Entries by admin

Don’t Pay To Speak At Commercial Events

Original Source: https://www.smashingmagazine.com/2018/12/state-of-commercial-web-conferences-events/

Don’t Pay To Speak At Commercial Events

Don’t Pay To Speak At Commercial Events

Vitaly Friedman

2018-12-17T14:15:00+01:00
2018-12-17T15:36:31+00:00

Setting up a conference isn’t an easy undertaking. It takes time, effort, patience, and attention to all the little details that make up a truly memorable experience. It’s not something one can take lightly, and it’s often a major personal and financial commitment. After all, somebody has to build a good team and make all those arrangements: flights, catering, parties, badges, and everything in between.

The work that takes place behind the scenes often goes unnoticed and, to an extent, that’s an indication that the planning went well. There are hundreds of accessible and affordable meet-ups, community events, nonprofit events, and small local groups — all fueled by incredible personal efforts of humble, kind, generous people donating their time on the weekends to create an environment for people to share and learn together. I love these events, and I have utter respect and admiration for the work they are doing, and I’d be happy to speak at these events and support these people every day and night, with all the resources and energy I have. These are incredible people doing incredible work; their efforts deserve to be supported and applauded.

Unlike these events, commercial and corporate conferences usually target companies’ employees and organizations with training budgets to send their employees for continuing education. There is nothing wrong with commercial conferences per se and there is, of course, a wide spectrum of such events — ranging from single-day, single-track gatherings with a few speakers, all the way to week-long multi-track festivals with a bigger line-up of speakers. The latter tend to have a higher ticket price, and often a much broader scope. Depending on the size and the reputation of the event, some of them have more or less weight in the industry, so some are perceived to be more important to attend or more prestigious to speak at.

Both commercial and non-commercial events tend to have the so-called Call For Papers (CFPs), inviting speakers from all over the world to submit applications for speaking, with a chance of being selected to present at the event. CFPs are widely accepted and established in the industry; however, the idea of CFPs is sometimes challenged and discussed, and not always kept in a positive light. While some organizers and speakers consider them to lower the barrier for speaking to new talent, for others CFPs are an easy way out for filling in speaking slots. The argument is that CFPs push diversity and inclusion to a review phase, rather than actively seeking it up front. As a result, accepted speakers might feel like they have been “chosen” which nudges them into accepting low-value compensation.

The key to a fair, diverse and interesting line-up probably lies somewhere in the middle. It should be the organizer’s job to actively seek, review, and invite speakers that would fit the theme and the scope of the event. Admittedly, as an organizer, unless you are fine with the same speakers appearing at your event throughout the years, it’s much harder to do than just setting up a call for speakers and wait for incoming emails to start showing up. Combining thorough curation with a phase of active CFPs submission probably works best, but it’s up to the organizer how the speakers are “distributed” among both. Luckily, many resources are highlighting new voices in the industry, such as WomenWhoDesign which is a good starting point to move away from “usual suspects” from the conference circuit.

Web forms are such an important part of the web, but we design them poorly all the time. The brand new Form Design Patterns book is our new practical guide for people who design, prototype and build all sorts of forms for digital services, products and websites. The eBook is free for Smashing Members.

Check the table of contents ↬

Form Design Patterns — a practical guide for anyone who needs to design and code web forms

Many events strongly and publicly commit to creating an inclusive and diverse environment for attendees and speakers with a Code of Conduct. The Code of Conduct explains the values and the principles of conference organizers as well as contact details in case any conflict or violation appears. The sheer presence of such a code on a conference website sends a signal to attendees, speakers, sponsors, and the team that there had been given some thought to creating an inclusive, safe, and friendly environment for everybody at the event. However, too often at commercial events, the Code of Conduct is considered an unnecessary novelty and hence is either neglected or forgotten.

Now, there are wonderful, friendly, professional, well-designed and well-curated commercial events with a stellar reputation. These events are committed to diverse and inclusive line-ups and they always at least cover speaker’s expenses, flights, and accommodation. The reason why they’ve gained reputation over years is because organizers can afford to continuously put their heart and soul into running these events year after year — mostly because their time and efforts are remunerated by the profit the conference makes.

Many non-commercial events, fueled by great ideas and hard work, may succeed the first, second, and third time, but unfortunately, it’s not uncommon for them to fade away just a few years later. Mostly because setting up and maintaining the quality of such events takes a lot of personal time, effort and motivation beyond regular work times, and it’s just really hard to keep it up without a backbone of a strong, stable team or company behind you.

Some conferences aren’t quite like that. In fact, I’d argue that some conferences are pretty much the exact opposite. It’s more likely for them to allocate resources in outstanding catering and lighting and video production on site rather than the core of the event: the speaker’s experience. What lurks behind the scenes of such events is a toxic, broken conference culture despite the hefty ticket price. And more often than not, speakers bear the burden of all of their conference-related expenses, flights, and accommodation (to say nothing of the personal and professional time they are already donating to prepare, rehearse, and travel to and from the event) from their own pockets. This isn’t right, and it shouldn’t be acceptable in our industry.

The Broken State Of Commercial Conferences

Personally, I’ve been privileged to speak at many events over the years and, more often than not, there was a fundamental mismatch between how organizers see speaking engagements and how I perceive them. Don’t get me wrong: speaking at tech conferences has tremendous benefits, and it’s a rewarding experience, full of adventures, networking, traveling, and learning; but it also takes time and effort, usually away from your family, your friends, and your company. For a given talk, it might easily take over 80 hours of work just to get all the research and content prepared, not to mention rehearsal and traveling time. That’s a massive commitment and time investment.

But many conference organizers don’t see it this way. The size of the event, with hundreds and thousands of people attending the conference, is seen as a fair justification for the lack of speaker/training budgets or diversity/student scholarships. It’s remarkably painful to face the same conversations over and over and over again: the general expectation is that speakers should speak for free as they’ve been given a unique opportunity to speak and that neither flights nor expenses should be covered for the very same reason.

It’s sad to see invitation emails delicately avoiding or downplaying the topics of diversity, honorarium, and expenses. Instead, they tend to focus on the size of the event, the brands represented there, the big names that have spoken in the past, and the opportunities such a conference provides. In fact, a good number of CFPs gently avoid mentioning how the conference deals with expenses at all. As a result, an applicant who needs their costs to be covered is often discriminated against, because an applicant, whose expenses will be covered by their company is preferred. Some events explicitly require unique content for the talk, while not covering any speaker expenses, essentially asking speakers to work for free.

Speaker stage at BTConf

Preparing for a talk is a massive commitment and time investment. Taking care of the fine details such as the confidence monitor and countdown on stage is one of those little things. (Large preview) (Image source: beyond tellerrand)

It’s disappointing (upon request) to receive quick-paced replies explaining that there isn’t really any budget for speakers, as employers are expected to cover flights and accommodation. Sometimes, as a sign of good faith, the organizers are happy to provide a free platinum pass which would grant exclusive access to all conference talks across all tracks (“worth $2500” or so). And sometimes it goes so far as to be exploitative when organizers offer a “generous” 50% discount off the regular ticket price, including access to the speakers’ lounge area where one could possibly meet “decision makers” with the opportunity and hope of creating unique and advantageous connections.

It’s both sad and frustrating to read that “most” speakers were “happy to settle for only a slot at the conference.” After all, they are getting an “incredible amount of exposure to decision makers.” Apparently, according to the track record of the conference, it “reliably” helped dozens of speakers in the past to find new work and connect with new C-level clients. Once organizers are asked again (in a slightly more serious tone), suddenly a speaker budget materializes. This basically means that the organizers are willing to pay an honorarium only to speakers that are actually confident enough to repeatedly ask for it.

And then, a few months later, it’s hurtful to see the same organizers who chose not to cover speaker expenses, publishing recordings of conference talks behind a paywall, further profiting from speakers’ work without any thought of reimbursing or subsidizing speakers’ content they are repackaging and reselling. It’s not uncommon to run it all under the premise of legal formalities, asking the speaker to sign a speaker’s contract upon arrival.

As an industry, we should and can be better than that. Such treatment of speakers shows a fundamental lack of respect for time, effort, and work done by knowledgeable and experienced experts in our industry. It’s also a sign of a very broken state of affairs that dominates many tech events. It’s not surprising, then, that web conferences don’t have a particularly good reputation, often criticized for being unfair, dull, a scam, full of sponsored sessions, lacking diversity or a waste of money.

Speakers, Make Organizers Want To Invite You

On a personal note, throughout all these years, I have rarely received consultancy projects from “exposure” on stage. More often than not, the time away from family and company costs much more than any honorarium provided. Neither did I meet many “decision-makers” in the speaker lounge as they tend to delicately avoid large gatherings and public spaces to avoid endless pitches and questions. One thing that large conferences do lead to is getting invitations to more conferences; however, expecting a big client from a speaking engagement at corporate events has proved to be quite unrealistic for me. In fact, I tend to get way more work from smaller events and meet-ups where you actually get a chance to have a conversation with people located in a smaller, intimate space.

Of course, everybody has their own experiences and decides for themselves what’s acceptable for them, yet my personal experience taught me to drastically lower my expectations. That’s why after a few years of speaking I started running workshops alongside the speaking engagements. With a large group of people attending a commercial event, full-day workshops can indeed bring a reasonable revenue, with a fair 50% / 50% profit split between the workshop coach and the conference organizer.

Admittedly, during the review of this article, I was approached by some speakers who have had very different experiences; they ended up with big projects and clients only after an active phase of speaking at large events. So your experience may vary, but the one thing I learned over the years is that it’s absolutely critical to keep reoccurring in industry conversations, so organizers will seize an opportunity to invite you to speak. For speakers, that’s a much better position to be in.

If you’re a new speaker, consider speaking for free at local meet-ups; it’s fair and honorable — and great training for larger events; the smaller group size and more informal setting allows you seek valuable feedback about what the audience enjoyed and where you can improve. You can also gain visibility through articles, webinars, and open-source projects. And an email to an organizer, featuring an interesting topic alongside a recorded talk, articles and open source projects can bring you and your work to their attention. Organizers are looking for knowledgeable and excited speakers who love and live what they are doing and can communicate that energy and expertise to the audience.

Of course, there may be times when it is reasonable to accept conditions to get an opportunity to reach potential clients, but this decision has to be carefully considered and measured in light of the effort and time investment it requires. After all, it’s you doing them a favor, not the other way around. When speaking at large commercial conferences without any remuneration, basically you are trading your name, your time and your money for the promise of gaining exposure while helping the conference sell tickets along the way.

Organizers, Allocate The Speaking Budget First

I don’t believe for a second that most organizers have bad intentions; nor do I believe that they mean to cut corners at all costs to maximize profit. From my conversations with organizers, I clearly see that they share the same goals that community events have, as they do their best to create a wonderful and memorable event for everybody involved, while also paying the bills for all the hard-working people who make the event happen. After all, the conference business isn’t an easy one, and you hardly ever know how ticket sales will go next year. Still, there seems to be a fundamental mismatch of priorities and expectations.

Setting up a conference is an honorable thought, but you need a comprehensive financial plan of what it costs and how much you can spend. As mentioned above, too many promising events fade away because they are powered by the motivation of a small group of people who also need to earn money with their regular job. Conference organizers deserve to get revenue to share across the team, as working on a voluntary basis is often not sustainable.

Sarah Drasner presenting on stage at ColdFront 2018

All organizers have the same goal: to create wonderful, memorable events for everybody involved. (Large preview) (Image source: ColdFront)

To get a better understanding of how to get there, I can only recommend the fantastic Conference Organizer’s Handbook by Peter-Paul Koch, which covers a general strategy for setting up a truly professional event from planning to pricing to running it — without burning out. Bruce Lawson also has prepared a comprehensive list of questions that could be addressed in the welcome email to speakers, too. Plus, Lara Hogan has written an insightful book on Demystifying Public Speaking which I can only highly encourage to look at as well.

Yes, venues are expensive, and yes, so is catering, and yes, so is AV and technical setup. But before allocating thousands on food, roll-ups, t-shirts, and an open bar, allocate decent budgets for speakers first, especially for new voices in the industry — they are the ones who are likely to spend dozens or hundreds of hours preparing that one talk.

Jared Spool noted while reviewing this article:

“The speaking budget should come before the venue and the catering. After all, the attendees are paying to see the speakers. You can have a middling venue and mediocre catering, but if you have an excellent program, it’s a fabulous event. In contrast, you can have a great venue and fantastic food, but if the speakers are boring or off topic, the event will not be successful. Speaking budgets are an investment in the value of the program. Every penny invested is one that pays back in multiples. You certainly can’t say the same for venue or food.”

No fancy bells and whistles are required; speaker dinners or speaker gifts are a wonderful token of attention and appreciation but they can’t be a replacement for covering expenses. It’s neither fair nor honest to push the costs over to speakers, and it’s simply not acceptable to expect them to cover these costs for exposure, especially if a conference charges attendees several hundred Euros (or Dollars) per ticket. By not covering expenses, you’re depriving the industry of hearing from those groups who can’t easily fund their own conference travel — people who care for children or other relatives; people with disabilities who can’t travel without their carer, or people from remote areas or low-income countries where a flight might represent a significant portion of even multiple months of their income.

Jared continues:

“The formula is:

Break_Even = Fixed_Costs/(Ticket_Price – Variable_Costs)

Costs, such as speakers and venue are the biggest for break-even numbers. Catering costs are mostly variable costs and should be calculated on a per-attendee basis, to then subtract them from the price. To calculate the speaker budget, determine what the ticket price and variable per-attendee costs are up front, then use the net margin from that to figure out how many speakers you can afford, by diving net margin into the total speaker budget. That will tell you how many tickets you must sell to make a profit. (If you follow the same strategy for the venue, you’ll know your overall break even and when you start making profit.) Consider paying a bonus to speakers who the audience rates as delivering the best value. Hence, you’re rewarding exactly what benefits the attendees.”

That’s a great framework to work within. Instead of leaving the speaker budget dependent on the ticket sales and variable costs, set the speaker budget first. What would be a fair honorarium for speakers? Well, there is no general rule of how to establish this. However, for smaller commercial events in Europe, it’s common to allocate the price of 3–5 tickets on each speaker. For a large conference with hundreds and thousands of attendees, three tickets should probably be a minimum, but it would also have to be distributed among simultaneous talks and hence depend on the number of tracks and how many attendees are expected per talk.

Attendees at the performance.now() conference in Amsterdam, 2018

Dear organizers, options matter. Keep in mind to label food (e.g. vegan/vegetarian, and so on). It’s the little details that matter most. (Large preview) (Image source: performance.now())

Provide an honorarium, even if it isn’t much. Also, ask speakers to collect all receipts, so you can cover them later, or provide a per diem (flat daily expenses coverage) to avoid the hassle with receipts. As a standard operating procedure, suggest buying the flight tickets for the speaker unless they’d love to do it on their own. Some speakers might not have the privilege to spend hundreds of dollars for a ticket and have to wait months for reimbursement. Also, it’s a nice gesture to organize pre-paid transport from and to the airport, so drivers with a sign will be waiting for a speaker at the arrival area. (There is nothing more frustrating than realizing that your cabbie accepts only local cash to pay for the trip — and that after a frustrating flight delay arriving late at night.)

Once all of these costs are covered, consider providing a mentor to help newcomers draft, refine, adjust, review and iterate the talk a few times, and set aside a separate time when they could visit the venue and run through their slides, just to get a feeling of what it’s going to be like on stage.

On a positive side, if you’ve ever wondered about a high speakers’ drop-out rate at your event, not covering expenses might be a good reason for it. If speakers are paying on their own, you shouldn’t expect them to treat the speaking engagement as a priority.

As Laurie Barth noted when reviewing this article:

“If you aren’t paid for your time, then you likely have less unpaid time to give to preparing your talk and/or have less incentive to prioritize the travel and time for the talk.”

The time, work, effort, and commitment of your speakers are what make the conference a success.

Organizer’s Checklist

Cover all speaker’s expenses by default, and outline what’s included from the very start (in invitation letters) and before someone invests their time in completing a CFP form;
Avoid hassle with receipts, and offer at least a flat per diem;
Suggest buying the flight tickets for the speaker rather than reimbursing later, and organize pre-paid transport pick-up if applicable,
Allocate budgets and honorarium for speakers, coaching and mentoring early on. Good content is expensive, and if your ticket prices can’t cover it, refine the conference format to make it viable;
Provide an option to donate an honorarium and expenses covered by companies towards diversity/student scholarship;
As a principle, never accept voiding the honorarium. If the speaker can’t be paid or their expenses can’t be covered, dedicate the funds to the scholarship or a charity, and be public about it;
Be honest and sincere about your expectations, and explain which expenses you cover and which not up front in the CFP or in the speaking invitation.

Speakers, Ask Around Before Agreeing To Speak

Think twice before submitting a proposal to conferences that don’t cover at least your costs despite a high ticket price. It’s not acceptable to be asked to pay for your own travel and accommodation. If an event isn’t covering your expenses, then you are paying to speak at their event. It might seem not to matter much if your time and expenses are covered by your employer but it puts freelancers and new speakers at a disadvantage. If your company is willing to pay for your speaking engagement, ask the organizers to donate the same amount to a charity of your choice, or sponsor a diversity/student scholarships to enable newcomers to speak at the event.

Come up with a fair honorarium for your time given your interest and the opportunity, and if possible, make exceptions for nonprofits, community events, or whenever you see a unique value for yourself. Be very thorough and selective with conferences you speak at, and feel free to ask around about how other speakers have been treated in the past. Look at past editions of the event and ask speakers who attended or spoke there about their experience as well as about the reputation of the conference altogether.

If you are new to the industry, asking around could be quite uncomfortable, but it’s actually a common practice among speakers, so they should be receptive to the idea. I’m very confident that most speakers would be happy to help, and I know that our entire team — Rachel, Bruce, me and the entire Smashing Crew would love to help, anytime.

Before committing to speak at a conference, ask questions. Ethan Marcotte has prepared a useful little template with questions about compensation and general treatment of speakers (thanks to Jared for the tip!). Ask about the capacity and expected attendance of the conference, and what the regular price of the ticket is. Ask what audience is expected, and what profile they have. Ask about conference accessibility, i.e. whether there will be talk captioning/transcripts available to the audience, or even sign language interpreters. Ask if there is a commitment to a diverse line-up of speakers. Ask if other speakers get paid, and if yes, how much. Ask if traveling and accommodation are covered for all speakers, by default. Ask if there is a way to increase honorarium by running a workshop, a review session or any other activities. Since you are dedicating your time, talents, and expertise to the event, think of it as your project, and value the time and effort you will spend preparing. Decide what’s acceptable to you and make exceptions when they matter.

Speaker presenting on stage at the ColdFront conference in 2018

Dear speakers, feel free to ask how other speakers have been treated in the past. It’s your right; don’t feel uncomfortable for asking what is important to you and want to know beforehand. (Large preview) (Image source: ColdFront)

As you expect a fair treatment by organizers, also treat organizers the same way. Respect organizers’ time and efforts. They are covering your expenses, but it doesn’t mean that it’s acceptable to spend a significant amount without asking for permission first. Obviously, unexpected costs might come up, and personal issues might appear, and most organizers will fully understand that. But don’t use the opportunity as a carte blanche for upscale cocktails or fancy meals — you probably won’t be invited again. Also, if you can’t come to speak due to occurring circumstances, suggest a speaker that could replace your session, and inform the organizer as soon as you are able to upfront.

Speaker’s Checklist

Think twice before applying to a large commercial event that doesn’t cover your expenses;
If your company is covering expenses, consider asking organizers to donate the same amount to a charity of your choice, or sponsor a diversity/student scholarship;
Be very thorough and selective with conferences you speak at, and ask how other speakers have been treated in the past;
Prepare a little template of questions to ask an organizer before confirming a speaking engagement;
Support nonprofits and local events if you can dedicate your time to speak for free;
Choose a fair honorarium for a talk, and decide on case-by-case basis;
Ask whether videos will be publicly available,
Ask about conference accessibility, i.e. whether there will be talk captioning/transcripts, or sign language interpreters,
Treat organizers with respect when you have to cancel your engagement or modify your arrangements.

Our Industry Deserves Better

As an attendee, you always have a choice. Of course, you want to learn and get better, and you want to connect with wonderful like-minded people like yourself. However, be selective choosing the conference to attend next. More often than not, all the incredible catering and free alcohol all night long might be carried on the shoulders of speakers speaking for free and paying their expenses from their own pockets. Naturally, conferences that respect speakers’ time and professional skills compensate them and cover their expenses.

So support conferences that support and enable tech speakers. There are plenty of them out there — it just requires a bit more effort to explore and decide which event to attend next. Web conferences can be great, wonderful, inspirational, and friendly — regardless of whether they are large commercial conferences of small community-driven conferences — but first and foremost they have to be fair and respectful while covering the very basics first. Treating speakers well is one of these basics.

Editorial’s recommended reading:

Getting Started In Public Speaking, by Rachel Andrew,
Conference Organizer’s Handbook, by Peter-Paul Koch,
My Questions For Event Organizers by Ethan Marcotte,
How To Invite A Conference Speaker, by Bruce Lawson,
Demystifying Public Speaking, a book by Lara Hogan,
Respect Always Comes First by yours truly.

I’d like to kindly thank Rachel Andrew, Bruce Lawson, Jesse Hernandez, Amanda Annandale, Mariona Ciller, Sebastian Golasch, Jared Spool, Peter-Paul Koch, Artem Denysov, Markus Gebka, Stephen Hay, Matthias Meier, Samuel Snopko, Val Head, Rian Kinney, Jenny Shen, Luc Poupard, Toni Iordanova, Lea Verou, Niels Leenheer, Cristiano Rastelli, Sara Soueidan, Heydon Pickering, David Bates, Mariona C. Miller, Vadim Gorbachev, David Pich, Patima Tantiprasut, Laurie Barth, Nathan Curtis, Ujjwal Sharma, Lea Verou, Jesse Hernandez, Amanda Annandale, Benjamin Hong, Bruce Lawson, Matthias Ott, Scott Gould, Charis Rooda, Zach Leatherman, Marcy Sutton, Bertrand Lirette, Roman Kuba, Eva Ferreira, Sara Soueidan, Joe Leech, Yoav Weiss, Markus Seyfferth and Bastian Widmer for reviewing the article.

Smashing Editorial
(ra, il)

Why More Web Designers Should Give Pre-built Websites a Try

Original Source: https://www.sitepoint.com/why-more-web-designers-should-give-pre-built-websites-a-try/

This sponsored article was created by our content partner, BAW Media. Thank you for supporting the partners who make SitePoint possible. There’s a heated and seemingly never-ending debate in the web design industry about whether web designers should always start their design work from scratch or not. Another option comprises taking advantage of what pre-built […]

The post Why More Web Designers Should Give Pre-built Websites a Try appeared first on SitePoint.

Collective #476

Original Source: http://feedproxy.google.com/~r/tympanus/~3/a0dPKKufrSE/

C476_WOTW

Inspirational Website of the Week: PART Architects

A bold design with many innovative details. Our pick this week.

Get inspired

C476_Framer

This content is sponsored via Thought Leaders
Learn about design systems from the experts

Expert talks, hands-on guides, and inspirational soundbites from designers working on teams at Slack, Dropbox and Facebook, all curated by the team at Framer.

Get inspired

C476_quicklink

quicklink

Quicklink attempts to make navigations to subsequent pages load faster by prefetches URLs to the links when the browser is idle.

Check it out

C476_states

The (Switch)-Case for State Machines in User Interfaces

David Khourshid introduces the concept of state machines and how they can help in the design of user interfaces.

Check it out

C476_debugcss

DebuCSSer

A very useful CSS debugging tool by Lucas Gesmundo.

Check it out

Screen-Shot-2018-12-13-at-18.56.12

Designing for Interaction Modes

A very insightful article by Andrew Grimes on how to approach the task of designing for interaction modes.

Read it

C476_game

Under

Under is a great little game written in JavaScript and GLSL with procedural graphics. By Weston C. Beecroft.

Check it out

C476_top10albums

Top 10 Albums 2018

Adam Kuhn created this slideshow of his top 10 music albums of 2018.

Check it out

C476_choir

Choir

A super fun demo by David Li for Adult Swim.

Check it out

C476_Tab

Not Your Father’s Navigation Strategy: There’s More Than Just the TAB Key

Rachel Olivero explains that while the use of the Tab key for navigation is appropriate in the right circumstances, utilizing quick navigation keys and element lists can offer greater flexibility for screen reader users.

Read it

C476_cssinjs

CSS-in-JS or CSS-and-JS

John Polacek has built something with fashioned CSS and JS and then again with new fangled CSS-in-JS. His message is: either approach is fine, do what is right for you.

Check it out

C476_mathcss

Keep Math in the CSS

Chris Coyier shows how keeping Math in the CSS can make things cleaner and easier to manage.

Check it out

C476_gamexp

Retro Pixel

A splendid rhythm game by Misaki Nakano for the Christmas Experiment collection.

Check it out

C476_recap

A Recap of Frontend Development in 2018

Trey Huffine recaps the most important frontend news, notable events, and trends in JavaScript for 2018.

Read it

C476_drone

Drone

A fantastic demo using Three.js Unreal Bloom effect by Baron Watts.

Check it out

C476_cssprogramming

Programming CSS

Jeremy Keith reminds us how powerful CSS selectors are.

Read it

C476_codevember

What I learned in (almost) 30 days of Codevember

Brian Romer shares his Codevember experience.

Read it

C476_shootingstars

Only CSS: Shooting Star

Beautiful little shooting start made with CSS only. By Yusuke Nakaya.

Check it out

C476_scotland

Free Font: Scotland

A beautiful blackletter typeface made by Phil MacIsaac.

Get it

C476_uikit

Meetio UI Kit (XD)

A great UI kit with more than 80 screens for Adobe XD.

Get it

Screen-Shot-2018-12-13-at-18.36.27

So you want to use Redux

A good primer to Redux by Sérgio Gomes.

Read it

C476_motion

From Our Blog
Motion Transition Effect

A speedy motion transition effect for an image slideshow inspired by Gal Shir’s “Ping Pong Slow Motion” animation.

Check it out

Collective #476 was written by Pedro Botelho and published on Codrops.

What’s New for Designers, December 2018

Original Source: https://www.webdesignerdepot.com/2018/12/whats-new-for-designers-december-2018/

Happy holidays!

This collection of new tools and resources is our gift to you this season. And there are plenty of holiday-themed elements sprinkled in. Enjoy!

If we’ve missed something that you think should have been on the list, let us know in the comments. And if you know of a new app or resource that should be featured next month, tweet it to @carriecousins to be considered!

Humaaans

Humaaans is a design kit packed with illustrations of people with a fun style. You can mix and match people and styles – from clothes to hairstyles – to find illustrated humans to match your design projects. Use the illustrations alone or add extra elements to create an entire scene. (The only probably with this free, creative commons-licensed tool is that you might spend all day playing with it.)

Hookbin

Hookbin allows you to capture and inspect HTTP requests. The free tool lets you inspect a number of content types – JSON, XML, YAML, Multipart and URL-encoded requests and every request uses SSL endpoints. Plus you can inspect headers, body, query strings, cookies, uploaded files and more in a private environment if you like.

Advent of Code

Advent of Code is an Advent calendar of small programming puzzles for a variety of skill sets and skill levels that can be solved in any programming language you like. Use them as a speed contest, training, coursework, practice problems, or to challenge other designers. You don’t need a computer science background to participate – just a little programming knowledge and some problem solving skills will get you pretty far.

Fibre

Fibre is a WebGL application for visualizing and coding 3D vector fields and dynamic systems. Vector fields can be authored in the code editor and shared via HTML link with the embedded code.

Giddyapp

Giddyapp is a lightweight invoicing tool that’s made for small businesses and creatives. Invoices have a sleek design that’s easy to use and send. Payment processing is integrated with Strip, Square and PayPal and notifications let you know when clients open and pay invoices. If you need a way to manage clients, this is it.

Milanote

Milanote is a brainstorming tool for teams. Use it to collect elements for moodboards or event to outline design projects. The interface is easy to engage with and you can add structure and purpose to how projects are created and even invite others to collaborate. One of the best things is that it all works in the cloud and is available anywhere eon any device.

Christmas HQ

Working on holiday themed projects? Christmas HQ is packed with designs including clip art elements, backgrounds, fonts, borders images and other elements to jumpstart creative projects.

Color Koala

Color Koala is a fun project that helps you create color palettes. Just press the spacebar and new combinations appear on screen for you to grab and use. Choose from light, dark or trending bright color palettes.

CSS File Icons

This collection of CSS file icons includes popular file icon extensions in a colorful flat style. Just include the CSS to the header and you are ready to go.

Squoosh

Optimize images for the web with one drag and drop. Squoosh is a project that lets you do just that and works for images, artwork, mockups and SVG files. You can adjust optimization settings for each file.

Write Freely

Write Freely is open-source software for creating a simple blog. It’s lightweight and the intuitive editor is made for getting your words on screen quickly. Without a bunch of unnecessary add-ons, this tool provides a distraction-free way to write (and read).

VR/AR Icons

InVision App is offering a collection of 48 colorful icons featuring virtual reality and augmented reality designs. It’s a nice collection for themed projects.

Christmas Desktop Backgrounds & Wallpapers

Decorate your computer screen for the holidays. This collection of 25+ desktop backgrounds all feature cool designs with holiday themes. Perfect for getting you in the holiday (and creative) spirit.

UX Store

UX Store is a collection of design resources made for UI/UX designers. From tools such as sketchbooks and stencils to freebies including UI kits, icons and illustrations, this site is packed with elements that you can use. (Still looking for gifts for the designer in your life? UX Store might be the answer.)

Tutorial: HTML Canvas API

The Canvas API allows browsers to draw on the screen in the design process. This tutorial takes your through the process of using the API step-by-step.

Talk: How to Read Color Hex Codes

The transcript from this Dot Conferences talk is a fascinating look at color. Here’s the description: “How does a colorblind designer work with color? Not with his eyes! Instead David relies on reading color hex codes. He shares his process into understanding those six-digit codes and related insights into human vision, computer history, and digital color.” What are you waiting for? Go read the transcript!

Guide to Voice User Interfaces

Are you ready for VUI? Voice user interfaces are exploding in popularity, and you need to be ready to design for them. Justin Baker’s guide is a great place to start. And it flips everything you know about design upside down: “Keep in mind, a VUI does not need to have a visual interface — it can be completely auditory or tactile (ex. a vibration).”

Emoji Builder

For those times when the standard emojis just won’t do it, there’s Emoji Builder. Using standard starting points and plenty of add-ons, you can create the right virtual face for whatever you are feeling.

Web.dev

Google’s new learning tool is designed to help make you a better, modern designer. There are structured curriculums to help you build “a better web.” The good news is that it’s all rooted in Google’s user research. (And there’s a lot of it.)

Designer’s Eye Game

This game tests your visual skills. Can you tell if dots are in the middle of shapes? (It’s harder than you think.)

Animosa

Animosa is a fun, free serif font family with 508 characters in five weights. It features sharp edges and a light vibe that’s highly versatile.

Bumblebear

Bumblebear is a handwriting style typeface that can work for display use. It includes upper- and lowercase characters, numerals and punctuation.

Christmas Ornaments

Christmas Ornaments is an icon font with line and hand-illustrated holiday icons. It includes 50+ characters to play with.

Geller

Geller is a solid serif typeface made for editorial use. The premium typeface includes a full family with every variation you could need and is highly readable.

Hermann

Hermann is a beautiful and highly readable premium typeface family made for body type as well as display. The discretionary ligatures are what set this font apart for display use.

Pumpkin Pie Lattes

Pumpkin Pie Lattes is a thin, hand-drawn font that makes a great addition to holiday projects. The feel is simple and light in this all uppercase typeface.

Add Realistic Chalk and Sketch Lettering Effects with Sketch’it – only $5!

Source

p img {display:inline-block; margin-right:10px;}
.alignleft {float:left;}
p.showcase {clear:both;}
body#browserfriendly p, body#podcast p, div#emailbody p{margin:0;}

Proto.io Review: A Flexible Prototyping Tool

Original Source: https://inspiredm.com/proto-io-review-a-flexible-prototyping-tool/

Fact is – even when you think you’ve got it all figured out, the painstaking process of building a standard app takes an average of about 4 to 6 months. It’s more like a journey from brainstorming an idea to coming up with a totally different end product.

In between these two stages is where the all the drama happens. After brainstorming, comes the research process, from where you establish a corresponding wireframe, then it’s followed up by a prototype for the first testing phase.

What’s missing so far?

Now, hold it right there. Before we even proceed to the development phase, let’s first appreciate the one thing that substantially informs it.

A prototype basically represents what you presume will be the end product’s user interface. The subsequent feedback generated from users determines the corresponding functionality design during development.

Therefore, all in all, the prototype is what basically determines app development and, to a large extent, the overall outcome.

So, how about we take a look at one interesting tool you can leverage for this?

Proto.io Review: Overview

Created by the Labs Division of SNQ Digital, Proto.io has been around since 2011, when it was released as a commercial web platform dealing with prototype development for iPads and iPhones. It then morphed gradually into a more dynamic framework and even expanded to accommodate multiple devices.

Currently, the platform essentially targets app enthusiasts, mobile designers, interaction designers, and user experience professionals with a wide range of critical prototyping tools.

Proto.io

One of Proto.io’s principal properties is its intuitive user interface, which is built with a drag-and-drop system that can be leveraged without coding. That alone explains why it’s relatively popular among both coders and non-coders.

It also provides an entirely integrated library of interactions, which can be systematically used on any of its layers.

And speaking of which, Proto.io seemingly streamlines the whole process of prototyping by facilitating multiple layers on various screens. Users can also import from Sketch or Photoshop, create interactions with JavaScript, sync numerous assets with Dropbox, and detail motion designs while previewing animations through its editor window.

All things considered, the one thing that makes Proto.io worth checking out is the fact that its developers are consistently improving it with new updates from time to time. They’ve already released two in November alone, affecting the player and editor.

But then again, Proto.io also comes with notable weaknesses. How they could affect your work is something we’ll be looking into shortly. This Proto.io review covers all the important details you need to know- fundamental features, pricing, strengths, and drawbacks.

And to start us off, here are the principal features…

Proto.io Review: Features
Building a Prototype

When you start your journey on Proto.io, you’ll notice that it provides a detailed tutorial to help you find your way around the system. It found it to be quite handy, to be honest, and the interface further makes it easy to adapt since the tools are well-arranged and accessible.

Thankfully, Proto.io doesn’t overwhelmingly throw everything at you. So don’t be worried if you can’t see some important elements at the beginning. More functionalities and contextual options are progressively availed as you continue working on your project.

Now, starting one is as easy as clicking on the new project option on the dashboard, naming it, selecting the screen size and intended medium, then voila!

The navigation process itself is seamless, thanks to a straightforward user interface that doesn’t take ages to get used to. I was already creating multiple screens in about an hour or so, then went ahead to combine them with attractive transitions and stylish interactions.

Proto.io prototype

Merging and testing them didn’t take a lot of effort because Proto.io is built with an animation preview feature. Sadly, I wouldn’t consider it a 100% real-time live preview since users are required to first save their projects before animation changes are reflected in the preview.

Well, at least the system compensates for that with an immersive drag-and-drop interface. Dragging any element is surprisingly simple, and you can adjust it accordingly then move on to the next.

Proto.io drag and drop

If you happen to adopt items you think you might need later (animations, interactions, UI elements), save yourself the hard work by taking advantage of container saving. That way, you’ll be able to simply drag and place them appropriately when you need to. It really is that stress-free.

Fair enough. But, what functionalities are we talking about here?

For starters, you can rotate, fade, resize, and move animations. Then interactions support functions like right-click, click, release, touch, double tap, tap, etc. Transitions, on the other hand, provide for flipping, up/down sliding, left/right sliding, etc. Combine that with a large library of typical UI elements, and you have yourself one heck of a user-friendly prototyping system.

So, where do projects go after completion?

Now, here’s the thing. The dashboard not only avails all the projects but also allows you to delete, archive, duplicate, edit, and access them. This is basically where you can also share a project, and proceed to adjust the corresponding settings.

Sharing and Collaboration

Fine, you might be able to handle a project alone and possibly come up with an impressive prototype. Or, you can make everything much easier and expand your capabilities by working with a well-coordinated team.

It turns out proto.io has this sorted out. It provides an array of sharing and collaboration tools for showcasing and expanding your projects.

How, you ask?

To showcase the bare minimum, for instance, Proto.io allows you to take a snapshot of your project at any moment then share it with team members. Otherwise, you can choose to go all out by sharing a live version of the prototype, and even enabling video recording plus comments. That should be good enough to provide adequate project information and, consequently, trigger detailed feedback.

Proto.io sharing

But, you know what? It’s possible to go beyond this since Proto.io also supports Usertesting.com and Validately. Enabling them should help you secure comprehensive, in-depth feedback from prototype users.

And it doesn’t matter what devices they use to access previews. The system can adapt accordingly to both mobile and desktop browsers.

And get this. If you’re creating a smartphone application, Android and iOS apps’ native experience will benefit your prototypes by showcasing them in the medium they’ve been developed for.

That said, it’s worth noting that Proto.io 6 made things much easier by introducing single-click sharing. That basically means you can distribute your prototype to team members with a single click. How cool is that?

Interaction Tools

All things considered, the whole interaction design of your app is what ultimately makes the difference when it comes usability. That’s arguably why we even make prototypes in the first place.

Fortunately, Proto.io isn’t mean when it comes to interaction tools. It provides a wide array of functionalities you can capitalize on to create a memorable user experience.

In addition to scrollable content screens, some of the popular options here include slide-in menus and onboarding screens- to mention but a few. And for that personal touch, Proto.io allows users to dynamically tweak all interaction tools.

Proto.io interaction tools

Ok, but how exactly do you even add them?

Well, do you remember when we mentioned that Proto.io heavily uses a drag-and-drop interface? So, guess what? Achieving any interaction outcome is as simple as dragging and dropping the elements from an icon to your user interface components. You don’t need even a single line of code.

Supported Devices

It’s always advisable to develop your prototype on a desktop PC. It provides just the right immersive experience to engineer a solid prototype.

Now, previewing the prototype is a different ball game. Thankfully, Proto.io doesn’t force people to do this in the native environment the prototypes have been built on.

That essentially means you’re can show off your creation to all types of users, regardless of their gadgets of choice. They’ll be able to gain access through PC and mobile browsers.

As a matter of fact, Proto.io even went ahead to develop versions for iOS and Android. They fundamentally optimize the whole experience of reviewing prototypes developed for mobile devices.

Now, after sharing your project, you can rely on the subsequent user comments to rate your prototype. But, here the interesting thing- As if that’s not enough, Proto.io linked up with Lookback.io to come up with the ability to record user screens and facial expressions of people using a prototype.

So, yes. You bet you can make an informed judgment about the performance of your prototype based on how its users smile or frown. Impressive, right?

Learning Curve

I know. I’ve been there. That moment you assume that a platform for prototypes has got to be complicated enough to handle extensive UI development.

Luckily, Proto.io has managed to eliminate coding without compromising the prototype development process. You can set up both low-fidelity wireframes and fully-developed high-fidelity prototypes, complete with all the features required for thorough testing.

Proto.io features

That said, you’ve got to admit that it doesn’t take much to master a typical drag-and-drop interface. But, in case you face any difficulties along the way, Proto.io provides detailed documentation containing basically everything about the platform.

Proto.io Review: Pricing

First off, I was pleased to find that Proto.io provides a permanently free option. Unfortunately, it’s quite limited since it only offers:

io app preview
10MB storage
Zero additional reviewers
5 prototype screens
1 active project
1 user

The only way to secure more features is subscribing to one of Proto.io’s four plans. They all offer:

Email support
256-bit encryption
Sketch/Photoshop importing
Dropbox syncing
Branding
Export to PDF/PNG/HTML
User feedback in video form powered by Lookback
Comments
Share
io app previewing
Preview in player

Proto.io pricing

Now that they all come with the entire feature ecosystem, the principal distinguishing factors between the packages are the number of supported users and projects.  The plans are seemingly structured to service different grades of users and organizations.

And here are the details:

Freelancer- Costs $29 per month with monthly billing, or $24 per month with annual billing

Supports 1 user
Provides 5 active projects

Startup- Costs $49 per month with monthly billing, or $40 per month with annual billing

Supports 2 users
Provides 10 active projects

Agency- Costs $99 per month with monthly billing, or $80 per month with annual billing

Supports 5 users
Provides 15 active projects

Corporate- Costs $199 per month with monthly billing, or $160 per month with annual billing

Supports 10 users
Provides 30 active projects

Going by these usage scales, I’d say these plans are suitable for individuals and small businesses. Large enterprises have been given the option of negotiating with Proto.io for custom packages that provide priority support, analytics, enterprise-grade security, unlimited projects, additional users, and much more.

Students and non-profit organizations, on the other hand, can qualify for a 50% discount. It all depends on Proto.io’s screening process.

Now that’s not bad. Not bad at all. But I wonder if the discount is based on the monthly model, annual billing, or both.

Well, if you don’t qualify, at least you can lower your costs by about 20% when you switch from monthly to annual billing. Then, apart from that, you also get a 15-day free trial period to test everything out when you sign up.

Who Should Consider Using Proto.io?

So far so good. But, perhaps unsurprisingly, Proto.io has its fair share of drawbacks.

Consider offline editing for example. While it’s commendable that the platform allows users to export prototypes to PDF and HTML, it seems that’s just about it when you don’t have an internet connection. The only thing you’ll be able to do is previewing a prototype.

Creating and tweaking a prototype requires a stable connection to the web. That basically makes it impossible to conveniently work on the go.

And speaking of creating prototypes, let’s hope that the development team at Proto.io will seriously consider introducing 3D animations and live previews. After all, it’s 2019 for crying out loud.

Other than that, we can conclude that Proto.io is a decent platform built with a focus on productivity and scalability. It’s flexible enough to support both simple projects by novices and complex multi-layered designs by corporate teams.

So, all things considered, what do you think we should expect from its developers in the near future?

The post Proto.io Review: A Flexible Prototyping Tool appeared first on Inspired Magazine.

The best children's books of all time

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/kgDM93W_Q1Y/the-best-childrens-books-of-all-time

Looking for the best children's books of all time? That's exactly what you'll find right here. Whether you need a last minute Christmas gift, or you want some inspiration for your own illustration projects, we've got you covered.

After all, there are few better displays of imagination, craft and creativity than a well-written and illustrated children’s book. Not only do they need to excite the mind of a child but they also need to engage the adult reading them to the point that they're happy going through the same book over and over again.

This list comprises some of the best children's books of all time, broken down into age groups – with some further recommendations that those with a designers eye will get a kick out of as well. We hope it'll be useful for Christmas inspiration, baby-showers and kids-at-heart alike.

Right now, you'll find ages 0-5 – but head back here tomorrow and we'll have more age groups covered…

The best creative Christmas gifts for kids

Buy The Very Hungry Caterpillar – Amazon US: $6.59 | Amazon UK: £5.13  

Summary: A classic that has been passed down over generations, this children's book follows the journey of a caterpillar eating his way to adulthood.

Now over 40 years old, The Very Hungry Caterpillar has been delighting children for generations. Eric Carle's unique and beautiful illustration style combine with a story that is fun and educational, even for young ears. It's a 'first buy' book for anyone with a child on the way.

The original is in paperback, but the book is available in so many different formats, from pop-up to puppet and there's even a film. We've linked the board book, which is perfect for toddlers to hold and read and discover the world.

Buy Where the Wild Things Are – Amazon US: $13.23 | Amazon UK: £4.54

Summary: One night Max makes mischief of one kind and another, so his mother sends him to bed. When a forest grows, the Wild Things are unleashed and make Max their king.

Another classic, Where the Wild Things Are has been on children's bookshelves since 1964. The story uses the jungle and Wild Things as a metaphor for Max's rage at being told to go to his room.

There's a beautiful message hidden under what seems like a story of an overactive imagination that sometimes a child just needs a bit of time to calm themselves down. Something both parents and children can learn from.

Buy The Jolly Christmas Postman – Amazon US: $16.45 | Amazon UK: £6.99

Summary: It's Christmas Eve, and the Jolly Postman has letters to delivery to a cast of beloved fairy-tale characters, all included in envelopes throughout the book.

Really any one of the Ahlberg books could go into this list. Each Peach Pear Plum, Funny Bones and Peepo are timeless classics. The Jolly Christmas Postman wins out because there is just so much fun to be had with your kids as you turn the page and see what's been delivered to the next classic character.

A game for Little Red Riding Hood, a jigsaw for Humpty Dumpty, a tiny book-in-a-book for the Gingerbread Man. Sit in bed on Christmas Eve and pop open the envelopes to reveal little toys and games to play with your little ones.

Buy The Snowman – Amazon US: $12.95 | Amazon UK: £5.59

Summary: One winter's night a boy finds his Snowman has come to life as they head on a magical adventure across the skies.

One of the rare occasions when a book and a film are on par with each other, having watched and read both you can almost see Raymond Briggs' illustrations dancing across the page.

There is a slight difference in that they don't visit the North Pole and meet Father Christmas, which feels notable absent if you do it in Film – Book order. The end is still touching and sad though.

The entire story is wordless, which is always fascinating to see how emotion and context are achieved using just body and facial expressions.

Buy Lost & Found – Amazon US: $17.09 | Amazon UK: £5.24

Summary: Once there was a boy, and one day he finds a penguin on his doorstep. The boy tries to return the penguin to his home but finds a friendship was all he was looking for instead.

Lost & Found is just about the pinnacle of what a picture book should be. It's the perfect length and tone, and the illustrations are approachable for both adult and child. The story of a developing friendship is quickly picked up by young children, and the humour is well placed and subtle at points.

While How to Catch a Star is Oliver Jeffers excellent debut book, Lost and Found is really where he began to gain notoriety. The book was developed into a film by Studio AKA of which Jeffers produced a lot of graphics assets, and it's the first time you really start to see his iconic handwriting make an outing.

Recently Oliver Jeffers released an anthology of all of his 'boy' books featuring pencil sketches and brainstorms completed while plotting the series. The Boy, His Stories and How They Came To Be is also available on Amazon

Buy I Want My Hat Back – Amazon US: $12.77 | Amazon UK: £3.98

Summary: A book about a bear whose hat has gone and he wants it back. Asking creatures one by one the bear searches for his lost hat.

Klassen's colour and illustration style juxtapose the traditionally vibrant world we usually see in picture books, with neutral hues and darker tones it makes a refreshing read in between magical kingdoms and fairy tales. 

The humour is more dry, subtle and darker as well, meaning its much more of a treat for adults than usual. Kids still massively enjoy it though, picking up on its cues that you'd think might go over their heads. The pacing of this story is some of the best you'll see in a 40-page picture book, meaning the plot twist at the end is delivered with excellent comic timing.  

Buy The Storm Whale – Amazon US: $11 | Amazon UK: £5.49

Summary: Noi and his father (a fisherman) live by the sea. One day a baby whale washes up on the beach, and Noi decides to take it home and care for it.

Benji Davies' illustration style reminds of Axel Scheffler (Gruffalo, Room on a Broom) in that it's incredibly detailed but completely unique. Like landscape painting with a modern, more simplified colour scheme.

Add that to a story that is heartwarming and enjoys positive father-son dynamic you end up with a book that will go down as a modern classic. The Storm Whale in Winter is an excellent follow up that shifts the colour palette and adds even more vibrancy to the world.

Buy Here We Are – Amazon US: $17.80 | Amazon UK: £10.36

Summary: A guide to life for people who've just arrived on Earth (babies).

In what is probably Oliver Jeffers most refined book from a visual point of view, this book was written to teach his children the nuances of contemporary life. Fortunately, it does a great job of educating everyone else too.

The illustrations are stunning, and the message is refreshing. In a world that feels like its becoming increasingly disconnected this book aims to teach the next generation of life's purpose and what they can do in their time on this planet.

Summary: Husband and wife team of Ann and design legend Paul Rand combine to produce a simple and effective 

Paul Rand illustrated four of his wife's books, each of them utilising a shape-led style with flat colour. There is undoubtedly more engaging books for children our there, but from a designer/illustrator point of view given that this book was first published in 1956, there's still a lot to be learnt from the simplicity of layout and shape here.

Read more:

The best new children's books of 201833 books every graphic designer should readThe best Christmas gifts for kids

VSDC Free Video Editor Review – Everything You Need to Know

Original Source: https://inspiredm.com/vsdc-free-video-editor-review-everything-you-need-to-know/

Fact is- we all need video editing solutions from time to time. The most ideal type to use, however, is a different thing altogether.

You see, there has been an unending debate about paid and free video editors. While most people would overwhelmingly prefer free, it turns out that the real features are hoarded by the paid versions.

Think about it. Although you might be able to mention numerous free options, most of them pretty much end up being useless. They commonly provide very limited features, which are usually incapable of consistently generating decently edited videos.

And right when you assume that you’ve luckily stumbled on a different one with impressive features, you suddenly discover that you’re permanently stuck with watermarks and the likes. Then to make the situation worse, they probably also throw in a couple of annoying ads.

From limited trial periods to incomplete video outputs, you name it- I’ve tried it all out when it comes to free editors. And frankly, I’ve repeatedly given up on finding a solid one on many occasions.

So, I have to admit that I was not really excited about the VSDC Free Video Editor when I came across it. I thought it would end up being the same old tale with a different title. But surprisingly, things turned out contrary to my expectations…

VSDC Free Video Editor Review: Overview

Developed by Flash-Integro LLC, VSDC Free Video Editor is essentially a nonlinear video editing solution for video, audio, and images.

What does this mean?

Well, if you’ve tried out several standard video editors, you must have noticed the same old framework of placing media in a linear pattern for editing. But VSDC, on the other hand, uses a different non-linear approach. You’re allowed to set any combination or sequence as you work on your videos.

For instance, you can put videos directly opposite each other for a side-by-side outlook, or stack one over the other for a picture-in-picture setup. And that’s not all. There are numerous additional parameters you’re allowed to adjust- like media shape and position.

But, here’s the best thing about it. It’s completely free. The system will not lock you out after some time to force an upgrade.

Now, let’s be honest.  We’ve seen numerous “free” video editing tools hiding behind that fact only to hit you with a caveat after installation. They usually paste ugly watermarks on your media output to market their brands. Or perhaps force you to install secondary apps they’ve partnered with.

Thankfully, VSDC free video editor doesn’t come with either. It doesn’t announce itself to the world with watermarks or introduce extra applications. You basically get what you see.

And speaking of which, it looks and feels like a genuinely professional tool. The interface is packed with a myriad of editing components that allow you to merge, split, cut, rotate, zoom, crop, and much more. You also get to do things like adding subtitles and shapes, hiding elements, blending, correcting colors, blurring, plus placing Instagram-like filters.

All these are possible on a wide array of video formats and codecs- including mainstream ones like AVI and MP4, plus unconventional versions like SWF and RM. The subsequent output options are also extensive, and you can even choose to produce a DVD video from its disc burner feature.

That said, VSDC is not only about free software. There’s an option of upgrading to a PRO version, which costs $19.99 per year.

But that would only be necessary if you need masking, subpixel accuracy, and video stabilization features, plus hardware acceleration to produce videos much faster. Our principal interest at the moment is the free version.

So, is VSDC free video editing software capable of living up to our expectations? How powerful are its features? And how does it even generate revenue if it’s actually free to use?

Well, let’s find out. This VSDC free video editor review covers all the critical matters- its features, editing tools, monetization model, plus its overall suitability.

VSDC Free Video Editor Review: Features
System Requirements

Admittedly, the biggest problem with video editors is the fact that they all require insanely extensive PC resources to run. You pretty much cannot edit a solid HD video without gaming rig-like PC components.

So, of course, I was extremely curious about the system requirements for VSDC free video editor. And it turns out that the minimum you need to run the software without issues is:

Microsoft DirectX 9.0c or later versions
50 MB disk space for installation
256 MB RAM
1024 × 768 pixels display with 16-bit color
Intel or AMD chipset with a clock rate of at least 1.5 GHz
Windows OS (XP SP3 or later versions)

Now hang on a minute. Does this mean you can edit videos on your old PC? Interestingly, yes- a standard PC can comfortably host and run this software. As a matter of fact, it only takes up 200MB of space in your local disk.

And when it comes operating systems, these are the supported ones:

Windows 10
Windows 8
Windows 7
Windows Vista
Windows XP SP3

Sadly, sorry Mac users. You might have to check later if they’ve released a compatible version. Let’s hope they ultimately do.

As for Windows users, let’s see how it actually performs on your PC…

User Friendliness

Once you run the application, you’ll notice that the primary interface is dark with clear labels on the tools. And to help you get the hang of it all, the system greets you with a pop-up that essentially walks you through the process of opening a new project, starting the editing stage, and exporting a project.

However, you don’t have to go through all that. I found the overall interface surprisingly simple and straightforward.

Starting a project, for instance, is as simple as choosing either screen capture, video capture, import content, create a slideshow, or blank project. You’ll see all these options from a projects tab that kicks in after the pop-up tutorial.

In case you need additional help, you can access the “Get To Know Top Feature” option at the bottom. It contains additional pointers about elements like:

3D pro charts
Multimedia combiner
Waveform
Chroma key
UHD and HD
Blending
Video effects

Now, let’s face it. It might take a beginner some time to get used to everything here. But, I guess that’s something we should expect on a software solution laden with such an array of tools. At least the learning curve is not as steep as we’ve seen with Adobe’s Premiere.

When it comes to the actual editing process, I admit that I haven’t experienced any issue so far. The progress has been smooth all along. However, it’s worth noting that the software’s overall performance depends on your PC’s hardware resources.

The rendering speed, for example, increases slightly as you upgrade the hardware components. It’s not the fastest we’ve seen, but it’s satisfyingly good for a free tool. Only Pro users get optimized speeds thanks to the hardware acceleration feature that VSDC unlocks after an upgrade.

Fortunately, that variation doesn’t affect the video quality at all. I was impressed that the VSDC free video editor can support both HD and UHD output resolutions. In fact, it can produce even H265/HEVC, which is a popular codec that compresses the file size without compromising the quality.

Editing Features

Video Capturing Tool

The video capturing tool connects VSDC with all cameras linked to your computer. You can shoot a video directly through IP cameras and webcams, then save or tweak them with the editor.

Screen Capturing Tool

The screen capturing tool comes in handy when you need to prepare solid video tutorials showing your PC display. It essentially prepares a footage of your activities on the computer monitor. You can then capitalize on the editor to adjust the resultant video accordingly.

DVD Burning Tool

Perhaps you’d like to catch up with your videos on a DVD player. Well, this is basically what you use.

The DVD burning tool allows you to save a DVD version of your video directly to a compatible disc in your PC’s optical drive.

Video Converter Tool

The video converter tool controls the conversion process, allowing you to transform a video file from one format to another. In addition to that, you can use it to merge clips into a single file, or split one into several videos.

Export Video to Social Networks

It goes without saying that YouTube is, by far, the biggest video directory on the web. So, of course, it makes sense to provide a tool that basically connects the app directly with YouTube to help you effortlessly upload a video immediately after editing.

Apart from that, you can also export and publish videos on Vimeo, Twitter, Instagram, and Facebook.

Create 3D Charts

VSDC free video editor goes beyond typical video editing to help users enhance their professional presentation videos. You can capitalize on the 3D charts feature to create a funnel, point, pyramid, scatter line, pie stacked bar, general bar, and much more- as part of your final video.

Blending Modes and Instagram-Like Filters

By now, you’ve probably tried out color blending on photos. Well, it turns out that you can also play around with this function as you edit your videos on VSDC. In fact, it also offers effects that are as powerful as Instagram filters- one click alone can adjust the temperature, contrast, or grayscale levels.

Supported Media Formats

The respective formats you can import to edit are:

Image Formats: PNG, BMP, GIF, JPEG, JPG, PSD, CUR, ICO
Audio Formats: MP3, RAM, AC3, CDA, WMA, FLAC, WAV, AIFF, AU, M4A, AAC, RA, CUE, OGG, VOC, MPA, WAV, APE
Video Formats: AVI, HDVideo/AVCHD (TOD, MOD, MTS, M2TS, TS), DVD/VOB, VCD/SVCD, QuickTime (MP4, MOV, 3GP, QT), MKV, Flash Video (FLV, SWF), MPEG, MJPEG, H.264/MPEG-4, XviD, AMV, MTV, Media Video (RM, RMVB), DV, NUT, Windows Media (DVR-MS, WMV, ASF)

Then after editing, you can export them as:

Image Formats: PNG, JPEG, BMP, GIF
Audio Formats: MP3, AAC, WAV, OGG, M4A, AMR
Video Formats: MP4, AVI, DVD, VCD/SVCD, MOV, 3GP, MKV, FLV, SWF, MTV, AMV, WMV, MV4, RM, RMVB

Overall Features

YouTube uploader
Export to social networking sites
Create videos for selected multimedia devices
Video file converter
Shoot videos directly from IP cameras, webcams, and video tuners
Capture PC screen video
Built-in DVD burning capability
Universal format support
4K and HD support
Create charts and diagrams
Color blending and Instagram-like filters
Visual and audio effects
Non-linear video editing

VSDC Pro Tools
Subpixel Accuracy

VSDC Pro employs subpixel accuracy when placing or positioning elements in a video scene. Consequently, the quality of the footage is preserved even after adjusting the angles, skewing, or introducing other visual effects.

Masking

The video editing process occasionally involves eliminating or hiding some objects like watermarks- and VSDC Pro provides a masking feature for precisely that. You can even blur faces to hide the identities of individuals in a video.

Video Stabilization Tool

Have you ever shot a video while moving only to end up with an annoyingly shaky clip? This is particularly common with drones and smartphones.

To help you rectify the problem, VSDC Pro provides a video stabilization tool. It pretty much eliminates the shaking frames to produce a much smoother footage.

Who Should Consider Using VSDC Free Video Editor?

Sadly, most of the free video editing software available on the web provide extremely basic features that would only be ideal for small beginner projects. VSDC Free Video Editor, however, is one of the few ones that provide the entire stack of features without substantial limitations. It’s pretty solid for a tool that won’t ask you to pay anything or embed watermarks on your videos.

That said, anyone can use this software- from beginners to established professionals in the graphic design space. However, I bet the bulk of its user-base is made of people who regularly post videos on social media. They would certainly appreciate a free editor that combines unlimited 4K video editing with social media uploaders.

So, how would you rate this one compared to other free video editors in the market?

header image courtesy of Lily

The post VSDC Free Video Editor Review – Everything You Need to Know appeared first on Inspired Magazine.

The best new children’s books of 2018

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/_0frvAxPNlw/the-best-new-childrens-books-of-2018

As the end of the year approaches, we’ve taken a look back at the best new children’s books of 2018 and picked seven highlights. Spanning a wide range of age groups, these must-read titles tackle themes of courage and wisdom with spades of mystery, magic and mayhem thrown in.

From enchanting picture books to suspense-filled stories for young detectives, each of the children’s books in this list is a modern classic. Read on for our pick of the best new children’s books in 2018. 

One of Barnes & Noble’s best children’s books of 2018 and a New York Times bestseller, Be Kind is a beautifully illustrated exploration of kindness. The story is told through the eyes of a child as she ponders how to respond when a friend spills grape juice on herself. Combining irresistible watercolour and ink images with gentle text, the book shows how small actions can lead to big results.  

The Day You Begin is a gentle, poignant and heartening book about finding the courage to connect with other children and share your stories, even when you feel scared and alone. A New York Times bestseller, this ode to diversity from celebrated author Jacqueline Woodson reminds us that we all feel like outsiders sometimes and offers a message of comfort to preschool and early elementary children. Exquisite art from illustrator Rafael Lopez illuminates the theme throughout.

Imagine if you could grow dragons – in your very own garden. The Boy Who Grew Dragons follows the heart-warming story of Tomas as he tries to keep his unusual pets a secret in his beloved granddad’s garden. It’s a wonderfully whimsical story that’s fast, funny and full of feel-good moments. And while it’s a great read for 7-9-year-olds in particular, it has a wide appeal for younger and older readers too.

Dubbed a “strong first children’s book” by the Guardian, The Lifters is a quirky tale set in a small town plagued by dark, mysterious underground forces. Stunningly written, author Dave Eggers explores mental-health issues and local activism alongside themes of courage and determination – served with a twist of magic – in this captivating young adult novel. 

Mummy Fairy and Me is the first of a new series by bestselling novelist Sophie Kinsella. It’s narrated by Ella, whose mum is just like every other mum – except she can secretly turn herself into a fairy. The only problem is that sometimes her spells go wrong and Ella has to come to her rescue. Magic and mayhem abound in this fun and beautifully illustrated story.

Harry Potter meets Agatha Christie, with a dash of the Grand Budapest Hotel thrown in, in this bestselling magical murder mystery. The Last Chance Hotel is an inventive murder mystery that will appeal to fantasy lovers as well as young detectives. Packed with rich characters, suspense, cliffhanger endings and an exciting finale, this enchanting story is perfectly pitched at budding sleuths – while remaining a comforting bedtime story. 

The first children's book by award-winning lettering artist and author Jessica Hische, Tomorrow I’ll be Brave, offers a visually stunning journey through a world filled with hand-lettered words of wisdom. As a bunny and cat list their goals for the next day, the book – which is packed with gorgeous and immersive images – reminds young readers that tomorrow is full of endless opportunities.

Read more:

33 books every graphic designer should read10 illustration books every artist should readHow to illustrate a children's book

How To Convert An Infographic Into A Gifographic Using Adobe Photoshop

Original Source: https://www.smashingmagazine.com/2018/12/gifographic-animated-infographic-adobe-photoshop/

How To Convert An Infographic Into A Gifographic Using Adobe Photoshop

How To Convert An Infographic Into A Gifographic Using Adobe Photoshop

Manish Dudharejia

2018-12-13T14:00:11+01:00
2018-12-13T12:59:33+00:00

Visuals have played a critical role in the marketing and advertising industry since their inception. For years, marketers have relied on images, videos, and infographics to better sell products and services. The importance of visual media has increased further with the rise of the Internet and consequently, of social media.

Lately, gifographics (animated infographics) have also joined the list of popular visual media formats. If you are a marketer, a designer, or even a consumer, you must have come across them. What you may not know, however, is how to make gifographics, and why you should try to add them to your marketing mix. This practical tutorial should give you answers to both questions.

In this tutorial, we’ll be taking a closer look at how a static infographic can be animated using Adobe Photoshop, so some Photoshop knowledge (at least the basics) is required.

What Is A Gifographic?

Some History

The word gifographic is a combination of two words: GIF and infographic. The term gifographic was popularized by marketing experts (and among them, by Neil Patel) around 2014. Let’s dive a little bit into history.

CompuServe introduced the GIF ( Graphics Interchange Format) on June 15, 1987, and the format became a hit almost instantly. Initially the use of the format remained somewhat restricted owing to patent disputes in the early years (related to the compression algorithm used in GIF files — LZW) but later, when most GIF patents expired, and owing to their wide support and portability, GIFs gained a lot in popularity which even lead the word “GIF” to become “Word of the year” in 2012. Even today, GIFs are still very popular on the web and on social media(*).

Getting workflow just right ain’t an easy task. So are proper estimates. Or alignment among different departments. That’s why we’ve set up “this-is-how-I-work”-sessions — with smart cookies sharing what works well for them. A part of the Smashing Membership, of course.

Explore Smashing Membership ↬

Smashing TV, with live sessions for professional designers and developers.

The GIF is a bitmap image format. It supports up to 8 bits per pixel so a single GIF can use a limited palette of up to 256 different colors (including — optionally — one transparent color). The Lempel–Ziv–Welch (LZW) is a lossless data compression technique that is used to compress GIF images, which in turn, reduces the file size without affecting their visual quality. What’s more interesting though, is that the format also supports animations and allows a separate palette of up to 256 colors for each animation frame.

Tracing back in history as to when the first infographic was created is much more difficult, but the definition is easy — the word “infographic” comes from “information” and “graphics,” and, as the name implies, an infographic serves the main purpose of presenting information (data, knowledge, etc.) quickly and clearly, in a graphical way.

In his 1983 book The Visual Display of Quantitative Information, Edward Tufte gives a very detailed definition for “graphical displays” which many consider today to be one of the first definitions of what infographics are, and what they do: to condense large amounts of information into a form where it will be more easily absorbed by the reader.

A Note On GIFs Posted On The Web (*)

Animated GIF images posted to Twitter, Imgur, and other services most often end up as H.264 encoded video files (HTML5 video), and are technically not GIFs anymore when viewed online. The reason behind this is pretty obvious — animated GIFs are perhaps the worst possible format to store video, even for very short clips, as unlike actual video files, GIF cannot use any of the modern video compression techniques. (Also, you can check this article: “Improve Animated GIF Performance With HTML5 Video” which explains how with HTML5 video you can reduce the size of GIF content by up to 98% while still retaining the unique qualities of the GIF format.)

On the other hand, it’s worth noting that gifographics most often remain in their original format (as animated GIF files), and are not encoded to video. While this leads to not-so-optimal file sizes (as an example, a single animated GIF in this “How engines work?” popular infographic page is between ~ 500 KB and 5 MB in size), on the plus side, the gifographics remain very easy to share and embed, which is their primary purpose.

Why Use Animated Infographics In Your Digital Marketing Mix?

Infographics are visually compelling media. A well-designed infographic not only can help you present a complex subject in a simple and enticing way, but it can also be a very effective mean of increasing your brand awareness as part of your digital marketing campaign.

Remember the popular saying, “A picture is worth a thousand words”? There is a lot of evidence that animated pictures can be even more successful and so recently motion infographics have witnessed an increase in popularity owing to the element of animation.

From Boring To Beautiful

They can breathe life into sheets of boring facts and mundane numbers with the help of animated charts and graphics. Motion infographics are also the right means to illustrate complex processes or systems with moving parts to make them more palatable and meaningful. Thus, you can easily turn boring topics into visually-engaging treats. For example, we created the gifographic “The Most Important Google Search Algorithm Updates Of 2015” elaborating the changes Google made to its search algorithm in 2015.

Cost-Effective

Gifographics are perhaps the most cost-effective alternative to video content. You don’t need expensive cameras, video editing, sound mixing software, and a shooting crew to create animated infographics. All it takes is a designer who knows how to make animations by using Photoshop or similar graphic design tools.

Works For Just About Anything

You can use a gifographic to illustrate just about anything in bite-sized sequential chunks. From product explainer videos to numbers and stats, you can share anything through a GIF infographic. Animated infographics can also be interactive. For example, you can adjust a variable to see how it affects the data in an animated chart.

Note: An excellent example of an interactive infographic is “Building An Interactive Infographic With Vue.js” written by Krutie Patel. It was built with the help of Vue.js, SVG and GSAP (GreenSock Animation Platform).

SEO Boost

As a marketer, you are probably aware that infographics can provide a substantial boost to your SEO. People love visual media. As a result, they are more likely to share a gifographic if they liked it. The more your animated infographics are shared, the higher will be the boost in site traffic. Thus, gifographics can indirectly help improve your SEO and, therefore, your search engine rankings.

How To Create A Gifographic From An Infographic In Photoshop

Now that you know the importance of motion in infographics, let’s get practical and see how you can create your first gifographic in Photoshop. And if you already know how to make infographics in Photoshop, it will be even easier for you to convert your existing static infographic into an animated one.

Step 1: Select (Or Prepare) An Infographic

The first thing you need to do is to choose the static infographic that you would like to transform into a gifographic. For learning purposes you can animate any infographic, but I recommend you to pick up an image that has elements that are suitable for animation. Explainers, tutorials, and process overviews are easy to convert into motion infographics.

If you are going to start from scratch, make sure you have first finished the static infographic to the last detail before proceeding to the animation stage as this will save you a lot of time and resources — if the original infographic keeps changing you will also need to rework your gifographic.

Next, once you have finalized the infographic, the next step is to decide which parts you are going to animate.

Finalize Your Infographic

Infographic finalization (Large preview)

Step 2: Decide What The Animation Story Will Be

You can include some — or all — parts of the infographic in the animation. However, as there are different ways to create animations, you must first decide on the elements you intend to animate, and how. In my opinion, sketching (outlining) various animation case scenarios on paper is the best way to pick your storyline. It will save you a lot of time and confusion down the road.

Start by deciding which “frames” you would like to include in the animation. At this stage, frames will be nothing else but rough sketches made on sheets of paper. The higher the number of frames, the better the quality of your gifographic will be.

You may need to divide the animated infographic into different sections. So, be sure to choose an equal count of frames for all parts. If not, the gifographic will look uneven with each GIF file moving at a different speed.

Pick Your Animation Storyline

Deciding and picking your animation story (Large preview)

Step 3: Create The Frames In Photoshop

Open Adobe Photoshop to create different frames for each section of the gifographic. You will need to cut, rotate, and move the images painstakingly. You will need to remember the ultimate change you made to the last frame. You can use Photoshop ruler for the same.

You will need to build your animation from Layers in Photoshop. But, in this case, you will be copying all Photoshop layers together and editing each layer individually.

You can check the frames one by one by hiding/showing different layers. Once you have finished creating all the frames, check them for possible errors.

Create Frames in Photoshop. (Large preview)

You can also create a short Frame Animation using just the first and the last frame. You need to select both frames by holding the Ctrl/Cmd key (Windows/Mac). Now click on “Tween.” Select the number of frames you want to add in between. Select First frame if you want to add the new frames between the first and the last frames. Selecting “Previous Frame” option will add frames between your current selection and the one before it. Check the “All Layers” option to add all the layers from your selections.

How to create Short Frame Animation

Short frame animation (Large preview)

Step 4: Save PNG (Or JPG) Files Into A New Folder

The next step is to export each animation frame individually into PNG or JPG format. (Note: JPG is a lossy format, so PNG would be usually a better choice.)

You should save these PNG files in a separate folder for the sake of convenience. I always number the saved images as per their sequence in the animation. It’s easy for me to remember that “Image-1” will be the first image in the sequence followed by “Image-2,” “Image-3,” and so on. Of course, you can save them in a way suitable for you.

How to Save JPG Files in a New Folder

Saving JPG files in a new folder (Large preview)

Step 5: “Load Files Into Stack”

Next comes loading the saved PNG files to Photoshop.

Go to the Photoshop window and open File > Scripts > Load files into Stack…

A new dialog box will open. Click on the “Browse” button and open the folder where you saved the PNG files. You can select all files at once and click “OK.”

Note: You can check the “Attempt to Automatically Align Source Images” option to avoid alignment issues. However, if your source images are all the same size, this step is not needed. Furthermore, automatic alignment can also cause issues in some cases as Photoshop will move the layers around in an attempt to try to align them. So, use this option based on the specific situation — there is no “one size fits them all” recipe.

It may take a while to load the files, depending on their size and number. While Photoshop is busy loading these files, maybe you can grab a cup of coffee!

Load Files into Stack. (Large preview)

Step 6: Set The Frames

Once the loading is complete, go to Window > Layers (or you can press F7) and you will see all the layers in the Layers panel. The number of Layers should match the number of frames loaded into Photoshop.

Once you have verified this, go to Window > Timeline. You will see the Timeline Panel at the bottom (the default display option for this panel). Choose “Create Frame Animation” option from the panel. Your first PNG file will appear on the Timeline.

Now, Select “Make Frames from Layers” from the right side menu (Palette Option) of the Animation Panel.

Note: Sometimes the PNG files get loaded in reverse, making your “Image-1” appear at the end and vice versa. If this happens, select “Reverse Layers” from Animation Panel Menu (Palette Option) to get the desired image sequence.

Set the Frames. (Large preview)

Step 7: Set The Animation Speed

The default display time for each image is 0.00 seconds. Toggling this time will determine the speed of your animation (or GIF file). If you select all the images, you can set the same display time for all of them. Alternatively, you can also set up different display time for each image or frame.

I recommend going with the former option though as using the same animation time is relatively easy. Also, setting up different display times for each frame may lead to a not-so-smooth animation.

You can also set custom display time if you don’t want to choose from among the available choices. Click the “Other” option to set a customized animation speed.

You can also make the animation play in reverse. Copy the Frames from the Timeline Pallet and choose “Reverse Layers” option. You can drag frames with the Ctrl key (on Windows) or the Cmd key (on Mac).

You can set the number of times the animation should loop. The default option is “Once.” However, you can set a custom loop value using the “Other” option. Use the “Forever” option to keep your animation going in a non-stop loop.

To preview your GIF animation, press the Enter key or the “Play” button at the bottom of the Timeline Panel.

Set the Animation Speed. (Large preview)

Step 8: Ready To Save/Export

If everything goes according to plan, the only thing left is to save (export) your GIF infographic.

To Export the animation as a GIF: Go to File > Export > Save for Web (Legacy)

Select “GIF 128 Dithered” from the “Preset” menu.
Select “256” from the “Colors” menu.
If you will be using the GIF online or want to limit the file size of the animation, change Width and Height fields in the “Image Size” options accordingly.
Select “Forever” from the “Looping Options” menu.

Click the “Preview” button in the lower left corner of the Export window to preview your GIF in a web browser. If you are happy with it, click “Save” and select a destination for your animated GIF file.

Note: There are lots of options that control the quality and file size of GIFs — number of colors, amount of dithering, etc. Feel free to experiment until you achieve the optimal GIF size and animation quality.

Your animated infographic is ready!

How to Save Your GIF infographic

Saving your GIF infographic (Large preview)

Step 9 (Optional): Optimization

Gifsicle (a free command-line program for creating, editing, and optimizing animated GIFs), and other similar GIF post-processing tools can help reduce the exported GIF file size beyond Photoshop’s abilities.

ImageOptim is also worth mentioning — dragging files to ImageOptim will directly run Gifsicle on them. (Note: ImageOptim is Mac-only but there are quite a few alternative apps available as well.)

Troubleshooting Tips

You are likely to run into trouble at two crucial stages.

Adding New Layers

Open the “Timeline Toolbar” drop-down menu and select the “New Layers Visible in all Frames” option. It will help tune your animation without any hiccups.

How to Add New Layers Visible in all Frames

Adding new layers (Large preview)

Layers Positioning

Sometimes, you may end up putting layers in the wrong frames. To fix this, you can select the same layer in a fresh frame and select “Match Layer Across Frames” option.

How to Match Layers Across Frames

Positioning layers (Large preview)

Gifographic Examples

Before wrapping this up, I would like to share a few good examples of gifographics. Hopefully, they will inspire you just as they did me.

Google’s Biggest Search Algorithm Updates Of 2016
This one is my personal favorite. Incorporating Google algorithm updates in a gifographic is difficult owing to its complexity. But, with the use of the right animations and some to-the-point text, you can turn a seemingly complicated subject into an engaging piece of content.
Virtual Reality: A Fresh Perspective For Marketers
This one turns a seemingly descriptive topic into a smashing gifographic. The gifographic breaks up the Virtual Reality topic into easy-to-understand numbers, graphs, and short paragraphs with perfect use of animation.
How Google Works
I enjoy reading blog posts by Neil Patel. Just like his post, this gifographic is also comprehensive. The only difference is Neil conveys the essential message through accurately placed GIFs instead of short paragraphs. He uses only the colors that Google’s logo comprises.
The Author Rank Building Machine
This one lists different tips to help you become an authoritative writer. The animation is simple with a motion backdrop of content creation factory. Everything else is broken down into static graphs, images, and short text paragraphs. But, the simple design works, resulting in a lucid gifographic.
How Car Engines Work
Beautifully illustrated examples of how car engines work (petrol internal combustion engines and hybrid gas/electric engines). Btw, it’s worth noting that in some articles, Wikipedia is also using animated GIFs for some very similar purposes.

Wrapping Things Up

As you can see, turning your static infographic into an animated one is not very complicated. Armed with Adobe Photoshop and some creative ideas, you can create engaging and entertaining animations, even from scratch.

Of course, your gifographic can have multiple animated parts and you’ll need to work on them individually, which, in turn, will require more planning ahead and more time. (Again, a good example of a rather complex gifographic would be the one shown in “How Car Engines Work?” where different parts of the engine are explained in a series of connected animated images.) But if you plan well, sketch, create, and test, you will succeed and you will be able to make your own cool gifographics.

If you have any questions, ask me in the comments and I’ll be happy to help.

Further Resources

“What Is An Infographic,” Customer Magnetism
An infographic about infographics
“How To Create Outstanding Modern Infographics In Illustrator,” Jonathan Patterson, EnvatoTuts
“Build Expert Infographics For Your Next Presentation,” Adobe Creative Cloud blog
“What’s In A GIF: Animation And Transparency,” Mike Flickinger, SourceForge
“What Are Gifographics & 10 Ways To Use Them in Your Visual Content,” Julia McCoy, ExpressWriters
“A Picture Is Worth A Thousand Words,” Wikipedia
“Improve Animated GIF Performance With HTML5 Video,” Ayo Isaiah, Smashing Magazine
“Building An Interactive Infographic With Vue.js,” Krutie Patel, Smashing Magazine
“How To Convert A Video File Into An Animated GIF In Photoshop,” Graphic Design Stack Exchange
“SEO Made Simple: A Step-by-Step Guide,” Neil Patel
“Using Photoshop To Create GIFs (Gifographic),” Shane Barker, Gifographics

Smashing Editorial
(mb, ra, yk, il)