Shouter App Design: Mastering UI/UX in Service Marketplace

Original Source: https://abduzeedo.com/shouter-app-design-mastering-uiux-service-marketplace

Shouter App Design: Mastering UI/UX in Service Marketplace
Shouter App Design: Mastering UI/UX in Service Marketplace

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Dive into the Shouter app’s UI/UX design journey, a marketplace connecting users with local services, crafted by Lorenzo Rodriguez. Discover app design brilliance.

In the digital age, finding local help for everyday tasks has transformed with Shouter, a mobile app designed by the talented Lorenzo Rodriguez. Shouter simplifies the process of connecting individuals seeking assistance with tasks such as moving, cleaning, and painting, to skilled local service providers. This 2024 project not only emphasizes functionality but also showcases a seamless integration of UI and UX design principles, marking a milestone in service marketplace app design.

Rodriguez’s approach to Shouter’s app and web design is meticulous, focusing on creating an intuitive user interface (UI) that harmonizes with an engaging user experience (UX). The visual aesthetics, developed in collaboration with TakeOne and BWD, are not just about creating a good-looking app but about fostering a community-centric platform where tasks are effortlessly shared and solved.

The color scheme, typography, and layout choices reflect a deep understanding of the target audience’s needs and preferences. By prioritizing clarity and ease of navigation, Rodriguez ensures that users of all technical backgrounds can navigate the app with ease, enhancing the overall user satisfaction and engagement.

Shouter’s design philosophy goes beyond aesthetics. It’s about crafting an ecosystem where each design decision contributes to a frictionless interaction between the app’s functionalities and its users. The focus on community building through design is evident in how tasks are presented and communicated within the app, promoting a sense of trust and reliability among its users.

For brands and designers seeking inspiration in the UI/UX space, Shouter stands as a beacon of how app design can be leveraged to create meaningful connections in the digital marketplace. Rodriguez’s work on Shouter not only elevates the app’s visual and functional aspects but also sets a benchmark in designing for community engagement and support.

In conclusion, Shouter’s app design is a testament to the power of thoughtful UI and UX design in creating platforms that not only look great but also fulfill a vital community service, seamlessly connecting individuals to the local help they need.

App design and UI/UX artifacts

UI UX UX/UX pink brand app design

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Credits

Client: Shouter
Service: App Design, Web Design
Year: 2024
Design by Lorenzo
Visuals: TakeOne, BWD

For more information make sure to check out Lorenzo Rodriguez website and Behance.

Building a Memorable E-Commerce Brand: The Canary Identity

Original Source: https://abduzeedo.com/building-memorable-e-commerce-brand-canary-identity

Building a Memorable E-Commerce Brand: The Canary Identity
Building a Memorable E-Commerce Brand: The Canary Identity

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Explore the innovative branding and visual identity of Canary, a fictional e-commerce brand designed to empower entrepreneurs with premium digital and print marketing tools.

In the competitive landscape of e-commerce, establishing a distinctive brand identity is crucial for capturing attention and fostering loyalty. Adrien Porcher’s project on Behance, Canary, exemplifies how thoughtful design can elevate a brand above the fray, providing entrepreneurs with the tools they need to thrive.

Canary is not just another name in the e-commerce arena. It stands out as a fictional brand committed to empowering business owners. By offering high-quality marketing materials, from digital assets to printed products like business cards, posters, and promotional items, Canary ensures that every entrepreneur has access to affordable, yet premium tools to promote their ventures.

Porcher’s design approach for Canary is a masterclass in branding and visual identity. It showcases a keen understanding of the essentials of e-commerce marketing, blending aesthetics with functionality. The Canary brand identity is meticulously crafted to resonate with its target audience, embodying professionalism, creativity, and accessibility.

This project is a beacon for designers and business owners alike, illustrating the power of branding in the digital age. Porcher’s work highlights the importance of a cohesive visual identity that speaks directly to the audience’s needs and aspirations. The choice of colors, typography, and imagery all work in harmony to create a brand experience that is both engaging and memorable.

For those looking to enhance their branding and visual identity, Canary’s design project serves as an inspiring benchmark. It demonstrates the impact of combining digital and print marketing tools in a cohesive brand strategy. This approach not only enhances visibility but also builds a strong foundation for customer relationships.

By focusing on the essentials of design and marketing, Canary sets a new standard for e-commerce brands. It’s a vivid reminder that at the heart of every successful venture lies a powerful brand identity, one that effectively communicates its values and vision to the world.

Branding and visual identity artifacts

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brand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal brandingbrand identity Brand Design branding  logo Logo Design visual identity brand brandmark identity personal branding

For more information make sure to check out Adrien Porcher website and Behance.

Modern CSS Tooltips And Speech Bubbles (Part 1)

Original Source: https://smashingmagazine.com/2024/03/modern-css-tooltips-speech-bubbles-part1/

In a previous article, we explored ribbon shapes and different ways to approach them using clever combinations of CSS gradients and clip-path(). This time, I’d like to explore another shape, one that you’ve likely had to tackle at least once in your front-end life: tooltips. You know what we’re talking about, those little things that look like speech bubbles from comic books. They’re everywhere in the wild, from a hover effect for buttons to the text messaging app on your phone.

The shapes may look easy to make in CSS at first glance, but it always ends with a lot of struggles. For example, how do you adjust the position of the tail to indicate whether the tooltip is coming from a left, right, or center position? There are plenty of considerations to take into account when making tooltips — including overflowage, collision detection, and semantics — but it’s the shape and direction of the tail that I want to focus on because I often see inflexible fixed units used to position them.

Forget what you already know about tooltips because in this article, we will start from zero, and you will learn how to build a tooltip with minimal markup powered by modern CSS that provides flexibility to configure the component by adjusting CSS variables. We are not going to build one or two shapes, but… 100 different shapes!

That may sound like we’re getting into a super-long article, but actually, we can easily get there by adjusting a few values. In the end, you will have a back pocket full of CSS tricks that can be combined to create any shape you want.

And guess what? I’ve already created an online collection of 100 different tooltip shapes where you can easily copy and paste the code for your own use, but stay with me. You’re going to want to know the secret to unlocking hundreds of possibilities with the least possible code.

We’ll start with the shapes themselves, discussing how we can cut out the bubble and tail by combining CSS gradients and clipping. Then, we’ll pick things back up in a second article dedicated to improving another common approach to tooltips using borders and custom shapes.

The HTML

We’re only working with a single element:

<div class=”tooltip”>Your text content goes here</div>

That’s the challenge: Create hundreds of tooltip variations in CSS with only a single element to hook into in the HTML.

A Simple Tooltip Tail

I’m going to skip right over the basic rectangular shape; you know how to set a width and height (or aspect-ratio) on elements. Let’s start with the simplest shape for the tooltip’s tail, one that can be accomplished with only two CSS properties:

.tooltip {
/* tail dimension */
–b: 2em; /* base */
–h: 1em; /* height*/

border-image: fill 0 // var(–h)
conic-gradient(#CC333F 0 0); /* the color */
clip-path:
polygon(0 100%, 0 0, 100% 0, 100% 100%,
calc(50% + var(–b) / 2) 100%,
50% calc(100% + var(–h)),
calc(50% – var(–b) / 2) 100%);
}

The border-image property creates an “overflowing color” while clip-path defines the shape of the tooltip with polygon() coordinates. (Speaking of border-image, I wrote a deep-dive on it and explain how it might be the only CSS property that supports double slashes in the syntax!)

The tooltip’s tail is placed at the bottom center, and we have two variables to control its dimensions:

We can do the exact same thing in more intuitive ways, like defining a background and then border (or padding) to create space for the tail:

background: #CC333F;
border-bottom: var(–h) solid #0000;

…or using box-shadow (or outline) for the outside color:

background: #CC333F;
box-shadow: 0 0 0 var(–h) #CC333F;

While these approaches are indeed easier, they require an extra declaration compared to the single border-image declaration we used. Plus, we’ll see later that border-image is really useful for accomplishing more complex shapes.

Here is a demo with the different directions so you can see how easy it is to adjust the above code to change the tail’s position.

We can fix this by setting limits to some values so the tail never falls outside the container. Two points of the polygon are concerned with the fix.

This:

calc(var(–p) + var(–b) / 2) 100%

…and this:

calc(var(–p) – var(–b) / 2) 100%

The first calc() needs to be clamped to 100% to avoid the overflow from the right side, and the second one needs to be clamped to 0% to avoid the overflow from the left side. We can use the min() and max() functions to establish the range limits:

clip-path:
polygon(0 100%, 0 0, 100% 0, 100% 100%,
min(100%, var(–p) + var(–b) / 2) 100%,
var(–p) calc(100% + var(–h)),
max(0%, var(–p) – var(–b) / 2) 100%);

Adjusting The Tail Shape

Let’s integrate another variable, –x, into the clip-path() and use it to adjust the shape of the tail:

.tooltip {
/* tail dimension */
–b: 2em; /* base */
–h: 1em; /* height*/

–p: 50%; /* tail position */
–x: -2em; /* tail shape */

border-image: fill 0 // 9999px
conic-gradient(#CC333F 0 0); /* the color */
clip-path:
polygon(0 100%, 0 0, 100% 0, 100% 100%,
min(100%, var(–p) + var(–b) / 2) 100%,
calc(var(–p) + var(–x)) calc(100% + var(–h)),
max(0%, var(–p) – var(–b) / 2) 100%);
}

The –x variable can be either positive or negative (using whatever unit you want, including percentages). What we’re doing is adding the variable that establishes the tail’s shape, –x, to the tail’s position, –p. In other words, we’ve updated this:

var(–p) calc(100% + var(–h))

…to this:

calc(var(–p) + var(–x)) calc(100% + var(–h))

And here is the outcome:

The tooltip’s tail points in either the right or left direction, depending on whether –x is a positive or negative value. Go ahead and use the range sliders in the following demo to see how the tooltip’s tail is re-positioned (–p) and re-shaped (–x) when adjusting two variables.

Note that I have updated the border-image outset to an impractically large value (9999px) instead of using the –h variable. The shape of the tail can be any type of triangle and can take a bigger area. Since there’s no way for us to know the exact value of the outset, we use that big value to make sure we have enough room to fill the tail in with color, no matter its shape.

Does the outset concept look strange to you? I know that working with border-image isn’t something many of us do all that often, so if this approach is tough to wrap your head around, definitely go check out my border-image article for a thorough demonstration of how it works.

Working With Gradients

Most of the trouble starts when we want to color the tooltip with a gradient instead of a flat color. Applying one color is simple — even with older techniques — but when it comes to gradients, it’s not easy to make the tail color flow smoothly into the container’s color.

But guess what? That’s no problem for us because we are already using a gradient in our border-image declaration!

border-image: fill 0 // var(–h)
conic-gradient(#CC333F 0 0);

border-image only accepts gradients or images, so to produce a solid color, I had to use a gradient consisting of just one color. But if you change it into a “real” gradient that transitions between two or more colors, then you get your tooltip gradient. That’s all!

We start by declaring a background and border-radius on the .tooltip. Nothing fancy. Then, we move to the border-image property so that we can add a bar (highlighted in red in the last figure) that slightly overflows the container from the bottom. This part is a bit tricky, and here I invite you to read my previous article about border-image to understand this bit of CSS magic. From there, we add the clip-path and get our final shape.

.tooltip {
/* triangle dimension */
–b: 2em; /* base */
–h: 1em; /* height */

–p: 50%; /* position */
–r: 1.2em; /* the radius */
–c: #4ECDC4;

border-radius: var(–r);
clip-path: polygon(0 100%, 0 0, 100% 0, 100% 100%,
min(100%, var(–p) + var(–b) / 2) 100%,
var(–p) calc(100% + var(–h)),
max(0%, var(–p) – var(–b) / 2) 100%);
background: var(–c);
border-image: conic-gradient(var(–c) 0 0) fill 0/
var(–r) calc(100% – var(–p) – var(–b) / 2) 0 calc(var(–p) – var(–b) / 2)/
0 0 var(–h) 0;
}

This visual glitch happens when the border-image overlaps with the rounded corners. To fix this, we need to adjust the border-radius value based on the tail’s position (–p).

We are not going to update all the radii, only the bottom ones and, more precisely, the horizontal values. I want to remind you that border-radius accepts up to eight values — each corner takes two values that set the horizontal and vertical directions — and in our case, we will update the horizontal value of the bottom-left and bottom-right corners:

border-radius:
/* horizontal values */
var(–r)
var(–r)
min(var(–r),100% – var(–p) – var(–b)/2) /* horizontal bottom-right */
min(var(–r),var(–p) – var(–b)/2) /* horizontal bottom-left */
/
/* vertical values */
var(–r)
var(–r)
var(–r)
var(–r)

All the corner values are equal to –r, except for the bottom-left and bottom-right corners. Notice the forward slash (/), as it is part of the syntax that separates the horizontal and vertical radii values.

Now, let’s dig in and understand what is happening here. For the bottom-left corner, when the position of the tail is on the right, the position (–p) variable value will be big in order to keep the radius equal to the radius (–r), which serves as the minimum value. But when the position gets closer to the left, the value of –p decreases and, at some point, becomes smaller than the value of –r. The result is the value of the radius slowly decreasing until it reaches 0. It adjusts as the position updates!

I know that’s a lot to process, and a visual aid usually helps. Try slowly updating the tail’s position in the following demo to get a clearer picture of what’s happening.

This time, the border image creates a horizontal bar along the bottom that is positioned directly under the element and extends outside of its boundary so that we have enough color for the tail when it’s closer to the edge.

.tooltip {
/* tail dimension */
–b: 2em; /* base */
–h: 1.5em; /* height */

–p: 50%; /* position */
–x: 1.8em; /* tail position */
–r: 1.2em; /* the radius */
–c: #4ECDC4;

border-radius: var(–r) var(–r) min(var(–r), 100% – var(–p) – var(–b) / 2) min(var(–r), var(–p) – var(–b) / 2) / var(–r);
clip-path: polygon(0 100%, 0 0, 100% 0, 100% 100%,
min(100%, var(–p) + var(–b) / 2) 100%,
calc(var(–p) + var(–x)) calc(100% + var(–h)),
max(0%, var(–p) – var(–b) / 2) 100%);
background: var(–c);
border-image: conic-gradient(var(–c) 0 0) 0 0 1 0 / 0 0 var(–h) 0 / 0 999px var(–h) 999px;
}

That’s why I do not use this approach when working with a simple isosceles triangle. This said, the method is perfectly fine, and in most cases, you may not see any visual glitches.

Putting Everything Together

We’ve looked at tooltips with tails that have equal sides, ones with tails that change shape, ones where the tail changes position and direction, ones with rounded corners, and ones that are filled in with gradients. What would it look like if we combined all of these examples into one mega-demo?

We can do it, but not by combining the approaches we’ve covered. We need another method, this time using a pseudo-element. No border-image for this one, I promise!

.tooltip {
/* triangle dimension */
–b: 2em; /* base */
–h: 1em; /* height */

–p: 50%; /* position */
–r: 1.2em; /* the radius */

border-radius: var(–r) var(–r) min(var(–r), 100% – var(–p) – var(–b) / 2) min(var(–r), var(–p) – var(–b) / 2) / var(–r);
background: 0 0 / 100% calc(100% + var(–h))
linear-gradient(60deg, #CC333F, #4ECDC4); /* the gradient */
position: relative;
z-index: 0;
}
.tooltip:before {
content: “”;
position: absolute;
z-index: -1;
inset: 0 0 calc(-1*var(–h));
background-image: inherit;
clip-path:
polygon(50% 50%,
min(100%, var(–p) + var(–b) / 2) calc(100% – var(–h)),
var(–p) 100%,
max(0%, var(–p) – var(–b) / 2) calc(100% – var(–h)));
}

The pseudo-element is used to create the tail at the bottom and notice how it inherits the gradient from the main element to simulate a continuous gradient that covers the entire shape.

Another important thing to note is the background-size declared in the .tooltip. The pseudo-element is covering a bigger area due to the negative bottom value, so we have to increase the height of the gradient so it covers the same area.

Can you figure it out? The code for all of them is included in my tooltip collection if you need a reference, but do try to make them yourself — it’s good exercise! Maybe you will find a different (or perhaps better) approach than mine.

I love these delightful 2024 Oscar nominee illustrations

Original Source: https://www.creativebloq.com/news/olly-gibbs-oscars-poster

Olly Gibbs does it again.

Apple iPhone 16: Everything we know, from features to design

Original Source: https://www.creativebloq.com/news/iphone-16

Every rumour, all in one place.

The internet immortalises grumpy Oompa Loompa girl in hilarious fan art

Original Source: https://www.creativebloq.com/news/oompa-loompa-art

Her image will live on for eternity.

Enhanced Internationalization (i18n) in Next.js 14

Original Source: https://www.sitepoint.com/next-js-internationalization/?utm_source=rss

Enhanced Internationalization (i18n) in Next.js 14

Dive into internationalization (i18n) by exploring Next.js 14’s new features and how to build multilingual web experiences effortlessly.

Continue reading
Enhanced Internationalization (i18n) in Next.js 14
on SitePoint.

Branding and Visual Identity: Insights from Forte Whey Project

Original Source: https://abduzeedo.com/branding-and-visual-identity-insights-forte-whey-project

Branding and Visual Identity: Insights from Forte Whey Project
Branding and Visual Identity: Insights from Forte Whey Project

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Explore the intersection of branding and visual identity in the Forte Whey project, a case study in modern, health-focused brand creation. 

In the competitive landscape of health and nutrition, the Forte Whey project by Daniel Medeiros stands as a testament to innovative branding. This project showcases how a brand can offer a compromise between health and taste, challenging the notion that nutritious snacks must sacrifice flavor for benefits. Forte Whey, designed for those committed to a healthy lifestyle without compromising on the joy of eating, embodies strength not just in physical form but as an attitude and determination.

The crux of developing Forte Whey’s brand identity was to navigate the common misconception that healthy snacks are dull. The challenge was to create a visual language that communicates modernity, passion, and innovation while distinguishing the brand in a crowded marketplace. The solution? A bold typographic logo that symbolizes strength and contemporary aesthetics, complemented by a vibrant color palette of neon, black, and beige. These elements work in harmony to not only promise a healthy lifestyle but also a bold statement against the mundane.

Forte Whey’s design strategy is a blend of art and science. The typography is not merely letters but a representation of the brand’s core values. The color scheme is carefully chosen to evoke a sense of innovation and boldness, appealing to consumers seeking both health benefits and taste. The cohesive design elements ensure the brand stands out, making a significant impact at the point of sale.

This project exemplifies how thoughtful design can transform brand perception, making it an excellent study for those interested in the intersection of branding and visual identity. By focusing on the essence of the brand and its promise to consumers, Daniel Medeiros has crafted a visual identity that truly differentiates Forte Whey in the market. This case study not only inspires designers but also brands looking to make a mark in their respective industries.

Branding and visual identity artifacts

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brand identity branding  Brand Design visual identity logo visual design Packaging packing whey Whey Protein​​​​​​​brand identity branding  Brand Design visual identity logo visual design Packaging packing whey Whey Proteinbrand identity branding  Brand Design visual identity logo visual design Packaging packing whey Whey Proteinbrand identity branding  Brand Design visual identity logo visual design Packaging packing whey Whey Proteinbrand identity branding  Brand Design visual identity logo visual design Packaging packing whey Whey Proteinbrand identity branding  Brand Design visual identity logo visual design Packaging packing whey Whey Proteinbrand identity branding  Brand Design visual identity logo visual design Packaging packing whey Whey Proteinbrand identity branding  Brand Design visual identity logo visual design Packaging packing whey Whey Protein

For more information make sure to check out Daniel on  Behance and LinkedIn. 

The best infographic maker to use in 2024

Original Source: https://www.creativebloq.com/infographic/tools-2131971

The best free (and paid-for) infographic maker options.