Adaptive Video Streaming With Dash.js In React

Original Source: https://smashingmagazine.com/2025/03/adaptive-video-streaming-dashjs-react/

I was recently tasked with creating video reels that needed to be played smoothly under a slow network or on low-end devices. I started with the native HTML5 <video> tag but quickly hit a wall — it just doesn’t cut it when connections are slow or devices are underpowered.

After some research, I found that adaptive bitrate streaming was the solution I needed. But here’s the frustrating part: finding a comprehensive, beginner-friendly guide was so difficult. The resources on MDN and other websites were helpful but lacked the end-to-end tutorial I was looking for.

That’s why I’m writing this article: to provide you with the step-by-step guide I wish I had found. I’ll bridge the gap between writing FFmpeg scripts, encoding video files, and implementing the DASH-compatible video player (Dash.js) with code examples you can follow.

Going Beyond The Native HTML5 <video> Tag

You might be wondering why you can’t simply rely on the HTML <video> element. There’s a good reason for that. Let’s compare the difference between a native <video> element and adaptive video streaming in browsers.

Progressive Download

With progressive downloading, your browser downloads the video file linearly from the server over HTTP and starts playback as long as it has buffered enough data. This is the default behavior of the <video> element.

<video src=”rabbit320.mp4″ />

When you play the video, check your browser’s network tab, and you’ll see multiple requests with the 206 Partial Content status code.

It uses HTTP 206 Range Requests to fetch the video file in chunks. The server sends specific byte ranges of the video to your browser. When you seek, the browser will make more range requests asking for new byte ranges (e.g., “Give me bytes 1,000,000–2,000,000”).

In other words, it doesn’t fetch the entire file all at once. Instead, it delivers partial byte ranges from the single MP4 video file on demand. This is still considered a progressive download because only a single file is fetched over HTTP — there is no bandwidth or quality adaptation.

If the server or browser doesn’t support range requests, the entire video file will be downloaded in a single request, returning a 200 OK status code. In that case, the video can only begin playing once the entire file has finished downloading.

The problems? If you’re on a slow connection trying to watch high-resolution video, you’ll be waiting a long time before playback starts.

Adaptive Bitrate Streaming

Instead of serving one single video file, adaptive bitrate (ABR) streaming splits the video into multiple segments at different bitrates and resolutions. During playback, the ABR algorithm will automatically select the highest quality segment that can be downloaded in time for smooth playback based on your network connectivity, bandwidth, and other device capabilities. It continues adjusting throughout to adapt to changing conditions.

This magic happens through two key browser technologies:

Media Source Extension (MSE)
It allows passing a MediaSource object to the src attribute in <video>, enabling sending multiple SourceBuffer objects that represent video segments.

<video src=”blob:https://example.com/6e31fe2a-a0a8-43f9-b415-73dc02985892″ />

Media Capabilities API
It provides information on your device’s video decoding and encoding abilities, enabling ABR to make informed decisions about which resolution to deliver.

Together, they enable the core functionality of ABR, serving video chunks optimized for your specific device limitations in real time.

Streaming Protocols: MPEG-DASH Vs. HLS

As mentioned above, to stream media adaptively, a video is split into chunks at different quality levels across various time points. We need to facilitate the process of switching between these segments adaptively in real time. To achieve this, ABR streaming relies on specific protocols. The two most common ABR protocols are:

MPEG-DASH,
HTTP Live Streaming (HLS).

Both of these protocols utilize HTTP to send video files. Hence, they are compatible with HTTP web servers.

This article focuses on MPEG-DASH. However, it’s worth noting that DASH isn’t supported by Apple devices or browsers, as mentioned in Mux’s article.

MPEG-DASH

MPEG-DASH enables adaptive streaming through:

A Media Presentation Description (MPD) file
This XML manifest file contains information on how to select and manage streams based on adaptive rules.
Segmented Media Files
Video and audio files are divided into segments at different resolutions and durations using MPEG-DASH-compliant codecs and formats.

On the client side, a DASH-compliant video player reads the MPD file and continuously monitors network bandwidth. Based on available bandwidth, the player selects the appropriate bitrate and requests the corresponding video chunk. This process repeats throughout playback, ensuring smooth, optimal quality.

Now that you understand the fundamentals, let’s build our adaptive video player!

Steps To Build an Adaptive Bitrate Streaming Video Player

Here’s the plan:

Transcode the MP4 video into audio and video renditions at different resolutions and bitrates with FFmpeg.
Generate an MPD file with FFmpeg.
Serve the output files from the server.
Build the DASH-compatible video player to play the video.

Install FFmpeg

For macOS users, install FFmpeg using Brew by running the following command in your terminal:

brew install ffmpeg

For other operating systems, please refer to FFmpeg’s documentation.

Generate Audio Rendition

Next, run the following script to extract the audio track and encode it in WebM format for DASH compatibility:

ffmpeg -i “input_video.mp4” -vn -acodec libvorbis -ab 128k “audio.webm”

-i “input_video.mp4”: Specifies the input video file.
-vn: Disables the video stream (audio-only output).
-acodec libvorbis: Uses the libvorbis codec to encode audio.
-ab 128k: Sets the audio bitrate to 128 kbps.
“audio.webm”: Specifies the output audio file in WebM format.

Generate Video Renditions

Run this script to create three video renditions with varying resolutions and bitrates. The largest resolution should match the input file size. For example, if the input video is 576×1024 at 30 frames per second (fps), the script generates renditions optimized for vertical video playback.

ffmpeg -i “input_video.mp4” -c:v libvpx-vp9 -keyint_min 150 -g 150
-tile-columns 4 -frame-parallel 1 -f webm
-an -vf scale=576:1024 -b:v 1500k “input_video_576x1024_1500k.webm”
-an -vf scale=480:854 -b:v 1000k “input_video_480x854_1000k.webm”
-an -vf scale=360:640 -b:v 750k “input_video_360x640_750k.webm”

-c:v libvpx-vp9: Uses the libvpx-vp9 as the VP9 video encoder for WebM.
-keyint_min 150 and -g 150: Set a 150-frame keyframe interval (approximately every 5 seconds at 30 fps). This allows bitrate switching every 5 seconds.
-tile-columns 4 and -frame-parallel 1: Optimize encoding performance through parallel processing.
-f webm: Specifies the output format as WebM.

In each rendition:

-an: Excludes audio (video-only output).
-vf scale=576:1024: Scales the video to a resolution of 576×1024 pixels.
-b:v 1500k: Sets the video bitrate to 1500 kbps.

WebM is chosen as the output format, as they are smaller in size and optimized yet widely compatible with most web browsers.

Generate MPD Manifest File

Combine the video renditions and audio track into a DASH-compliant MPD manifest file by running the following script:

ffmpeg
-f webm_dash_manifest -i “input_video_576x1024_1500k.webm”
-f webm_dash_manifest -i “input_video_480x854_1000k.webm”
-f webm_dash_manifest -i “input_video_360x640_750k.webm”
-f webm_dash_manifest -i “audio.webm”
-c copy
-map 0 -map 1 -map 2 -map 3
-f webm_dash_manifest
-adaptation_sets “id=0,streams=0,1,2 id=1,streams=3”
“input_video_manifest.mpd”

-f webm_dash_manifest -i “…”: Specifies the inputs so that the ASH video player will switch between them dynamically based on network conditions.
-map 0 -map 1 -map 2 -map 3: Includes all video (0, 1, 2) and audio (3) in the final manifest.
-adaptation_sets: Groups streams into adaptation sets:
id=0,streams=0,1,2: Groups the video renditions into a single adaptation set.
id=1,streams=3: Assigns the audio track to a separate adaptation set.

The resulting MPD file (input_video_manifest.mpd) describes the streams and enables adaptive bitrate streaming in MPEG-DASH.

<?xml version=”1.0″ encoding=”UTF-8″?>
<MPD
xmlns:xsi=”http://www.w3.org/2001/XMLSchema-instance”
xmlns=”urn:mpeg:DASH:schema:MPD:2011″
xsi:schemaLocation=”urn:mpeg:DASH:schema:MPD:2011″
type=”static”
mediaPresentationDuration=”PT81.166S”
minBufferTime=”PT1S”
profiles=”urn:mpeg:dash:profile:webm-on-demand:2012″>

<Period id=”0″ start=”PT0S” duration=”PT81.166S”>
<AdaptationSet
id=”0″
mimeType=”video/webm”
codecs=”vp9″
lang=”eng”
bitstreamSwitching=”true”
subsegmentAlignment=”false”
subsegmentStartsWithSAP=”1″>

<Representation id=”0″ bandwidth=”1647920″ width=”576″ height=”1024″>
<BaseURL>input_video_576x1024_1500k.webm</BaseURL>
<SegmentBase indexRange=”16931581-16931910″>
<Initialization range=”0-645″ />
</SegmentBase>
</Representation>

<Representation id=”1″ bandwidth=”1126977″ width=”480″ height=”854″>
<BaseURL>input_video_480x854_1000k.webm</BaseURL>
<SegmentBase indexRange=”11583599-11583986″>
<Initialization range=”0-645″ />
</SegmentBase>
</Representation>

<Representation id=”2″ bandwidth=”843267″ width=”360″ height=”640″>
<BaseURL>input_video_360x640_750k.webm</BaseURL>
<SegmentBase indexRange=”8668326-8668713″>
<Initialization range=”0-645″ />
</SegmentBase>
</Representation>

</AdaptationSet>

<AdaptationSet
id=”1″
mimeType=”audio/webm”
codecs=”vorbis”
lang=”eng”
audioSamplingRate=”44100″
bitstreamSwitching=”true”
subsegmentAlignment=”true”
subsegmentStartsWithSAP=”1″>

<Representation id=”3″ bandwidth=”89219″>
<BaseURL>audio.webm</BaseURL>
<SegmentBase indexRange=”921727-922055″>
<Initialization range=”0-4889″ />
</SegmentBase>
</Representation>

</AdaptationSet>
</Period>
</MPD>

After completing these steps, you’ll have:

Three video renditions (576×1024, 480×854, 360×640),
One audio track, and
An MPD manifest file.

input_video.mp4
audio.webm
input_video_576x1024_1500k.webm
input_video_480x854_1000k.webm
input_video_360x640_750k.webm
input_video_manifest.mpd

The original video input_video.mp4 should also be kept to serve as a fallback video source later.

Serve The Output Files

These output files can now be uploaded to cloud storage (e.g., AWS S3 or Cloudflare R2) for playback. While they can be served directly from a local folder, I highly recommend storing them in cloud storage and leveraging a CDN to cache the assets for better performance. Both AWS and Cloudflare support HTTP range requests out of the box.

Building The DASH-Compatible Video Player In React

There’s nothing like a real-world example to help understand how everything works. There are different ways we can implement a DASH-compatible video player, but I’ll focus on an approach using React.

First, install the Dash.js npm package by running:

npm i dashjs

Next, create a component called <DashVideoPlayer /> and initialize the Dash MediaPlayer instance by pointing it to the MPD file when the component mounts.

The ref callback function runs upon the component mounting, and within the callback function, playerRef will refer to the actual Dash MediaPlayer instance and be bound with event listeners. We also include the original MP4 URL in the <source> element as a fallback if the browser doesn’t support MPEG-DASH.

If you’re using Next.js app router, remember to add the ‘use client’ directive to enable client-side hydration, as the video player is only initialized on the client side.

Here is the full example:

import dashjs from ‘dashjs’
import { useCallback, useRef } from ‘react’

export const DashVideoPlayer = () => {
const playerRef = useRef()

const callbackRef = useCallback((node) => {
if (node !== null) {
playerRef.current = dashjs.MediaPlayer().create()

playerRef.current.initialize(node, “https://example.com/uri/to/input_video_manifest.mpd”, false)

playerRef.current.on(‘canPlay’, () => {
// upon video is playable
})

playerRef.current.on(‘error’, (e) => {
// handle error
})

playerRef.current.on(‘playbackStarted’, () => {
// handle playback started
})

playerRef.current.on(‘playbackPaused’, () => {
// handle playback paused
})

playerRef.current.on(‘playbackWaiting’, () => {
// handle playback buffering
})
}
},[])

return (
<video ref={callbackRef} width={310} height={548} controls>
<source src=”https://example.com/uri/to/input_video.mp4″ type=”video/mp4″ />
Your browser does not support the video tag.
</video>
)
}

Result

Observe the changes in the video file when the network connectivity is adjusted from Fast 4G to 3G using Chrome DevTools. It switches from 480p to 360p, showing how the experience is optimized for more or less available bandwidth.

Conclusion

That’s it! We just implemented a working DASH-compatible video player in React to establish a video with adaptive bitrate streaming. Again, the benefits of this are rooted in performance. When we adopt ABR streaming, we’re requesting the video in smaller chunks, allowing for more immediate playback than we’d get if we needed to fully download the video file first. And we’ve done it in a way that supports multiple versions of the same video, allowing us to serve the best format for the user’s device.

References

“Http Range Request And MP4 Video Play In Browser,” Zeng Xu
Setting up adaptive streaming media sources (Mozilla Developer Network)
DASH Adaptive Streaming for HTML video (Mozilla Developer Network)

How Fatal Fury: City of the Wolves reimagines its anime pixel art fighters for a new era

Original Source: https://www.creativebloq.com/3d/video-game-design/how-fatal-fury-city-of-the-wolves-reimagines-its-anime-pixel-art-fighters-for-a-new-era

SNK veterans Nobuyuki Kuroki and Yoichiro Soeda reveal what goes into updating a retro gaming icon for a new generation.

Vibe Coding: Revolution or Recipe for Disaster in App and Game Development?

Original Source: https://webdesignerdepot.com/vibe-coding-revolution-or-recipe-for-disaster-in-app-and-game-development/

Vibe coding is a new concept where developers use AI tools to generate code through simple text prompts, bypassing traditional coding methods. While it offers quick prototyping and democratizes development, it comes with limitations in terms of code quality, scalability, and long-term viability for complex projects.

Korean Air Takes Off with a Fresh New Look

Original Source: https://webdesignerdepot.com/korean-air-takes-off-with-a-fresh-new-look/

Korean Air’s rebranding features a modernized Taegeuk symbol in a deeper blue, paired with a new typeface that’s cleaner and more streamlined. The updated logo and symbol, combined with a metallic look on the aircraft livery, create a sleek, contemporary visual identity that emphasizes the airline’s innovative and forward-thinking approach.

Ferm Living's Refined Visual Identity | Branding & Design

Original Source: https://abduzeedo.com/ferm-livings-refined-visual-identity-branding-design

Ferm Living’s Refined Visual Identity | Branding & Design

abduzeedo
03/25 — 2025

Explore Ferm Living’s new visual identity, a blend of Scandinavian design and modern branding. See how e-Types and Signifly evolved the brand.

Ferm Living, known for its Scandinavian aesthetic, has grown into a global brand. Since its founding in 2006, the Danish company has offered furniture, accessories, and lighting. Today, Ferm Living operates in 85 countries, focused on creating comfortable spaces.

The brand has recently updated its visual identity, reflecting its growth and dedication to timeless design. Trine Andersen, the founder of Ferm Living, collaborated with the Danish design agency e-Types on the new logo. Signifly, a digital agency also based in Denmark, played a key role in applying the new visual identity across various platforms, including packaging and the online store.

A Natural Evolution in Branding

The new brand design, developed over the past year by Ferm Living, e-Types, and Signifly, centers on a redesigned logo. This logo reinterprets Ferm Living’s former iconic bird motif and applies it across different brand touchpoints.

According to Alexander Spliid, Design Director & Partner at Signifly, the new design aims to express “a unique type of comfort and accessible luxury.” The goal is to invite people in, rather than simply appearing stylish in magazines or on social media.

The updated visual identity also includes a new color palette and revised typography. The typography combines soft curves and sharp edges, balancing warmth with a modern feel. A set of four core colors provides a consistent and recognizable look across all communications, and these are complemented by dynamic seasonal colors.

Ferm Living and Signifly worked together to implement the visual identity across all brand elements. This was a significant undertaking, as the identity needed to work effectively across the entire product range and the brand’s online presence. Spliid notes that the collaboration involved reviewing all media and establishing brand guidelines to ensure consistency and efficiency across all products and customer interactions.

From a Simple Idea to a Global Brand

Trine Andersen’s journey began in 2006 when she created her own wallpaper because she couldn’t find what she wanted for her home. Gradually, her collection expanded, and Ferm Living began selling to a growing number of markets.

Today, Ferm Living’s products are available in over 85 countries through retailers, online stores, and its own webshop. The brand also serves offices, hotels, and similar commercial spaces. The new brand design aims to refresh this story of Scandinavian design and entrepreneurial spirit.

The new branding and visual identity successfully captures the essence of Scandinavian design while positioning Ferm Living for continued global growth. The collaboration between Ferm Living, e-Types, and Signifly demonstrates a thoughtful approach to evolving a brand’s identity.

For more information check out Signifly website.

Branding and visual identity artifacts

Previewing Content Changes In Your Work With document.designMode

Original Source: https://smashingmagazine.com/2025/03/previewing-content-changes-work-documentdesignmode/

So, you just deployed a change to your website. Congrats! Everything went according to plan, but now that you look at your work in production, you start questioning your change. Perhaps that change was as simple as a new heading and doesn’t seem to fit the space. Maybe you added an image, but it just doesn’t feel right in that specific context.

What do you do? Do you start deploying more changes? It’s not like you need to crack open Illustrator or Figma to mock up a small change like that, but previewing your changes before deploying them would still be helpful.

Enter document.designMode. It’s not new. In fact, I just recently came across it for the first time and had one of those “Wait, this exists?” moments because it’s a tool we’ve had forever, even in Internet Explorer 6. But for some reason, I’m only now hearing about it, and it turns out that many of my colleagues are also hearing about it for the first time.

What exactly is document.designMode? Perhaps a little video demonstration can help demonstrate how it allows you to make direct edits to a page.

At its simplest, document.designMode makes webpages editable, similar to a text editor. I’d say it’s like having an edit mode for the web — one can click anywhere on a webpage to modify existing text, move stuff around, and even delete elements. It’s like having Apple’s “Distraction Control” feature at your beck and call.

I think this is a useful tool for developers, designers, clients, and regular users alike.

You might be wondering if this is just like contentEditable because, at a glance, they both look similar. But no, the two serve different purposes. contentEditable is more focused on making a specific element editable, while document.designMode makes the whole page editable.

How To Enable document.designMode In DevTools

Enabling document.designMode can be done in the browser’s developer tools:

Right-click anywhere on a webpage and click Inspect.
Click the Console tab.
Type document.designMode = “on” and press Enter.

To turn it off, refresh the page. That’s it.

Another method is to create a bookmark that activates the mode when clicked:

Create a new bookmark in your browser.
You can name it whatever, e.g., “EDIT_MODE”.
Input this code in the URL field:

javascript:(function(){document.designMode = document.designMode === ‘on’ ? ‘off’ : ‘on’;})();

And now you have a switch that toggles document.designMode on and off.

Use Cases

There are many interesting, creative, and useful ways to use this tool.

Basic Content Editing

I dare say this is the core purpose of document.designMode, which is essentially editing any text element of a webpage for whatever reason. It could be the headings, paragraphs, or even bullet points. Whatever the case, your browser effectively becomes a “What You See Is What You Get” (WYSIWYG) editor, where you can make and preview changes on the spot.

Landing Page A/B Testing

Let’s say we have a product website with an existing copy, but then you check out your competitors, and their copy looks more appealing. Naturally, you’d want to test it out. Instead of editing on the back end or taking notes for later, you can use document.designMode to immediately see how that copy variation would fit into the landing page layout and then easily compare and contrast the two versions.

This could also be useful for copywriters or solo developers.

SEO Title And Meta Description

Everyone wants their website to rank at the top of search results because that means more traffic. However, as broad as SEO is as a practice, the <title> tag and <meta> description is a website’s first impression in search results, both for visitors and search engines, as they can make or break the click-through rate.

The question that arises is, how do you know if certain text gets cut off in search results? I think document.designMode can fix that before pushing it live.

With this tool, I think it’d be a lot easier to see how different title lengths look when truncated, whether the keywords are instantly visible, and how compelling it’d be compared to other competitors on the same search result.

Developer Workflows

To be completely honest, developers probably won’t want to use document.designMode for actual development work. However, it can still be handy for breaking stuff on a website, moving elements around, repositioning images, deleting UI elements, and undoing what was deleted, all in real time.

This could help if you’re skeptical about the position of an element or feel a button might do better at the top than at the bottom; document.designMode sure could help. It sure beats rearranging elements in the codebase just to determine if an element positioned differently would look good. But again, most of the time, we’re developing in a local environment where these things can be done just as effectively, so your mileage may vary as far as how useful you find document.designMode in your development work.

Client And Team Collaboration

It is a no-brainer that some clients almost always have last-minute change requests — stuff like “Can we remove this button?” or “Let’s edit the pricing features in the free tier.”

To the client, these are just little tweaks, but to you, it could be a hassle to start up your development environment to make those changes. I believe document.designMode can assist in such cases by making those changes in seconds without touching production and sharing screenshots with the client.

It could also become useful in team meetings when discussing UI changes. Seeing changes in real-time through screen sharing can help facilitate discussion and lead to quicker conclusions.

Live DOM Tutorials

For beginners learning web development, I feel like document.designMode can help provide a first look at how it feels to manipulate a webpage and immediately see the results — sort of like a pre-web development stage, even before touching a code editor.

As learners experiment with moving things around, an instructor can explain how each change works and affects the flow of the page.

Social Media Content Preview

We can use the same idea to preview social media posts before publishing them! For instance, document.designMode can gauge the effectiveness of different call-to-action phrases or visualize how ad copy would look when users stumble upon it when scrolling through the platform. This would be effective on any social media platform.

Memes

I didn’t think it’d be fair not to add this. It might seem out of place, but let’s be frank: creating memes is probably one of the first things that comes to mind when anyone discovers document.designMode.

You can create parody versions of social posts, tweak article headlines, change product prices, and manipulate YouTube views or Reddit comments, just to name a few of the ways you could meme things. Just remember: this shouldn’t be used to spread false information or cause actual harm. Please keep it respectful and ethical!

Conclusion

document.designMode = “on” is one of those delightful browser tricks that can be immediately useful when you discover it for the first time. It’s a raw and primitive tool, but you can’t deny its utility and purpose.

So, give it a try, show it to your colleagues, or even edit this article. You never know when it might be exactly what you need.

Further Reading

“New Front-End Features For Designers In 2025,” Cosima Mielke
“Useful DevTools Tips and Tricks,” Patrick Brosset
“Useful CSS Tips And Techniques,” Cosima Mielke

Shoreride's Branding: A Study in Visual Identity Design

Original Source: https://abduzeedo.com/shorerides-branding-study-visual-identity-design

Shoreride’s Branding: A Study in Visual Identity Design

abduzeedo
03/24 — 2025

Explore Shoreride’s branding and visual identity, a design focused on water, adventure, and simple solutions.

Shoreride, a product designed to help people transport paddleboards and kayaks, has a visual identity crafted by Arthur Stovell of Mondial Studio. The branding extends beyond the product itself, focusing on a deeper connection with water and outdoor adventure.

The core concept, as the designer states, centers not on the product, but on “the bigger idea of a love of water and helping people to have water based micro-adventures.” This philosophy is evident in the chosen design elements.

A key element of Shoreride’s visual identity is a bespoke “O” symbol. This symbol, rather than directly representing the product, draws its inspiration from “the calmness of being on the ocean.” The “O” is versatile, functioning both as a standalone icon and within typographic compositions.

The color palette selected for Shoreride is both “bold and vibrant,” conveying a sense of energy while remaining appropriate for the water sports industry. This choice of color helps to position the brand within its target market while also evoking the feeling of being outdoors and active. The design uses color to create a feeling that is energetic, and appropriate.

The branding extends across various applications. The design is visible on business cards, websites, and promotional materials. This consistency helps to establish a strong and recognizable brand presence. The visual identity is also applied to merchandise.

The designers aimed to create a brand that is both practical and aspirational. It speaks to individuals who enjoy water sports and seek simple solutions to enhance their outdoor experiences. The branding suggests a lifestyle centered around adventure, ease, and a connection with nature. The design is simple, yet effective.

The design effectively communicates the brand’s core values: a love for the water, a passion for making things, and a commitment to sustainability. Shoreride emphasizes product longevity and material transparency, using recycled materials and working with manufacturers that adhere to high standards.

The branding successfully captures the essence of the product and its target audience. It is a visual identity that speaks to a lifestyle, rather than just a product. The design is both simple and effective, and it is likely to resonate with people who love the water and outdoor adventure.

For more information make sure to check out https://mondial-studio.com/work/shoreride

Branding and visual identity artifacts

The Best Free Backlink Checker Tools: Overview and Comparison

Original Source: https://www.sitepoint.com/free-backlink-checker-tools/?utm_source=rss

Backlinks say to the world, “Hey, this site is legit.” Here are the best free backlink checker instruments to peer inside your links without spending dollars.

Continue reading
The Best Free Backlink Checker Tools: Overview and Comparison
on SitePoint.

14 Best SEO Tools for Agencies to Boost Client Results in 2025

Original Source: https://www.sitepoint.com/best-seo-tools-for-agencies/?utm_source=rss

Discover the 14 best SEO tools for agencies in 2025. Compare features, pricing, and usability to find the perfect solution for your clients and team.

Continue reading
14 Best SEO Tools for Agencies to Boost Client Results in 2025
on SitePoint.

This INIU power bank is perfect for content creators and 36% off right now

Original Source: https://www.creativebloq.com/tech/this-iniu-power-bank-is-perfect-for-content-creators-and-36-percent-off-right-now

This already budget power bank just got even more affordable.