The best 4K monitors for designers 2018

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/lvE42f_tulQ/best-monitor

Choosing the best 4K monitor for creative work when you're a designer can be difficult and time consuming. You'll want to make sure that you get a 4K monitor that does your artwork justice.

You also need one that can keep up with the rest of your hardware. After all, you might be armed with a great laptop for graphic design or a brilliant video editing computer – not to mention a top-class Creative Cloud subscription, but if you're not seeing the right colours on your screen, don't have enough inputs or simply have the wrong size monitor, it doesn't matter how good you are: your work will suffer.

This guide will help you choose the best monitor for you, no matter what creative discipline you work in. (Make sure you pick up a quality monitor calibrator as well.)

As you'd expect, all the monitors here are 4K or above, making them an excellent choice for creative professionals and serious hobbyists alike. 

Also read: The best cheap 4K monitor deals of 2018
What is 4K resolution?

4K, also known as Ultra HD, refers to the high-definition resolution 3840 x 2160 pixels, which is four times the 1920 x 1080 pixels found in a full HD TV. 

Read on for our pick of the very best 4K monitors out there for designers, artists and creative professionals. 

The best and most accurate picture quality carries a high price tag. Eizo displays are a familiar sight in professional photography and video production studios. The 31-inch ColorEdge CG318-4K continues this tradition, with not just full sRGB coverage, but 99% of the Adobe RGB spectrum and 98% DCI-P3. It fully supports 10-bit colour, taken from a 16-bit look-up table.

Unlike other 4K monitors, the CG318-4K has a 4096 x 2160 resolution. This reflects the different, slightly taller 4K standard used in digital video production, compared with the 3840 x 2160 resolution used in most computer displays. 

All of these features come together to produce a jaw-dropping image, making your creative work shine. Oh, and there's a built-in calibration tool to constantly keep the colours as accurate as possible, which pops across the screen every time it's powered on, along with a bundled monitor hood.

Dell's top-end 31.5-inch 4K display packs in a lot of professional-grade features for superb colour accuracy. But while it costs a lot less than Eizo's offering, it's still a pricey prospect, as expected of a large high-end 4K monitor.

Dell's top-end 4K display now covers the DCI-P3 colour spectrum. It has a specification that almost rivals Eizo's monster CG318-4K, as it hits 99% Adobe RGB coverage and 87% DCI-P3, delivering great picture quality.

This is an incredible display – but do you really want a 40-inch panel? Based on VA-IPS panel technology, it offers extremely good contrast, with 300 cd/m2 brightness.

Its menu is controlled with a small joystick at the back and it also offers a four-way picture-in-picture (PIP) mode, allowing you to allocate a quarter of the screen to each video input.

On such a large 4K screen, each connected device will have its own 1920 x 1080 screen area – perfect for seeing your designs in Illustrator or working on your 3D art on one machine while looking up reference images on another device on the same screen, for example.

Acer S277HK

If you're after a mid-range 4K monitor that ups the image quality and provides plenty of features, without costing an exorbitant amount, then the Acer’s S277HK is the best mid-range 4K monitor out there. With a 1,000,000,000:1 contrast ratio, a colour gamut of 1.07 billion and a resolution of 3,840 x 2,160, the Acer S277HK excels at image quality. And while the minimalist design might not have a lot to shout about, some will appreciate its pared-down looks. 

The BenQ PD3200U's screen size and resolution makes it a great choice for designers and creators. The screen is a hefty 32-inches, which makes working with 4K images and videos much more comfortable. 3D designers will be grateful for the inclusion of a CAD/CAM mode, and everyone else will appreciate the factory-calibrated colour accuracy and Rec. 709 adherence. It's a pricey monitor, but for many designers, this will be well worth the money.

Asus' Pro Art line competes with professional colour-accurate screens. It's got loads of inputs, with three HDMI ports – including one HDMI 2.0 port capable of the full 60Hz needed for smooth 4K –  and two DisplayPort inputs.

The Asus PA329Q is the upgraded version of of the company's flagship 4K professional display, with a 10-bit IPS panel that now supports a 16-bit colour look-up table and quoted 100% Adobe RGB coverage, with support for the DCI-P3 colour spectrum as well.

Iiyama's 28-inch B2888UHSU is a lot more reasonably priced than many of the options we've presented in this buying guide. It uses a TN panel with a 1ms response time, and although the viewing angles aren't quite as wide as you'll find with an IPS display, there are plenty of small extras that make the B2888UHSU a really good buy.

It has plenty of inputs, too, plus a fully adjustable stand, and a picture-in-picture mode, so you can use two devices simultaneously with this monitor.

The U28E590D is a slick 28-inch 4K monitor with a beautiful design and a whopping 8.3 billion pixels. DisplayPort 1.2 gives you fluid 60Hz 4K, while everything is detailed and clear thanks to a brightness of 370cd/m. Picture settings can be tweaked using the on-screen menu, or you can sit back and enable its Dynamic Contrast mode to do the heavy lifting.

There's also very smart port placement, so you won't have to bend around the back to connect any cables or peripherals.

Related articles:

The best laptops for video editing 2018Typography 55 best free fonts for designersThe best cheap laptop deals for creatives

Fresh New Brand Identity for Sweet Films

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/iDjb__0FbhY/fresh-new-brand-identity-sweet-films

Fresh New Brand Identity for Sweet Films

Fresh New Brand Identity for Sweet Films

abduzeedo
Jun 26, 2018

 

Elvis Benício and Diego Bolgioni were invited to create a new brand identity for Sweet Films. The goal of this rebranding was to adapt to the new strategic position and vision of the studio and communicate the message to the market. Sweet Films is a Brazilian boutique studio specialized in video production for advertisements. The design solution that they created included dynamic visual elements made up of fresh components and a new typeface.

The final deliverables included a visual identity guideline book, website (UI/UX), stationery and animated signature.

Credits
Motion graphic: Rafael Fernandes /
Graphic Design: Elvis Benicio, Diego Bolgioni
Brand identity

Concept.

After going through many possible ideas about shapes and graphic concept Diego and Elvis realized that it could be interesting to build a metaphorical connection with a fly (as a client) and something that looks yummy (sweet). From this starting point, everything pumped up in their minds and the process began to be playful, upbeat and consistent. The project was approved with success by the client without any changes. (all in!)

Stationery.

Social kit

Visual elements

Website

Signature

Before / after

branding


15 Essential Twitch Tips & Tricks You Should Know

Original Source: https://www.hongkiat.com/blog/essential-twitch-tips-tricks/

Helpful tips and features that help you make the most of Twitch’s game-streaming service.

The post 15 Essential Twitch Tips & Tricks You Should Know appeared first on Hongkiat.

Visit hongkiat.com for full content.

Overcoming The Illusion of Per Project Profitability

Original Source: http://feedproxy.google.com/~r/1stwebdesigner/~3/YFIeZbujxqI/

The illusion of per-project profitability can be a tough mindset nut to crack. I’ll talk with digital agency owners that say things like, “I have a 70% profit margin!” What they are telling me is that they have a seventy percent gross profit margin. They sell a project for $10k and pay some offshore team $3k to deliver it.

What they fail to consider is their business’s fixed costs – or their competitive wage – into the equation. The reason these numbers are significant is that they happen every month, regardless of how many projects you bring in. Your mortgage doesn’t care how fat your per-project margins are, just that you have their dough every month, relentlessly for 360 months.

I can’t tell you how many times I have heard someone say how profitable his or her work is, only to discover that his or her business is unprofitable. I will hammer this point until all agency owners understand it, or you decide to punch me in the face.

How This Works

The math to figure this out is simple. The problem I find when consulting with most digital agency owners, especially those with agencies less than a million dollars a year, is that they don’t pay themselves a fixed wage. They pay themselves whatever is left over at the end of the week or month (or they charge those plane tickets for their upcoming vacation to their business credit card because their personal account is broke – I speak from experience).

To figure out profitability, I always ask an agency owner to tell me what they should get paid every month. Thinking about their salary makes the math I’m about to show them more painful, but alas, more realistic. Let’s take a virtual agency of one as a baseline example. They sell $10,000 projects here and there, and the owner (should) makes a $60k per year salary with another thousand in fixed costs for hosting, internet and the like.

That scenario looks something like this:

 
Month 1
Month 2
Month 3

Revenue
$10,000
$0
$10,000

COGS/Labor
$4,000
$0
$4,000

Gross Margin
$6,000
$0
$6,000

Fixed Op Ex
$6,000
$6,000
$6,000

Net Profit
$0
-$6,000
$0

This business is now $6,000 in the hole. Since the owner isn’t paying themselves a fixed wage, they don’t pay themselves that second month and might still hold the illusion that the business is ok, they just are putting in sweat equity or something.

No, the business is not ok, and you’re not ok.

Wake Up Now

Before I showed this digital agency owner this math on the back of a napkin, they had proclaimed to me that their work was indeed profitable. My response is, “who cares, you’re not getting paid, and the business is redlining!”

At this point, I usually ask something like:

“How does it feel to know what’s going on in your business?”

Which gets a response of varying degrees of:

“It makes me depressed.”

Good. An unprofitable business makes me depressed too. However, now we know. And the more we know about what is going on, the more clear we are on the actual issues at hand. We can solve problems with better solutions than just not paying us.

“Deciding not to pay yourself to solve a business problem should be the last solution on the table. Not the go to each month because you are avoiding hard decisions.”

When people realize this injustice they are putting on themselves, I want them to go to bed fuming. I want them to think, “How have I let this happen?!”

We can put that energy and frustration to good use.

Channeling the Energy

If we run with the above example, we could make two relatively simple changes to this business and see lasting benefits.

The first would be a small update to their pricing model. I’m not talking about getting all hardcore by doubling their prices (which wouldn’t be wrong, but probably a bit reckless). In my head, I would be targeting at least a 15% net margin after paying themselves a wage. Since this example uses nice round numbers, month one and three operate at a 0% margin, so we can raise prices by 15% with everything else holding true we’d have the target margin.

The second would be to hammer into their head that they need to sell a $10k project EVERY month. If they told me that they didn’t get that many leads, then we’d solve that problem. If they said to me that they couldn’t deliver that much work, then we’d solve that problem. With enough time maybe we’d solve both problems.

With those two changes, here is how their situation changes:

 
Month 1
Month 2
Month 3

Revenue
$11,500
$11,500
$11,500

COGS/Labor
$4,000
$4,000
$4,000

Gross Margin
$7,500
$7,500
$7,500

Fixed Op Ex
$6,000
$6,000
$6,000

Net Profit
$1,500
$1,500
$1,500

Now we have true profit! The magic of pricing and volume.

Your Marching Orders

Getting clear on this issue in your business requires you to get clear on your financial numbers. I have been (unpleasantly) surprised at how many agency owners are not clear on this. This issue doesn’t affect the small shops as I illustrated in my example. I’ve worked with agencies with over $100k in monthly revenue that were unprofitable (but were convinced that shouldn’t be so because of the per-project illusion!).

The other thing that I demand of people is that they set a baseline salary for themselves and any other owner. The more this number equals a competitive wage for the position you fill in your business the more accurate our net margin number will be.

It’s just too easy for an agency owner to vary their pay and push this issue under the rug. Maybe it’s because we get beat around by our clients so much that we don’t think our salary is that important.

When in fact, it’s the MOST IMPORTANT NUMBER when running a business. When an airplane is going down, you put your oxygen mask on first. Then you take care of those around you. If your pay fluctuates, you lose respect for yourself. Your peers or spouse will think your business is not dependable. These views will seep into your mindset.

If you don’t pay yourself regularly, the chances of you going out of business go up significantly. Set a target wage. Get clear on your fixed monthly expenses. Make sure you track your company’s monthly performance.

How much margin you make on an individual project matters. Putting that number in the context of your month-to-month profit and loss statement is more important. I’d rather hear you say, “I have a 15% profit margin!” and for that to be real business profit margin after paying yourself a competitive wage than some 70% blasphemy.

If you don’t know this stuff, stop what you are doing, and figure it out RIGHT NOW. That client can wait. Your future depends on it.


How to Run a Heuristic UX Evaluation

Original Source: http://feedproxy.google.com/~r/1stwebdesigner/~3/z1N9WV8rgV4/

User experience development and optimization is a broad field. There are many facets of web design to consider in the development of a website. The factors affecting user experience, or UX, span from content production and page layout to website interactions.

Being able to identify usability issues with a user interface is called heuristics. It encompasses broad, qualitative rules that help determine the usability of your website and the overall experience your visitors are having.

The UX Designer Toolbox
Unlimited Downloads: 500,000+ Wireframe & UX Templates, UI Kits & Design Assets


DOWNLOAD NOW

To ensure better performance, designers use a heuristic evaluation, which is a way to test the overall UX of your site and if the site has usability issues. Your website’s UX is important and can have a big impact on your business and the success of your website.

Image via UsabilityGeek.com

A heuristic evaluation is different than user-testing because you are utilizing usability professionals instead of users. Sometimes, this approach is referred to as an expert review since you are getting professional feedback about your UX.

There are over 200 criteria that can be used when a site is being evaluated. Most businesses will determine the specific probes they want to be included in the evaluation. Many experts base their questions and responses on Jacob Neilson’s 10 Heuristics for User Interface Design.

Here is a closer look at those 10 heuristics:

1. Visibility of System Status

The system or website should always keep users in the loop about what is going on. This information is given to users through feedback in a reasonable time.

2. Match Between System and the Real World

The website should cater to a specific audience. The language used through phrases, words, and concepts should be relatable to that specific audience and fit into their worldview.

3. User Control and Freedom

Users will inevitably click on something by mistake, leading them to a page they don’t want to be on. An exit or return option should be available to them for a quick return.

4. Consistency and Standards

Platform conventions have been put in place, so your users do not have to wonder what your website means. Most users are familiar with these conventions. If your site is consistent, it should be easy for users to navigate and know what steps to take to reach a goal.

5. Error Prevention

Evaluators check for situations that could lead to an error page for your user. A good error message will send readers back to where they belong. An even better solution is removing any error-prone conditions on your website.

6. Recognizing Rather than Recalling

Your website should not require its users to remember information. Objects, actions, and options should always be visible, allowing them to keep up with your website’s dialogue without missing a beat.

7. Flexibility and Efficiency of Use

Accelerators are often used to speed up the process and interaction between experienced users and your website. This means that no matter the level of expertise of your user, your site will function at the same speed.

8. Aesthetic and Minimal Design

There should be no fluff or irrelevant information on your website. The design should be aesthetically pleasing and seamlessly incorporate relevant content and information for your users.

9. Helps Users Recognize, Diagnose, and Recover from Errors

Error messages should never include code and should simply explain the problem to users. It should suggest a quick solution that is easy for the user to follow.

10. Help and Documentation

It is most effective to have a system or website that does not require any help or documentation. If your system does require it, it should be easy to find, read, and carry out.

How to Run Your Evaluation

Planning and running your heuristic evaluation can be a long process.

Companies with expansive resources should hire at least three usability experts to perform the evaluation. Your team will decide upon the guidelines to be used during the evaluation, and then each expert will evaluate the site separately. Someone who is comfortable with the site should be available to the experts to answer any questions and record the process.

Before You Start

It is important to have a clear focus of who your users are before you begin the evaluation process. Develop personas or story maps for your users and make sure your website design caters to those individuals.

Consider the different tasks your users do when they are visiting your website. Most businesses prefer to rank these activities in order of importance. Take these tasks and relate them to the guidelines that will be given to the evaluators.

Develop a Method

After you have determined your guidelines and tasks the experts should be evaluating for, develop a method. Your evaluation method will include a system of severity codes the evaluators will be basing their responses on. Once the guidelines and methods are in place and your experts have been trained on them, it is time to run the evaluation.

Write a Report

When the heuristic evaluation is over, it is time to study the responses and write a report on the findings. Just like data, here’s where you gather the intel and analyze it. At this point, you can show developers the problems your users may have and come up with solutions for them.

Though you offer a written report, present your findings in person, if possible. This evaluation was done to test the functionality and UX of your website, and those who are involved in the process need to fully understand the findings – some of that may mean face-to-face interaction.

You will be reporting to the team of developers and key stakeholders in the business, so present the information tactfully and make it clear the recommendations for changes are for the betterment of the business.

Your report should include a list of the specific heuristics that were used in the evaluation. This will show the starting point that gave you your results. Explain who the experts are and their backgrounds to the group.

List the issues you discovered with the most important first. Then, give the audience solutions to how these problems can be fixed efficiently.

Your findings and report may mean some extra work for the developers, so give them as much information as possible about the findings so they understand how the UX is being affected and what they can do to fix it.

Can You Run a Heuristic Evaluation Without Experts?

Small start-ups or freelance web developers may not be able to afford a team of experts to evaluate their web design. In these situations, a more informal method called the heuristic markup can be helpful. This method does not provide professional results but can still be beneficial when testing your usability and UX.

Using this process, you set aside a few hours to walk through the website. Try to separate yourself from the development and act as a member of your target audience.

Keep in mind one of the personas developed for the business and perform the tasks as you imagine they would. Keep notes of your experiences as you move your way through the website, keeping track of areas where you got stumped or see a potential problem.

Insight Into UX Can Boost Your Website’s Traffic

Sometimes, why a website works well for a demographic can be a mystery, and these heuristic evaluations take some of the guesswork out of the process. Regardless of the size of your business, a heuristic evaluation of your website allows you to gain knowledge and experience about what your users are seeing.

Their experience on your website determines how long they stay, if they buy your product or service, and whether they return. Conducting an evaluation is the best way to discover potential problems and develop the best UX for your visitors.


10 Open Source 3D Animated Sliders Built On CSS & JavaScript

Original Source: http://feedproxy.google.com/~r/1stwebdesigner/~3/CI9_9MXM-Lc/

You can add some pretty crazy image sliders into your project with basic jQuery or even with free WordPress plugins.

They all have their own unique animations, custom interfaces and features. But if you can’t find what you want in a plugin, then you may be forced to build it yourself.

That’s what many of the developers featured below did when they built these incredible 3D-animated sliders. Here are 10 of my favorites from CodePen.

Slicebox

See the Pen Slicebox – 3D Image Slider by codefactory (@codefactory) on CodePen.

You’ve probably seen or heard of Slicebox before. This is a popular 3D slideshow plugin and it’s by far one of the most detailed.

This pen offers a live demo of the animated slider in action with most of the features still intact. It all runs on jQuery, while this specific demo works with just 50 lines of JavaScript.

But you can find an even more detailed example on the Codrops site. I’m a huge fan of this slider. If you’re looking for something with crazy 3D effects – this is your best bet.

Rotating Page Slider

See the Pen Rotating 3D Slider by Nikolay Talanov (@suez) on CodePen.

Developer Nikolay Talanov created this rotating slider with some very detailed JavaScript and even more complex HTML/CSS classes.

His code actually follows the BEM naming conventions for CSS, which use a double underline to separate blocks from containers. This makes it a lot easier to skim the code once you understand what you’re looking at.

But this slider may not work for everyone because it rotates the entire page rather than just a part of the page.

Still, it’s a really cool effect that would work very well on specific projects.

Smooth Perspective Slider

See the Pen Smooth 3d perspective slider by Alex Nozdriukhin (@alexnoz) on CodePen.

If you love parallax design on the web, then have a look at this slider created by Alex Nozdriukhin.

As you move your cursor around the page you’ll notice the slideshow element responds in kind. As you rotate your way through the elements, notice the custom animation effects.

This really is pretty smooth and it’s a darn creative use of web animation. However, you may have trouble finding a project that is a good fit for this type of slideshow.

3D Effects with jQuery

See the Pen jQuery 3D Effect Slider by victor (@vkanet) on CodePen.

This basic slider is proof that you can build something great with just a little bit of jQuery. It works on a timer interval, but can also be controlled with the included navigation arrows or dots.

It’s all pretty easy to customize if you’re looking to restyle the animation, as well. Just make sure that you’re up-to-date on the latest jQuery techniques before diving into this code.

3D Flipping Image

See the Pen 3D Flip Image Slideshow by Nik Lanús (@niklanus) on CodePen.

One interesting aspect of this pen is that it doesn’t work exactly like a slideshow. It’s built more to showcase the animation rather than a typical slider UI.

Still, I’d say that developer Nik Lanús has created an amazing design with a very attractive flipping animation.

You can force the images to flip by scrolling up or down on the page (this can all be controlled in jQuery). But it’ll take some work to move this animation effect into a full-blown image slider.

3D Cube Slider

See the Pen 3D Cube slider. Pure CSS. by Ilya K. (@fornyhucker) on CodePen.

I’ve never seen anything quite like this on the web – it has to be one of a kind.

With this 3D cube, you may be surprised how accurate and smooth the animations feel. Note that this script is a bit heavy, so you may have to give the pen a minute to load in.

But here’s the great part: this entire 3D cube animation works on pure CSS. No JavaScript required. How great is that?

Carousel Using TweenMax.js & jQuery

See the Pen 3D Carousel Using TweenMax.js & jQuery by John Blazek (@johnblazek) on CodePen.

You can build some incredible things with custom libraries like TweenMax.

One such example is this carousel, which works just like a typical 3D rotating album you’d expect to find in iTunes. The whole thing is controlled via JavaScript and it works with one of the many TweenMax animations.

Granted, this demo just uses placeholder text for each block – so it’s not all that pretty to look at. But you can easily swap out the text and create one heck of a custom carousel.

3D Slider in Pure CSS

See the Pen PURE CSS 3D SLIDER by Dmitriy Panfilov (@panfilov) on CodePen.

Here’s another radical slider with a super unique interface. This CSS3 slider is built on just HTML and CSS – making it even more impressive.

Creator Dmitriy Panfilov built this like an album stack where you click any of the lower elements to bring it into the foreground. It’s not your typical slideshow interface but it can work very well on websites with enough space.

But this really feels more like a practice project just to prove how much you can do with a little CSS ingenuity.

3D Image Gallery

See the Pen 3D images gallery by Bobby (@ImBobby) on CodePen.

If you’re looking for a rotating carousel with a smaller frame, check out this code snippet.

It works via CSS3 transforms and really does feel like it’s embedded into the page in 3D space. Note that the images may also take a few seconds to load, so it may require some patience on your part.

But what I like most about this snippet its portability. You can reformat the container element to whatever size you’d like – making this flexible and easy to add into any layout.

10. Carousel Cubed

See the Pen 3D Cube Carousel by Derek Wheelden (@frxnz) on CodePen.

Yup, another crazy cube carousel with some pretty whacky code.

This design created by Derek Wheelden relies on Sass and Bourbon mixins to simplify the animations. But all of the jQuery code is built from scratch, so you can easily reuse it without any preprocessing.

Again, this may not prove incredibly useful for every project you build. But the design is flashy enough to grab attention and certainly usable in the majority of modern web browsers.

This is just the tip of the iceberg with 3D effects on the web. If you’d like to see more, have a peek in CodePen for plenty of awesome 3D snippets that you can work with.


Most Promising Web Design Trends To Follow In 2018

Original Source: http://feedproxy.google.com/~r/Designrfix/~3/N3n7oJqmtbw/most-promising-web-design-trends-to-follow-in-2018

Technology is advancing fast, and most people have forgotten the days when time had to be set aside for shopping and running errands. Most businesses now have an online presence because people no longer have the time for time-consuming activities like shopping. Apart from completing their shopping from the comfort of their home, people are […]

The post Most Promising Web Design Trends To Follow In 2018 appeared first on designrfix.com.

Visual Design Inspiration for your Monday Morning

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/9lGDvEOeV1o/visual-design-inspiration-your-monday-morning

Visual Design Inspiration for your Monday Morning

Monday Visual Design Inspiration

abduzeedo
Jul 02, 2018

Monday is always the perfect day to spend some time to collect some visual design inspiration and set some goals for the week. With that in mind, there’s nothing better than getting tons of references. In the past, I used to go through books and magazines, but with the web now things are way easier. So for this post, I would like to share some of the UI design inspiration I have been collecting during the weekend for the upcoming redesign of Abduzeedo, which I will have more to share very soon. 

So for this post, I would like to share some references in web design, app design or simply put, pure design inspiration.

Visual Design Inspiration

03 architecture website3dflipFurnitureStoriesuiAuto landing page dribbbleMaster&DynamicOchcinci landing page nike design ui ux product web dribbble full 5Anicornxorder  yalessandri 3ShopHome 1.0

visual design


6 Considerations before Choosing a Web Design Company for Your eCommerce Website

Original Source: http://feedproxy.google.com/~r/Designrfix/~3/tWjkSYMFTYQ/6-considerations-before-choosing-a-web-design-company-for-your-ecommerce-website

If you are not a seasoned eCommerce professional, finding a perfect web design company for website development is more of like Forrest Gump’s box of chocolate: “you never know what you are going to get.” The benefits of having an eCommerce website for your traditional brick-and-mortar store is no secret. Most of the conventional merchants […]

The post 6 Considerations before Choosing a Web Design Company for Your eCommerce Website appeared first on designrfix.com.

Super Clean Brand Identity for Das Flash

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/wu6oqAlwfWk/super-clean-brand-identity-das-flash

Super Clean Brand Identity for Das Flash
abduzeedo
Jul 05, 2018

Das Flash It is a mini-magazine about the art of tattoo in Poland. Grzegorz Leśniewicz was responsible for creating a concept, name, brand’s philosophy, logotype and all brand identity materials along with a digital image. The final design was further modified in the direction of a more raw and underground appearance. The interesting thing for me is that the term raw and underground bring me different concepts in my head and when I saw this project I was amazed by the clean and simple aesthetics alongside with very organized compositions. Nevertheless, I love the outcome and it’s definitely worth checking it out.

Not paying attention to mainstream, we focus on the underground of the modern tattoo scene in Poland. We document its dynamic development, showing recognized artists and discovering local legends. 

Credits
Design: Concept, Naming, Branding, Web design 
Date: 2018 
Art direction: Grzegorz Leśniewicz 
Brand Identity

 

branding