Editorial Design for Lubomir Toaszewski Exhibit

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/YktqnKCFyJo/editorial-design-lubomir-toaszewski-exhibit

Editorial Design for Lubomir Toaszewski Exhibit
Editorial Design for Lubomir Toaszewski Exhibit

abduzeedo01.12.21

ELIPSY ̉ shared an awesome editorial design project in addition to a full design work for the Lubomir Toaszewski Exhibit, at least that is my interpretation of it. Even if I am wrong I am a fan of the editorial pieces created and shared on this project. The clever use of layers and colors with crips typography work always have a special place in my heart and here on abdz.


 


An alternative Spider-Man: Северный Паук

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/XR-CATPThAg/alternative-spider-man-severnyy-pauk

An alternative Spider-Man: Северный Паук
An alternative Spider-Man: Северный Паук

AoiroStudio01.07.21

I always excited whenever I see new work from Evgeny Zubkov, an illustrator and graphic designer from Saint Petersburg, Russian Federation. A couple of years back, we have featured his awe-inspiring illustration series of ‘CARBONGRAD 1999’ and now he is back with ‘Северный Паук’ which means ‘Northern Spider’. In his words, ‘a personal experimental project about an alternative “spider-man” in the realities of the Siberian province’. And it looks quite fantastic, well done Evgeny. I just love the idea and obviously his craft to execute his vision makes this even more impressive.

Behance

Image may contain: outdoor, person and clothing

Image may contain: snow and outdoor

Image may contain: indoor

 


Bootstrap 4 Code Snippets

Original Source: http://feedproxy.google.com/~r/1stwebdesigner/~3/Ucmm4DZ7RKM/

Do you use Bootstrap 4 in your projects? If so, you may be interested to see these examples of it in action that we’ve collected. From modals, sidebars, and thank you pages, to drag and drop, responsive menus, and buttons, we’ve gathered a few samples of code snippets to help you further how you build your next website. So have a look, play with them on CodePen, bookmark, and be sure to check out our other collections while you’re at it.

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Bootstrap 4 Modal Demos

See the Pen Modal Demos by SitePoint (@SitePoint) on CodePen.dark

Sidebar Template

See the Pen Sidebar template by Mohamed Azouaoui (@azouaoui-med) on CodePen.dark

Thank You Page Template

See the Pen Thank You Page Template by Jacob Lett (@JacobLett) on CodePen.dark

Custom Drag & Drop

See the Pen Custom drag file upload by Aaron Vanston (@aaronvanston) on CodePen.dark

Float Label

See the Pen Float Label by Anton Staroverov (@tonycorp) on CodePen.dark

Responsive Menu

See the Pen Responsive Bootstrap 4 menu – light/dark by Ivan Grozdic (@ig_design) on CodePen.dark

Play YouTube or Vimeo Videos in Modal

See the Pen Play YouTube or Vimeo Video in Modal – Bootstrap 4 by Jacob Lett (@JacobLett) on CodePen.dark

Auto Custom Buttons

See the Pen Auto Custom Bootstrap Buttons by Chris Johnson (@thecssguru) on CodePen.dark

Wizard

See the Pen Wizard by Nily F. Vicent (@missvicent) on CodePen.dark

Pricing Table

See the Pen Pricing Table by Daniel Zawadzki (@danzawadzki) on CodePen.dark

 

 


Overview Celebrates Mother Earth in all her aerial glory

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/5hZf0RcPCEE/overview-celebrates-mother-earth-all-her-aerial-glory

Overview Celebrates Mother Earth in all her aerial glory
Overview Celebrates Mother Earth in all her aerial glory

ibby01.07.21

Writing in with some inspiring shots from one of my new favorite projects celebrating our one and only Mother Earth from a bird’s eye. I was first introduced to the @dailyoverview by my sister when she shared a recent shot from the project’s Instagram showcasing a freighter full of containerized cargo awaiting its turn at Port. We come from a line of intermodal transport nerds as my late father spent summers working as a deckhand on an oil tanker in the South Pacific and always shared his love for being out at sea.

Now, I have the great privilege to live not 10 minutes from one of the world’s busiest ports – here in Oakland, California so the ability to experience these marvels at sea level is quite easy. It’s not until you picture these modern day marvels from above that you learn to appreciate their beauty. Same goes for just about anything else when you’re able to see it from a different perspective. Enjoy just a few of my favorite shots curated by the talented team at Overview including clouds floating over the Amazon, a lumber mill on the Oregon-Washington border, a crop-formed Bagua arrangement in Colorado, Evaporation Ponds in New Mexico and blades for wind turbines in Arkansas among many more….

I’ll truly look forward to the next time I’m 36,000 feet above ground so I can once again appreciate the “Overview Effect” but until then, I hope this post will satiate that desire for all of us.  

 

 

 

 

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Over-view’s Mission:

Overview was founded by Benjamin Grant and is aimed at spotlighting Mother Earth from a great distance which has been proven to stimulate awe, increase desire to collaborate, and foster long-term thinking. Grant and his team aim to inspire these feelings — commonly referred to as the Overview Effect — through our imagery, products, and collaborations. By embracing the perspective that comes from this vantage point, we believe we can stimulate a new awareness that will lead to a better future for our one and only home. Learn about their latest book “Overview Timelapse” here: https://www.over-view.com/timelapse/.


Gaming Console Series by Tyler Pate

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/lLFn_JHiTV8/gaming-console-series-tyler-pate

Gaming Console Series by Tyler Pate
Gaming Console Series by Tyler Pate

AoiroStudio01.06.21

Old school console is making a slow comeback in our household. Most of us have been staying in confinement during the holidays. Away from the relatives, kids going aloud for the season’ greetings and we can understand them. I had to pull off the shelves, one of the SNES Classic Edition to keep those monsters controlled. Tyler Pate is an art director/graphic designer, illustrator, and all-around creative from Florence, SC. He published a series of illustrations of Nintendo past consoles made with the Wacom, they are sublime. Give them a look!

Pate is currently working as a full-time freelancer and illustrator, pushing his abilities and developing innovative solutions for brands and companies. Follow him on his website

Growing up has always been surrounded by video games and consoles. Each year brought so many hours in front of the television screen. Nothing could ever compare to the vintage distressed memories of the nintendo consoles I’ve grown to love so much.

 


2021, Come On ! Motion Design Monday

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/UN4tRVM5K4o/2021-come-motion-design-monday

2021, Come On ! Motion Design Monday
2021, Come On ! Motion Design Monday

abduzeedo01.04.21

For our first Monday of 2021, we bring a film and motion design shared with us by Régis RAFFIN title 2021, Come On !

Come on 2021, we’re ready for you! Do you feel like starting this year pedal to the metal? On the great « come on » performed by The Hives, Director Régis Raffin offers us a shot of pure adrenaline with this short 3D animated film. A bit of crazy and fun to kickstart 2021 with enthusiasm and determination!

Happy new year everyone !

Credits

A film by REGIS RAFFIN 2D
character animation – CAMILLE GUILLOT
Music – “Come on” by THE HIVES


Hook Adjustable Light – Industrial Design

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/5jM3-COTJ3I/hook-adjustable-light-industrial-design

Hook Adjustable Light – Industrial Design
Hook Adjustable Light - Industrial Design

abduzeedo01.04.21

Huisu Jo shared an industrial design project that would solve one of the biggest issues I have today with working from home, light or the correct lighting for video-conference. ‘Hook’ allows people to adjust the position of the lights they need according to the situation. 

The idea got inspiration from ‘Dongmyo’ which is a traditional Korean market where everything is used as the ‘most convenient way’. The project began, observing people’s behavior in ‘Dongmyo’ and looking for new uses for things. “Among them, I was inspired by the fact that hangers are used as the easiest way to place things where users wanted them.” — added Huisu. 

Below you can see a bit more behind how Mr. Jo went from the idea to execution. 

Image may contain: black and white, outdoor and streetImage may contain: furniture, drawing and sketchImage may contain: drawing, sketch and child artImage may contain: gymnasticsImage may contain: cartoon and screenshotImage may contain: sketch and drawingImage may contain: indoorImage may contain: black and whiteImage may contain: table and clothingImage may contain: person

All parts are made by pipe banding, lathe processing, and metal spinning


Towards An Ad-Free Web: Diversifying The Online Economy

Original Source: https://smashingmagazine.com/2021/01/towards-ad-free-web-diversifying-online-economy/

Money talks, and there is an awful lot of money on the web these days. That is not necessarily a bad thing in and of itself, but it does seem to have hamstrung how websites are designed and financed. The pandemic — and the consequent collapse of an already warped online ad ecosystem — makes it all the clearer that the web needs to diversify the way it makes money, and who it ultimately serves.

State Of The Web

The Internet is not in the best shape right now. Back in 2017, the founder of the World Wide Web, Sir Tim Berners-Lee, said:

“The system is failing. The way ad revenue works with clickbait is not fulfilling the goal of helping humanity promote truth and democracy.”

I think it’s safe to say things have largely gotten worse since then. Ads everywhere, tracking run amok, clickbait, misinformation, net neutrality under siege… engagement is king — more important than nuance, ethics, or truth — because that’s where the money is. The average user sees thousands of ads per day. The World Wide Web isn’t exactly humanity’s shining light right now, at a time when a whole lot of things are compounding our general sense of inescapable doom.

In the midst of this dog-track-dog online culture, the common website has been browbeaten into meek, insipid husks of what they could be. Can we get another ad in there? What about a few more pop-ups? Maybe a few affiliate links. We’ve all experienced the insidiousness of the modern web, we’ve all seen the pop-ups saying ‘We care about your privacy’ before asking us to sign away our privacy. One tires of being lied to so often, and so casually.

Still, I’m not here to complain. At least, I’m not just here to complain. There are flickers of light in the darkness. There are other ways to pay for websites. It’s just as well too because legislation will catch up with the wild wild World Wide Web eventually and then ads will be worth even less.

That’s what this piece is about: alternatives, and why they’re worth embracing. There will always be ads, and up to a point that’s fine, but there shouldn’t only be ads.

Further Reading

“The High Privacy Cost of a “Free” Website,” Matt Chase
10 States Accuse Google of Abusing Monopoly in Online Ads, David McCabe & Daisuke Wakabayashi

Exploring Alternatives

Not every website needs to make money. Let’s get that out of the way. Making money is not the measure of a thing. Not every website needs to care about cost. Hobbies, blogs, forums, digital art… plenty of things are worth doing for their own sake.

This article is directed at sites or web apps that offer some kind of service, with operational costs and long-term financial factors that extend beyond a few dollars on a domain name. This article is about widening the horizon of the online economy beyond ads, ads, and more ads.

Subscriptions

This is probably the most obvious alternative to ads, and trickier than you might think to implement. The principle of it is simple: a website does something of value and asks users to pay for it.

A major advantage of subscriptions is their simplicity. Want X? Pay for X. More and more people are wising up to the fact that few things online are truly free. More often than not when an online service is ‘free’ its users are the product. A valuable service reasonably priced is a welcome antidote to that.

A high profile example of this is Medium. Signing up for a few dollars a month gives members access to articles. It’s an increasingly popular approach in editorial circles. Some publications, like The Guardian, make their content accessible to everyone, while the likes of The New York Times use a paywall. In either case, the pitch is the same: help make what we do possible by subscribing.

Smashing itself does this well, having pivoted away from ads during the big site redesign a few years back. Ads still play a big part, yes, but they’re not the only part. Sustainability online isn’t about moving all your eggs from one basket to another — it’s about variety, about escaping the tunnel vision of advertising.

There are examples of subscriptions and donations working away from editorial contexts. Lynda charges for its courses. Wikipedia, mercifully, is ad-free, sustained by intermittent donation drives to its parent organization, the Wikimedia Foundation.

The subscription approach isn’t for everyone. The above examples all happen to be household names, after all. Strange that. Trust is such a big factor, and if you’re new on the block how many people are likely to give you their moola?

And, of course, there is also the Catch-22 situation of paywalls making a site inaccessible to most of the Internet. It’s bad for growing an audience and at odds with the web’s founding spirit of openness and transparency. That doesn’t sit well with a lot of people — including myself.

I think the saving grace here is that the ‘subscription model’ is much more of a spectrum than it was even five years ago. You can have everything from paywalls to ‘buy me a coffee’ buttons depending on what a website does.

If you provide a service — be it quality editorial content, useful tools, open access to data, or whatever else — don’t be shy about asking for support. And don’t be shy about incorporating those requests into the website’s design. A variety of tools and platforms can be integrated into existing sites with relative ease. Patreon, Ko-fi, and plenty more.

This is not about making people feel guilty. Not everyone can afford to support the sites they visit, and not everyone will think you’re worth supporting. It’s on you to make a positive case for yourself. Crowdfunding platforms like Open Collective and Chuffed are especially good reference points for this, modeling behavior such as:

Not making visitors feel guilty;
Telling stories people want to be part of and support;
Transparency about where the money’s going.

There is also the question of integration. Buttons, pop-ups, prudently placed CTAs. It all adds up, having started and pushed a reader patron scheme at a previous job.

Further Reading & Resources

Monetising With Buy Me a Coffee, Does it Work?, Michael Brockbank
Open Collective, a platform for transparent financing

Micropayments

It’s early days for this one, but something to keep an eye on. Web Monetization is a concept whereby Internet users have a kind of fund they top up regularly — let’s say $5 every month. When time is spent on a site, a fraction of the fund is transferred to that site.

The Brave web browser is a major example of this. Another is Web Monetization, which is being proposed as a W3C standard. Or Scroll, a kind of catch-all ad-free web package.

This approach seems to have struck a nerve, I think because it hits a balance between a Wild West Internet and a corporate one. The more people believe in it, the better it works. Three billion people use the web. If 10% signed up for three bucks a month that would still be a cool ten billion dollars up for grabs.

For the time being results are closer to pennies. But hey, nothing worth having comes easy. Supporting this approach is a two-way street. Depending on the system, implementation can be as simple as adding a line of code to the <head> of your website. It’s also a case of walking the walk.

Will this approach alone save the Internet? Probably not, but again, moving away from ads is about diversification, not finding a silver bullet.

Free, Non-Corporate Platforms

Now obviously, free platforms are not the answer to large-scale applications and web experiences. They are, however, often a perfect way to have an online presence without being sucked into the engagement black hole of modern social media.

Places like Neocities — a homage of sorts to GeoCities — still have a lot of life in them. I know, I’m on it. Independent, playful non-corporate platforms feel like something from another time, but they’re still perfectly good ways of planting your flag online.

It seems marketing has hammered into people that the only website worth having is one you’re paying through the nose for. Not so. The DIY weird web is alive and well.

With the likes of Netlify and GitHub pages about it’s perfectly possible to piggyback along without paying for anything more than a domain name, and even that is optional.

Of course, there is a limit to this kind of approach, but that doesn’t make it any less viable. By the time a website is bringing in enough traffic to warrant a dedicated hosting plan, it’s likely well placed to be asking for support.

Further Reading

Autonomy Online: A Case For The IndieWeb, Ana Rodrigues

Taking Control Of Your Data

All this talk of diversification and sustainability ties into a broader discussion going on right now about privacy. Half the battle is messaging. Although awareness is growing, a lot of people still don’t know about the costs of ‘free’ online experiences. That’s not an accident. Take the time to explain that if someone subscribes to a website’s service, they’re not just receiving the service. They’re receiving priority, respect, and privacy.

Advocating for a less ad-centric web means taking an honest look at who our masters are online. When you make a site, who is the site for? Is it for advertisers? Affiliates? Clients? Or is it for the people visiting the site? How lovely would it be to have robust, ethical income strategies that made websites beholden first and foremost to the people who use them.

The Role Of Developers

In a line of work where projects are increasingly fragmented, it’s easy to remove oneself from the moral failings of any given project. Edward Snowden said the same was true of the NSA spying programs he leaked in 2013. Just this year he identified social networks and apps as carrying similar risks.

Incorporate sustainability into your designs. Communicate what you do and how you survive and what people can do to help. Progress does not happen on its own. It never has and it never will. We have to be the change we want to see.