guess is why the company has made a little extra effort to inject some humour into its tongue-in-cheek 404 error page. We wonder how long it'll be before this helpful-looking junior developer gets poached by the competition.

12. BluePath

bluepath 404 page

Another website to use humour on its 404 error page is Atlanta-based data strategy consulting firm BluePath. The page shows a map of Atlanta, with a dot on the other side of the page indicating the visitor is 'Wayyyy off the map'. In an extremely tenuous link, the map also includes data-driven info showing reported crimes in the area. "Why? Because it’s a crime you haven’t hired us yet!" Ah, these whacky data analysts.

13. Marvel

Marvel keeps things solidly on-brand by basing its 404 error page on the universe's Watcher. Perhaps because Uatu isn't much of a looker (sorry), Marvel has decided to pander to visitors more shallow than ourselves and add his eye only, against the backdrop of Black Widow. Extra cool points for making the eye follow the visitor's cursor round the screen. 

14. Kualo

Web hosting company Kualo has been in business for over 15 years – an eternity in internet time – and its 404 page harks back to yesteryear by treating visitors to a game of Kualo-themed Space Invaders. It's not perfect. The key strategy of picking off the fleet's outer edges to slow the invaders' descent doesn't work, for starters. But it is fun, and it can earn you a discount on your hosting deal if you manage to score over 1,000 points. Play it here.

Its inclusion in this article has also inspired US pest control company Pointe Pest Control to include its own Pest Invaders game on its 404 error page, complete with different flying and crawling bugs to spray. 

As Chloe Zollinger from Pointe says: "Reaching a 404 error page is most often frustrating for a site user. We understand how important user experience on a webpage is. To better our visitors' experience, our team dedicated themselves to creating an interactive game on our 404 page."

15. Waaark

404 page: waark

French studio Waaark's 404 page is nice enough to look at, but it's better to listen to – although maybe not at work. Inspired by Stephen Hawking, the Hitchhiker's Guide to the Galaxy and Portal, it uses a JavaScript text-to-speech tool called meSpeak to subject you to a sweary robotic tirade. Plug your headphones in and take a look.

16. Steve Lambert

New York-based artist Steve Lambert describes this as "the most awkward 404 not found page on the internet", and you know, he may well be right. It features an excruciating piece to camera that just goes on and on. We defy you to get to the end of his video without any part of your body clenching.

Next page: More inspiring 404 pages to explore

17. Victoria Spicer

Victoria Spicer 404 error page

Image: Victoria Spicer

Victoria Spicer is a set designer and prop stylist based in London. As you'd expect, her portfolio site is packed with beautiful photography, and her 404 error page is no different. It shows off her playful side while still keeping things looking polished. 

18. Figma

Even though we have a copy of Illustrator CC right here, and could play with anchor points and Bézier curves literally any time we want, we're still entranced by Figma's 404 page. Oversized 404 text is rendered in vectors that you can reshape to your heart's content. Have a go for yourself.

19. Airbnb

This 404 page from Airbnb features a simple-but-delightful animation of an unlucky girl dropping her ice-cream on the floor. Airbnb has built its reputation on being personable and friendly, and this 404 page suits its brand image perfectly.

20. Hot Dot Production

Hot Dot Productions has applied its 'where design meets technology' tagline to its impressive 404 page, which features the three numbers made up of hundreds of tiny dots that change direction or disperse in response to the visitor's mouse movements. Seriously cool. Play around with it yourself here.

21. Lego

LEGO can do no wrong in our eyes (have you read our piece on how Lego reinvented itself as a super-brand yet?). We love this 404 page with leading Lego Movie character Emmet taking centre stage, and, reminding us that everything is still awesome.

22. GitHub

You'd expect some tech wizardry from a website dedicated to code versioning. The 404 page targets a different kind of geeks with a simple Star Wars parody elevated by a smart parallax effect when you move your mouse. GitHub also has a nice 500 page for when the server breaks.

23. CSS Ninjas

The web design world loves ninjas. Often as part of a self-styled job title. Falling in with the trend (and, we guess, its name), the 404 page for CSS Ninjas features a clean, stylised illustration that reflects the site's general approach to design.

24. MailChimp

In autumn 2018, ultra-hip email newsletter service MailChimp underwent a rebrand, and its 404 page has a new look to match. The new-look error page features on of the off-beat, naive illustrations around which MailChimp's new branding centres. And really, what says 'I'm lost' better than a donkey with its head in a hole? 

25. Volta Footwear

404 pages: Volta

Image: Volta

Volta is a footwear store based in Milan. Its website includes plenty of cool UI design touches, and we like that it's not just gone for a standard 404 page, either. Good quality, dedicated product photography with a quirky touch – a miniature marble statue that nods to the flagship store's Italian home – help elevate this error page. 

26. Bret Victor

Computer scientist Bret Victor's 404 page, inspired of course by René Magritte's iconic painting, The Treachery of Images, confronts the viewer with some challenging philosophical questions. If this is not a page, then what is it? What constitutes a 'page'? Is it a thing that can be truly said to exist? What is the 'this' that this apparent non-page is referring to? Is anything truly real? Makes you think, no?

27. IMDb

Another awesome, movie-based 404 error page can be found on the IMDb website. This comprehensive database of film facts has jazzed up its 404 page with iconic quotes from famous films, subtly edited to fit their new purpose. Take a look to see which one you get.

28. Bit.ly

Bitly 404 page

Image: Bitly

The 404 page for link shortening service Bit.ly features a cute Pufferfish bobbing upside-down in an interactive sea. The stranded fish responds to your mouse movements, and subtly animation details in the clouds and seagull help create a calming mood.

29. DropBox

DropBox has replaced the Escher-esque impossible box that adorned its 404 page for years, with a similarly quirky illustration. We like to think of an abstract representation of everything going wrong – the wheels coming off. It's a nice, simple hand-drawn illustration that gets the message across well, with plenty of helpful navigation links for a top user experience.

30. eHarmony

The last thing you want to hear when you're looking for love is that it can't be found. Online matchmaking service eHarmony's 404 page softens the blow with the news that while the page you're after is unavailable, there are still about half a million fish left in the sea.

31. Starbucks

Starbucks makes good use of its primary product to illustrate its 404 message. In this instance, the tell-tales signs of a missing coffee cup are used to tell the story. There's also some jargon-free copy to help the user find what they were looking for.

32. Blizzard Entertainment

Video game developer Blizzard keeps it simple and on brand with its 404 page. An animated character grabs the attention with a message telling visitors 'We've dispatched a rescue murloc to guide you back to safety'. Not sure what 'Mmmrrgmgrrrgmmll!' means but hit the button and back to the home page you go. 

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Adobe Fresco review

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/d2ckugSuddo/adobe-fresco

Adobe Fresco is a great new drawing app, which mimics some of the best elements of other fine art programs (we're looking at you, Procreate) for iPad. However, there's no doubt the app is marred by its pricing and subscription model, and is slightly underwhelming when compared to other established desktop software. 

It falls particularly shot in its most talked about selling point, the much-hyped ‘Live Brushes’. For those new to art apps and programs, Fresco’s new ‘living’ brushes will seem wondrous and an exciting party piece as they aim to replicate real world mediums. However, there are a number of other, more professional programs available for tablets that do the job better, and therefore whether Fresco gets a spot in our best apps for iPad still remains to be seen. 

At £10 a month, Adobe Fresco is unfortunately a high price for hobby artists and non-Adobe users in a busy and established market where one off app payments are the norm. But for Creative Cloud subscribers, it’s another fine tool alongside its Adobe app family.

Adobe Fresco review: Interface

Adobe Fresco review

Fresco’s interface is simple and intuitive

Fresco’s interface is simple and intuitive, making it easy enough for beginners to get cracking on the canvas quickly, yet offers enough controls for pros to feel this is attempting to be a serious program for them too. 

There's no doubt Fresco is geared towards Creative Cloud users, with Cloud documents seamlessly bridging computers through to Fresco, integrating its workflow with Photoshop and Illustrator by mixing both raster and vector brushes. 

The Home screen is simple, if a little stark, but everything is easily laid out meaning you can get to work swiftly. Recent work, an online gallery of other Fresco community users, tutorials and options to create new or import/open other files are all clearly written out and not hidden behind odd icons as many programs do. 

Once you have a new canvas open, the simplicity continues with all elements being quite self-explanatory and shouldn’t be daunting for new doodlers and feel second nature for photoshop users. The UI is customisable to your workflow, including full-screen mode, which clears the screen so it’s just you and your masterpiece. All brush panels can be grabbed and docked where you need them, again to aid in setting up your space just as you like it so as not to detract from your creative experience.

Adobe Fresco review: Live Brushes

Oil painting and watercolours are a tactile, messy pastime and effuse memories of classroom mishaps and the pungent whiff of turps. They are hands on, visceral and at times an absolute swine to control. It is this malleable evocative danger that makes them so appealing to artists and why most digital art programs miss the mark widely by being too synthetic or not blending colours well with paint sitting flatly in layers. 

I have been using digital painting programs for five or six years now as a portrait illustrator, and whilst Fresco is a great start (the watercolour brushes are particularly good), it does feel a little underbaked. 

First-time users and onlookers will no doubt watch on in awe as the paint mix and watercolour bleed into one another on their iPad screens for the first time. However, if you're experienced with the best digital art software, it will feel much like a polished but basic option.   

Adobe Fresco review

The live brushes were the main selling point of Adobe Fresco, but they’re being done better elsewhere

Despite Fresco’s fun and easy-to-use nature, when one delves deeper it’s clear these brushes need more work and options to truly make them living like other apps such as ArtRage and the watercolours dripping with life in Expresii and Rebelle as they blend, spread and interact with textures and the tilting and wetness of paper in a far more believable and unharnessed manner. The Adobe oil brushes lack depth, sheen, lighting and texture and, as such, produce artwork that seems a little dead or fake next to it’s real life counterparts. 

There is only one option for canvas texture, which can be togelled on or off. The lack of paper textures, which should affect the paints flow and drag, result in a uniformity that is more digital than (Edgar) Degas. Flow is determined by pressure alone and not by how much paint is on the brush, subsequently the paint strokes never run out unless you lift the stylus off the screen, meaning those beautiful mistakes and thick splodges of real oils etc can’t be achieved. 

There is no palette knife (as can be found in Artrage) to cut into the chunky paint and imitate the visceral strokes of Francis Bacon or German expressionists etc. Maybe we were expecting too much from a fledging app and should be more patient to wait for future updates? However the live brushes were the main selling point of Fresco and, in truth, these features have been already done better elsewhere.  

Adobe Fresco review: Pixel Brushes

Adobe Fresco review

Adobe Fresco has a fantastic selection of pixel brushes

Although normal raster brushes are seen as a staple of any art app, this is where Adobe Fresco has made the best start. The brush collection out of the box is wide and varied for all drawing and illustration styles, from comic and inking, through to chalk and painting. 

Each brush feels well thought out and works very well with a plethora of options, including smoothing, hardness, shape dynamics, scattering and blending. Each can be tweaked to suit most styles and the ability to import Photoshop brushes makes this area of Fresco exciting and shows a clear path for future development which could perhaps, in time, rival Procreate. That said, the lack of text and animation options means, for many creatives, Fresco will still have to buddy up with other programs to finish the job.

Adobe Fresco: Raster, Live Brushes and Vector in one illustration

The option to blend vector, live and pixel brushes is excellent, and the way Fresco automatically picks a new layer when doing so is very welcome for artists who tend to get into the flow of the piece and forget to do anything with layers until it’s too late.

This feature will no doubt be very popular with artists who have to switch between apps continuously. This pixel/vector trick isn’t a new one and has been seen in Affinity art programs, but the addition of the Live brushes does set Fresco apart. If Adobe can build on this feature and add more depth to the live brushes along with more vector controls and brushes it could truly start to become a daily driver for creatives.

Adobe Fresco review: Touch Shortcut

Adobe Fresco review

The touch shortcut button is a new handy feature from Adobe

The touch shortcut button is a new handy feature from Adobe, which when held down temporarily changes the action of the tool in use. When used with the Pixel Brush, it erases using the current brush selection, with the Live Brushes it paints with clear colour and alters many more options with selections and layers. 

The button can be pushed around the screen to suit your preference and works well, though can feel a little alien and jarring to more traditional artists who want all the creativity to come working with one hand. The actions can be learned in the handy help area signposted by the question mark in the top right, which offers simple instructions to learn the new gestures and tools on offer – great for new users.

Adobe Fresco review: Brush Preview and recent colour palette

adobe Fresco review

Fresco not only offers a window in which you can see the changes you make to the brush

Making changes to default brushes can be daunting, especially as so many programs don’t offer a preview of what your stroke will look like when used. Fresco not only offers a fantastic window in which you can see the changes to the brush as you tweak the parameters, but you can also have a quick doodle in the window to test it out for yourself without having to apply direct to your artwork.  

Fresco also displays your recent colour choices from a drop-down tab in the colour wheel. For artists who tend to neglect an illustrations overarching colour palette until they've got started and felt their way around the painting, this tool is invaluable. No more trying to eyedrop tiny flecks of colour already used. More programs need these  kind of time-saving features. 

Adobe Fresco review: Editing and pro level tools

As you’d expect on any self-respecting art new program, the usual suspects of draggable layers, masking, selection tools and blending options are all here. As a more traditional thinking artist, I don’t have too much use for many of these apart from the layer rejigging and blending options, but all worked well when tested.

Adobe Fresco review: Saving and exporting your masterpiece

So you’ve finished your illustration, but what next? Pushing the Publish and export button at top of the screen opens up various options to suit all needs. Users can quickly export their work as a snapshot jpg (this can be changed to suit your most frequently used file type), which can then be saved or shared swiftly. 

For more formal saving of your work hit the Publish and Export button and select export as to choose from various levels of quality PNG, JPG, PSD and PDF files. Your artwork can also be exported direct to Behance. Every stroke of your art is recorded in Fresco and this too can be exported from this area and works fantastically well, again drawing parallels with Procreate but falls slightly short in missing choice of replay length.

Adobe Fresco review: Should you buy it?

Adobe Fresco review

There’s no software that currently emulates watercolours as well as Adobe Fresco

If Fresco was a one-off payment of £6.99, we would not be having the discussion about buying it or not, it would be a no-brainer. A fine, fun tool to have, which could be invaluable for many and handy for others. 

However, with the £10-a-month subscription model, this is too much for most when a creative may only need one killer brush or feature within it. This will obviously change as Adobe develops Fresco but right now it's just awesome for CC users, rather than an invaluable one-stop tool for all.

The features and presentation of Fresco are all well executed and bode well for future evolution, and as previously mentioned, there's no software that currently emulates watercolours as well. However, there are a plethora of desktop applications which do the living paint trick far better and with more professional results. 

This leads us to wonder who is Fresco for? It lacks the depth and options in its current iteration to fully satisfy all professional illustrators but many hobbyists will find it works just fine for them. With Procreate 5 on the horizon, Fresco needs to ramp up the features swiftly to bring on board animators, concept artists and oil portrait artists as currently, as a non-Creative Cloud subscriber, there just isn’t enough in there to draw me away from Artrage on Surface Pro and Procreate on my iPad. 

All the right elements are there for Adobe to develop upon and creative a powerful tool, which can appeal to all so although its currently a little underwhelming in certain areas, it's exciting to think what the future holds for Fresco and its growing community.