Original Source: http://feedproxy.google.com/~r/tympanus/~3/Z9mQmEc5x48/

Over the course of six weeks, we published six articles that covered a variety of SVG Filter effects and the filter primitives used to create them:

SVG Filters 101— in which we covered the basics for getting started with SVG filters.
In the second article, Outline Text with <feMorphology>, we learned about feMorphology and how it can be used to shrink and expand content. We saw how we can use it co create text outlines and paint-like image effects.
The third article, Poster Image Effect with <feComponentTransfer> was our first step into the world of feComponentTransfer. We learned how we can use it to create poster image effects.
In the fourth article, Duotone Images with <feComponentTransfer> we dug further into feComponentTransfer. We learned how to use it to recreate Photoshop’s duotone effects by creating gradient maps and applying them to images.
In the fifth article, Conforming Text to Surface Texture with <feDisplacementMap> we recreated another Photoshop-grade effect and learned how to conform text to surface texture. We saw how the steps to recreate Photoshop effects are very similar in SVG.
And in the sixth article, Creating Texture with <feTurbulence> we learned how to generate our own textures using SVG’s feTurbulence primitive. We learned how to use it to distort HTML and SVG content, as well as simulate natural texture by combining it with SVG’s lighting effects. All pretty powerful stuff.

Even though we covered a lot of areas, I can confidently say that we barely scratched the surface of what’s possible with SVG Filters. In this short follow-up article, I want to share some of my favorite resources to learn more about SVG Filters.

Moving Forward: SVG Filter Learning Resources and Experiments

To get an even broader idea of the incredible possibilities that SVG Filters bring to the Web, I highly recommend checking out Lucas Bebber’s Codepen profile. Lucas is the guy who created the famous Gooey Effect using SVG Filters. His experiments include even more impressive effects that are guaranteed to inspire you and get you excited about the possibilities that SVG brings to the Web.

See the Pen Gooey Menu by Lucas Bebber (@lbebber) on CodePen.light

See the Pen CSS Text filling with water by Lucas Bebber (@lbebber) on CodePen.light

Michael Mullany was my go-to resource for learning when I took my first dive into the world of SVG filters. I learned a lot from his writing, his contributions to the Web Platform Docs’ SVG Filters entries, and his Codepen experiments which are literally an SVG Filters gold mine! Check out this Stranger Things logo recreated entirely with SVG Filters:

See the Pen Stranger Things Logo in SVG (Filters) by Michael Mullany (@mullany) on CodePen.light

David Dailey has a fantastic introduction to SVG Filters in which he shows a wide range of possible effects that he created with feTurbulence, including but not limited to heavy cloud and bokeh-like effects.

The results of adjusting the results of feTurbulence with other filter primitives. Adjusting and saturating colors with feColorMatrix, as well as sharpening with feConvolveMatrix are examples of things you can do with generated noise.

Dirk Weber also created some of the best SVG Filter effects that I personally learned a lot from. He shared his experiments in an article on Smashing Magazine more than three years ago! He shares a variety of text effects created using SVG filters. You’ll find examples of grunge texture, protruding and 3D text, water splash effects (uses feTurbulence), and many more. Dirk uses two filter primitives in his experiments that we didn’t touch on in this series:

feTile which is a utility primitive which fills a target rectangle with a repeated, tiled pattern of an input image. Yoksel also has a great example created using a series of operations including feTile that is worth exploring.

and feConvolveMatrix which is one of the more complex and also more powerful primitives. It applies a matrix convolution filter effect. A convolution combines pixels in the input image with neighboring pixels to produce a resulting image. A wide variety of imaging operations can be achieved through convolutions, including blurring, edge detection, sharpening, embossing, and beveling. I haven’t personally experimented with this primitive just yet, but I know other people who have.

Some of the text effects that Dirk Weber covers in his article o n Smashing Magazine.

Yoksel’s SVG experiments on Codepen are also a great resource to learn from. She even created this fantastic visual SVG Filters tool which you can use to create effects and copy-paste the generated code to use in your own projects.

The visual SVG Filters editor by Yoksel.

And last but not least, you can find all there is to know about elements, properties and attributes of SVG Filters in The SVG Filters Specification.

Why SVG Filters?

SVG is currently a lot more powerful than CSS when it comes to creating graphical effects on the web. And there are several reasons why creating visual effects on the web is better than importing them as images from graphics editors like Photoshop and Illustrator:

In the days and age of the responsive web, we are no longer dealing with one image. For every image we use on the web, we should be providing responsive versions of that image optimized for different user contexts and performance. This means that if you create an image and then decide to change something about the effect in it, you’re going to have to change the effect in multiple images, which will easily turn into a maintenance nightmare. Creating effects in the browser, on the other hand, means they are resolution-independent and easier to edit.
The ability to apply filter effects on the web helps to maintain the semantic structure of the document, instead of resorting to images which—aside from generally being a fixed resolution—tend to obscure the original semantics of the elements they replace. This is especially true for effects applied to text. When effects are applied to real text on the web, that text is going to be searchable, selectable and accessible.

Effects created on the web are easier to edit, change, and update without having to jump between the graphics editor and the code editor or browser.
And last but not least, effects created on the web can be animated and interacted with. This is one of their most important points of strength.

Final Words

Thank you for joining me on this SVG Filters journey over the last few weeks. I hope this series has inspired you to start experimenting with SVG Filters and using them more when and where appropriate. There are many effects that you can create that would definitely be filed as experimental. But there are also many practical applications for filters in the wild as well. My hope is that this series has given you a glimpse of what’s possible and that it encourages you to unleash your imagination and to start creating your own practical use cases.

Finally, I hope you enjoyed this series and found it useful. Thank you for reading. =)

SVG Filter Effects: Moving Forward was written by Sara Soueidan and published on Codrops.

Original Source: http://feedproxy.google.com/~r/1stwebdesigner/~3/Xf1EcICM5ig/

Since webfont support is basically universal there’s no good reason to stick to the defaults. Google Webfonts is the largest source of free fonts with hundreds of typefaces to pick from.

Since page headers are the strongest elements they usually work best with custom fonts. However it can be tough whittling down the best choices, and that’s exactly why I wrote this post.

All the Fonts You Could Ask For

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1. Montserrat

The first in my collection is Montserrat. This font can work for pretty much anything but I think it works incredibly well as header text.

I’ve used this for navigation text with all caps, customized letter spacing, along with many different font styles from thin to super thick. Montserrat fits the bill perfectly across the board and it’s one of the more universal fonts blending into anything from a tech blog to a funeral parlor website.

The font only weighs about 500 bytes using the default style so it’s incredibly light. And with so many different styles you can get a lot of different looks from this one family.

If you’re looking for a unique heading font try Montserrat. It probably won’t work for everyone but it’s a safe starting font that many designers love.

2. Merriweather

A much thicker serif alternative is Merriweather which I also like as a body font. This versatile typeface really looks great anywhere on your site and it’ll bring plenty of attention to your headers.

If you try Merriweather for a larger page heading I suggest using the bold or bold italic style. They are surprisingly clean but they probably need some letter spacing adjustments. Either way the style and darkness of the letters are super easy to follow.

When pairing this font I usually do a sans-serif body typeface. The contrasting styles create a natural divide between headers & body copy. Plus most people find sans-serif easier to read on average for body content.

But I see a lot of sites with serif headers and they all look great. Merriweather is a nice starting point for serif, but if you don’t like it you’ll find tons of alternatives in this post.

3. Josefin Sans

Modern and classy best describes Josefin Sans. It feels like a font straight from a 1950s jazz lounge, or maybe something you’d see on the front page of The New Yorker.

It does have a distinct curvy style and the thin letters save a lot of horizontal space. You can toy with all-caps or different letter spacings to create many unique styles all from this one font family.

Some sites just look better with thin heading fonts. If you’re looking for one to try I absolutely recommend Josefin Sans with its unique letter designs and its many bold/italic styles.

4. Arvo

One other serif font I really like is Arvo. This font has a lot of character which you’ll notice right away in the bolder styles.

I really feel like Arvo works best on blogs and digital magazines because the font grabs so much focus. It’s one of the strongest fonts in this list and the serif design grabs even more attention.

If you’re launching a magazine-style blog then Arvo can work well as a strong header. But if your blog works better with sans-serif fonts this can be too much. One alternative that’s a bit more subtle is Crete Round but it doesn’t have the same eye-catching appeal as Arvo.

5. Raleway

I’ve seen Raleway on many larger blogs and online magazines for its distinct style and large variety of font variations.

For big heading text I think a mid-level thickness works best so the letters don’t get too wide. Default letter spacing is great so every word is clearly legible.

One feature unique to Raleway is the “w” letter form. It crosses in the middle which looks like two “v”s stacked together. Some may like this, others won’t. But it’s definitely unique to Raleway so it’ll stand out in your page headers too.

6. Catamaran

One of the newer fonts I found recently is Catamaran. It comes with 9 font styles from thin to black and varying thicknesses inbetween.

What I like most about this font is the offbeat lettering. Each letter takes on a very unique style and you can see this in the bolder styles. When used in heading text these letters really shine and jump off the page.

Because the bold styles are so thick you should only use Catamaran in headers with larger font sizes. It can look OK at all sizes but Catamaran really feels like a thick header typeface.

7. PT Sans

PT Sans is soft with smooth edges and thin letters. For headers I only like the bold style of PT Sans because the “normal” style just feels way too thin.

I also prefer PT Sans for headers only since it just feels too soft for regular body text. But any PT Sans header is going to look amazingly clean and readable. This font actually has a sister named PT Serif that also works well.

Between the two, I personally prefer PT Sans. It has smoother edges than the serif version and I feel it just works better in page headings and especially for blogs.

8. Open Sans

Open Sans is small, versatile, and super clean. It deserves a spot in this collection because it’s a simple font and one of the fastest loading fonts from the entire Google Fonts library.

The majority of sans-serif fonts play well with any site. Plus you can use sans-serif fonts in both your header and body text making Open Sans a reasonable choice for the entire website. One alternative I really like is Muli which has a lot more character as a header font.

But Muli’s downside is the larger file size. Ultimately this is what makes Open Sans so great because slower sites don’t rank as well and they provide a worse UX all around.

9. Roboto Slab

For a strong serif header font you might try Roboto Slab and just see how it looks. The letters aren’t too thick and the tags that hang off don’t distract the reader.

I generally prefer Roboto Slab for headers instead of the sans-serif version called Roboto. The serif version just feels stronger and leaves a much bigger impression on the viewer.

Truth be told they’re both awesome and you can’t go wrong either way. They both support all the common unicode characters and they’re both amazing choices for your website headings.

10. Ubuntu

The free Ubuntu font can be used for practically anything from nav text to large headers and even body copy. It’s extremely versatile and it’s lightweight with a pretty fast load time.

Rounded edges on the letters make this feel sleek and modern. It’s also one of the few fonts that really can be used in multiple places on your site which can cut down the total number of fonts you need.

Ubuntu was designed back in 2010 so it’s been around for quite a while. Now that webfonts are much more common the Ubuntu family is widely used in web design.

Wrapping Up

Whenever I design a new site these 10 fonts are my go-to choices for headers. They’re much better than the stock OS defaults and your layout will really stand out from the others with these strong header fonts.

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/8G-oKU2CseA/ode-simplicity-graphic-design-playing-lines

Ode to Simplicity in Graphic Design Playing with Lines

abduzeedoFeb 25, 2019

I am a fan of simplicity and for this post, I would love to share some artwork that inspired me for some recent personal projects. These are graphic design explorations using simple elements like lines and adding some deformation. It is a super simple effect, you can basically create it in Photoshop using the Displacement Map. The same goes if you want to animate it in After Effects. As I said, the effect is easy to be recreated, however, to achieve elegance and simplicity requires a lot of experimentation.

Graphic Design

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/bxBggxbNrs8/5-apps-that-are-shaking-up-the-art-market

It’s always been tough to make money from art. But for big-city artists and curators, the cost of real estate for galleries and studio space has made it even tougher to build a sustainable practice.

The growing popularity of art fairs has also had an effect, by creating destination experiences that might be great for bringing people in, but not necessarily for actually selling art.

But artists willing to embrace digital technology and take charge of their own destinies have never had it so good. Social media, online platforms, transactional ecommerce platforms and mobile apps have made it possible to reach global audiences, build personal brands, and sell art on more favourable terms than ever before. In this article, we take a look at the art apps that are shaking things up for creatives. 

Selling art online

The artist’s digital journey often starts on social media, with artists using tools like Instagram to promote work and build an audience. Now there are also digital platforms to monetise creativity, and a new breed of digital-first players are building unique connections between artists and collectors, creating markets that simply didn’t exist in the pre-digital age.

16 great places to sell your design work online

Alongside this is an explosion of new channels to reach art lovers, whether it’s using Snapchat to provide behind-the-scenes looks into the creative process, or engaging with storytellers on podcasts to help spread the word (check out this playlist of great art podcasts).

With the global online art market worth around $4.22 billion in 2017, up 12 per cent from the previous year, these new digital tools and platforms are already revolutionising the world of fine art for artists and art-lovers. Here are five apps and platforms that are leading that revolution, creating new ways to make fine art profitable.

01. Artsy

The art on sale on Artsy ranges from design items such as ceramics to sculpture to photography

Artsy has a vision to transform the art world through technology, and it’s executed on that vision from day one, delivering an online platform that connects art lovers to galleries and artists in a global community. Its library encompasses a dizzying breadth of art, from Old Masters to contemporary artists. 

Under the hood, Artsy has built relationships with galleries and art fairs, combining their understanding of art markets with its deep technological expertise to provide gallerists and curators with tools and data to promote the artists they represent.

02. Patreon

Get direct support for your work using Patreon

Patreon is rethinking how artists and creators can finance their work, by enabling direct funding appeals to patrons and supporters. A digital spin on an age-old model, the San Francisco-based platform gives emerging artists control over their careers, without them being beholden to the existing gatekeepers of the art world.

Patreon enables artists to garner financial support for their work directly from the people who love it the most. The platform enables both the discovery of new artists and support for established artists, while leveraging learnings from ecommerce and crowdfunding to help artists make direct appeals to support their creative efforts.

03. Artfare

Artfare connects potential patrons to artists

Launched in February 2019, Artfare puts a new spin on the art fair model, using a mobile app, in-house curators and local pop-up shows and fairs to create connections between artists and collectors in local art scenes, starting with New York. 

Artfare promotes vibrant local art scenes by bringing artists and collectors together through messaging, studio visits and sales of art works. Using Artfare’s listings, artists can promote works for sale on social platforms such as Instagram (where they’ve often built big followings). In addition they can monetise them through online sales using the Artfare app – it gives them more control and effectively tilts the economics of art-buying in their favour. 

04. Paddle 8

Paddle 8 is a bit like eBay for art

Paddle 8 is a curated auction platform that enables a global community of buyers to discover and bid for art in real time. By digitally enabling the auction mechanic, it helps to promote artists’ work and drive sales, creating a global, digital spin on a market dynamic that was previously often limited to those with privilege and access.

05. Uprise Art

You can talk to one of Uprise Art’s personal art advisors if you’re not sure what you’re looking for

This one isn't an app, but a platform. The team at Uprise Art are driven by a mission to enable a new generation of digitally savvy collectors to discover and buy art from emerging artists. Uprise Art is effectively a digital gallery, working online and via pop-ups, collaborations and booths at art fairs to showcase the work of a roster of talented artists. 

By creating a digital-first gallery experience and constantly innovating the model – connecting with high-flying tech start-ups to provide art for their offices or working directly with interior designers – Uprise Art gives emerging artists new opportunities to have their work discovered and purchased.

Read more:

The 10 best drawing booksHow to succeed as a designer-makerThe best online art classes