Editorial Design: Centuro Cultural Jardín Japonés

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/a0lP6ywyQ60/editorial-design-centuro-cultural-jardin-japones

Editorial Design: Centuro Cultural Jardín Japonés

Editorial Design: Centuro Cultural Jardín Japonés

AoiroStudio
Apr 23, 2018

Let’s kick it off with a beautiful branding & editorial design by Angello Torres who is a graphic designer from Buenos Aires, Argentina. Ver Para Oír / Jardín Japonés translated to See To Hear / Japanese Garden and I simply love this project. The mixture of the culture, colours and you just gotta love that font Avant Garde who has been my go-to font for years. Check it out, this project is beautifully shown in execution and presentation.

Seeing To hear is a festival carried out within the cultural framework offered by the Japanese Garden, in which the senses of sight and hearing merge crossing each other generating new forms of perception, carried out from different sound activities and visuals. “hear colors, perceive sounds and observe silence”

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A Beginner’s Guide to Video SEO

Original Source: https://www.webdesignerdepot.com/2018/04/a-beginners-guide-to-video-seo/

The popularity of video content has increased dramatically over the last few years and it’s easy to see why; videos are engaging for all age groups which also makes them an important marketing tool.

Businesses have developed dedicated video marketing strategies which generate more leads and boost sales. Video content is also being used by these same businesses to build a better brand experience and stand out from rest of the competition.

And while it’s entirely possible to create high-quality video content and share it through platforms like YouTube, there’s no guarantee that your video will get noticed by the masses. Why? There’s an enormous amount of video content being uploaded to the Internet every day.

In this post, we’ll step through five ways you can optimize your videos for search engines. By the time you’re done reading through this post, you’ll have a clear understanding of how you can implement video SEO techniques to improve your search rankings and reach a bigger audience.

Before we begin, let’s quickly take a look at the basics of video SEO and why it’s important.

What You Need to Know About Video SEO

The fact of the matter is that most consumers search the web when making purchase decisions. So, if you want to take advantage of video marketing, your videos should be optimized for search engines. Video Search Engine Optimization (video SEO) techniques are used by successful video content creators to improve their search engine rankings and increase visibility in search engine results pages.

Nowadays, it’s pretty common to see people consuming video content on their phones at sports events, walking around campus, doing chores around the house, and during their daily commute. Why is that so?

According to Cisco:

Every second, a million minutes of video content will cross the network by 2021.
Globally, IP video traffic will be 82 percent of all consumer Internet traffic by 2021, up from 73 percent in 2016.
It would take an individual more than 5 million years to watch the amount of video that will cross global IP networks each month in 2021.

Think about it for a minute. That is an estimate of enormous proportions. You might be thinking What has this got to do with video SEO? Well, SEO itself is just one important component of digital marketing. The other crucial element is converting your video content traffic into paying customers. Videos can be the perfect tool to help you do just that.

If you want to take advantage of video marketing, your videos have to be optimized for search. Here is how you can drive more traffic to your video content and make your video search results more visible while generating quality leads.

5 Ways You Can Optimize Videos for Search Engines

Over the years, there has been a considerable increase in the usage and popularity of video. They help explain complex topics in a simple way and they play an integral role in increasing conversion rates. Your decision to adopt video as your go-to digital marketing tool is going pay you serious dividends—assuming you optimize your video content for search.

It’s pretty easy to see that video is gaining momentum. Let’s step through some of the different ways you can use video SEO to stay ahead of your competition.

1. Search for Video SEO Keywords

You’ve probably noticed that Google has been displaying more and more videos in search results—a huge chunk of it coming from, to no one’s surprise, YouTube. Video publishing sites like YouTube and Vimeo are huge sources of traffic that receive higher click-through rates than plain text results.

Keywords are responsible for search results displayed on two of the largest search engines on internet—Google and YouTube. For this reason, if you want your video to be successful, you’ll have to use keywords. But how do you find keywords?

If, for instance, you’re in the web design niche, you could start out by running Google searches on terms like web design tutorials or web design tips and tricks.

Now that you have a good keyword to start out with, the next step is to check its search volume. We recommend using the Google Keyword Planner for this. Keywords that get anywhere from 1,000 to 10,000 monthly searches and have low to medium competition are generally good to use.

2. Optimize Metadata: Tags, Filenames, and Descriptions

Tags are keywords assigned to videos. Think of them as the set of words that sum up what your video’s content is about. For those of you who don’t already know, tags, filenames, and descriptions play an integral role in video SEO.

Since you already have a keyword picked out, go ahead and use that in your video’s tags. This is the tag that you want to focus on and optimize your video for. Remember, you can (and should) use more than one tag as long as it’s relevant to your video’s content.

YouTube gives you 5,000 characters worth of description text that you can use to describe what your video is about. And if you’re not using those 5,000 characters to gain some SEO advantage then you’re missing out. Best practices indicate that you should use your keyword (the same one you used as your primary tag) a few times in your video’s description.

Finally, make sure you save your video with your primary keyword as its filename because there are a number of third-party tools on the web that crawl through and factor in video filenames even if Google and YouTube don’t. So, instead of saving the original video file as vid1.mp4 or youtube-vid.mp4, use your primary keyword in its filename. For example, we’d save the video as web-design-tips-and-tricks.mp4.

3. Add a Video Transcript

Video transcripts are a complete textual representation of the content spoken in the video. Metadata and video tags do not offer as much detail of your video’s content to search engines as transcriptions do. Search engine bots crawl text and use it for indexing. So, a video transcript helps search engines better understand the video’s content and improve its ranking.

Follow these steps to transcribe your own video files on YouTube:

Your transcription file should be saved as a plain text file i.e. .txt.
Using special characters can disrupt speech recognition matching and readability of the transcript.
A double line break should be used to signal long pause or new sentence.
Add >> at the start of the new line to identify speakers or change of speaker.
Insert a link to your website in the audio transcript at the end of the video.

Taking this DIY approach to transcribing your video content will help you deliver more value to your viewership by improving their user experience and it’ll give you the opportunity to use the primary keyword you’re targeting for, a few more times.

4. Publish One Video to One Page

Give each video its own dedicated page on your website instead of publishing multiple videos to a single page. Google gives preference to the first video it finds on a web page and ignores any other video content it finds on the same page. To work your way around Google’s video ranking preference, organize your web pages in a way so that there’s a single video on a page (or post).

You might also be tempted to publish the same video to different web pages on your site to increase its visibility; for instance, if your video is about web design tips and tricks then you might want to publish it in a blog post that you wrote about web designs tips, and you might also want to show it to visitors who land on your Projects page to showcase your ability; this is a strict no-no.

What this does is that it creates internal competition on your website for each instance of the video that you’ve published. Think of it this way, when someone searches for web design tips and tricks on Google, Google’s algorithm has to decide which page to display in its search results. And if all of your videos views are split among three different web pages, your chances of showing up in the search results will be pretty low. However, if you had published it on a single page, and that page was racking up all the views, comments, and impressions, then you’d have a better chance of showing up in search results.

5. Create a Video Sitemap

Video sitemaps provide search engines with metadata about video content on a website and are an extension to your website’s existing sitemap.

You can use the sitemap to tell search engines about the category, title, description, length, and target audience for each video you embed on your website. In addition to this, you can also use it to give search engines more information about your video e.g. play page URL, expiration date, restrictions, and platform.

If your web page has a video on it then it’s sitemap may look something like this:

Conclusion

Video content is gaining momentum.

There are a number of different ways that you can use video SEO tips to increase your video’s visibility, improve its ranking, and show up in search engine results pages. We showed you some of the ways you can get started with video SEO on your own website and, hopefully, you’re in a good position to take things further.

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Source

p img {display:inline-block; margin-right:10px;}
.alignleft {float:left;}
p.showcase {clear:both;}
body#browserfriendly p, body#podcast p, div#emailbody p{margin:0;}

Fresh Resource for Web Developers – April 2018

Original Source: https://www.hongkiat.com/blog/designers-developers-monthly-04-2018/

A monthly dose of new and highly useful resources for web designers and developers.

The post Fresh Resource for Web Developers – April 2018 appeared first on Hongkiat.

Visit hongkiat.com for full content.

A Guide To The State Of Print Stylesheets In 2018

Original Source: https://www.smashingmagazine.com/2018/05/print-stylesheets-in-2018/

A Guide To The State Of Print Stylesheets In 2018

A Guide To The State Of Print Stylesheets In 2018

Rachel Andrew

2018-05-01T14:00:19+02:00
2018-05-01T15:51:08+00:00

Today, I’d like to return to a subject that has already been covered in Smashing Magazine in the past — the topic of the print stylesheet. In this case, I am talking about printing pages directly from the browser. It’s an experience that can lead to frustration with enormous images (and even advertising) being printed out. Just sometimes, however, it adds a little bit of delight when a nicely optimized page comes out of the printer using a minimum of ink and paper and ensuring that everything is easy to read.

This article will explore how we can best create that second experience. We will take a look at how we should include print styles in our web pages, and look at the specifications that really come into their own once printing. We’ll find out about the state of browser support, and how to best test our print styles. I’ll then give you some pointers as to what to do when a print stylesheet isn’t enough for your printing needs.

Key Places For Print Support

If you still have not implemented any print styles on your site, there are a few key places where a solid print experience will be helpful to your users. For example, many users will want to print a transaction confirmation page after making a purchase or booking even if you will send details via email.

Any information that your visitor might want to use when away from their computer is also a good candidate for a print stylesheet. The most common thing that I print are recipes. I could load them up on my iPad but it is often more convenient to simply print the recipe to pop onto the fridge door while I cook. Other such examples might be directions or travel information. When traveling abroad and not always having access to data these printouts can be invaluable.

Nope, we can’t do any magic tricks, but we have articles, books and webinars featuring techniques we all can use to improve our work. Smashing Members get a seasoned selection of magic front-end tricks — e.g. live designing sessions and perf audits, too. Just sayin’! 😉

Explore Smashing Wizardry →

Smashing Cat, just preparing to do some magic stuff.

Reference materials of any sort are also often printed. For many people, being able to make notes on paper copies is the way they best learn. Again, it means the information is accessible in an offline format. It is easy for us to wonder why people want to print web pages, however, our job is often to make content accessible — in the best format for our visitors. If that best format is printed to paper, then who are we to argue?

Why Would This Page Be Printed?

A good question to ask when deciding on the content to include or hide in the print stylesheet is, “Why is the user printing this page?” Well, maybe there’s a recipe they’d like to follow while cooking in the kitchen or take along with them when shopping to buy ingredients. Or they’d like to print out a confirmation page after purchasing a ticket as proof of booking. Or perhaps they’d like a receipt or invoice to be printed (or printed to PDF) in order to store it in the accounts either as paper or electronically.

Considering the use of the printed document can help you to produce a print version of your content that is most useful in the context in which the user is in when referring to that print-out.

Workflow

Once we have decided to include print styles in our CSS, we need to add them to our workflow to ensure that when we make changes to the layout we also include those changes in the print version.

Adding Print Styles To A Page

To enable a “print stylesheet” what we are doing is telling the browser what these CSS rules are for when the document is printed. One method of doing this is to link an additional stylesheet by using the <link> element.

<link media=”print” href=”print.css”>

This method does keep your print styles separate from everything else which you might consider to be tidier, however, that has downsides.

The linked stylesheet creates an additional request to the server. In addition, that nice, neat separation of print styles from other styles can have a downside. While you may take care to update the separate styles before going live, the stylesheet may find itself suffering due to being out of sight and therefore out of mind — ultimately becoming useless as features are added to the site but not reflected in the print styles.

The alternate method for including print styles is to use @media in the same way that you includes CSS for certain breakpoints in your responsive design. This method keeps all of the CSS together for a feature. Styles for narrow to wide breakpoints, and styles for print. Alongside Feature Queries with @supports, this encourages a way of development that ensures that all of the CSS for a design feature is kept and maintained together.

@media print {

}

Overwriting Screen CSS Or Creating Separate Rules

Much of the time you are likely to find that the CSS you use for the screen display works for print with a few small adjustments. Therefore you only need to write CSS for print, for changes to that basic CSS. You might overwrite a font size, or family, yet leave other elements in the CSS alone.

If you really want to have completely separate styles for print and start with a blank slate then you will need to wrap the rest of your site styles in a Media Query with the screen keyword.

@media screen {

}

On that note, if you are using Media Queries for your Responsive Design, then you may have written them for screen.

@media screen and (min-width: 500px) {

}

If you want these styles to be used when printing, then you should remove the screen keyword. In practice, however, I often find that if I work “mobile first” the single column mobile layout is a really good starting point for my print layout. By having the media queries that bring in the more complex layouts for screen only, I have far less overwriting of styles to do for print.

Add Your Print Styles To Your Pattern Libraries And Style Guides

To help ensure that your print styles are seen as an integral part of the site design, add them to your style guide or pattern library for the site if you have one. That way there is always a reminder that the print styles exist, and that any new pattern created will need to have an equivalent print version. In this way, you are giving the print styles visibility as a first-class citizen of your design system.

Basics Of CSS For Print

When it comes to creating the CSS for print, there are three things you are likely to find yourself doing. You will want to hide, and not display content which is irrelevant when printed. You may also want to add content to make a print version more useful. You might also want to adjust fonts or other elements of your page to optimize them for print. Let’s take a look at these techniques.

Hiding Content

In CSS the method to hide content and also prevent generation of boxes is to use the display property with a value of none.

.box {
display: none;
}

Using display: none will collapse the element and all of its child elements. Therefore, if you have an image gallery marked up as a list, all you would need to do to hide this when printed is to set display: none on the ul.

Things that you might want to hide are images which would be unnecessary when printed, navigation, advertising panels and areas of the page which display links to related content and so on. Referring back to why a user might print the page can help you to decide what to remove.

Inserting Content

There might be some content that makes sense to display when the page is printed. You could have some content set to display: none in a screen stylesheet and show it in your print stylesheet. Additionally, however, you can use CSS to expose content not normally output to the screen. A good example of this would be the URL of a link in the document. In your screen document, a link would normally show the link text which can then be clicked to visit that new page or external website. When printed links cannot be followed, however, it might be useful if the reader could see the URL in case they wished to visit the link at a later time.

We achieve this by using CSS Generated Content. Generated Content gives you a way to insert content into your document via CSS. When printing, this becomes very useful.

You can insert a simple text string into your document. The next example targets the element with a class of wrapper and inserts before it the string, “Please see www.mysite.com for the latest version of this information.”

.wrapper::after {
content: “Please see www.mysite.com for the latest version of this information.”;
}

You can insert things that already exist in the document however, an example would be the content of the link href. We add Generated Content after each instance of a with an attribute of href and the content we insert is the value of the href attribute – which will be the link.

a[href]:after {
content: ” (” attr(href) “)”;
}

You could use the newer CSS :not selector to exclude internal links if you wished.

a[href^=”http”]:not([href*=”example.com”]):after {
content: ” (” attr(href) “)”;
}

There are some other useful tips like this in the article, “I Totally Forgot About Print Stylesheets”, written by Manuel Matuzovic.

Advanced Print Styling

If your printed version fits neatly onto one page then you should be able to create a print stylesheet relatively simply by using the techniques of the last section. However, once you have something which prints onto multiple pages (and particularly if it contains elements such as tables or figures), you may find that items break onto new pages in a suboptimal manner. You may also want to control things about the page itself, e.g. changing the margin size.

CSS does have a way to do these things, however, as we will see, browser support is patchy.

Paged Media

The CSS Paged Media Specification opens with the following description of its role.

“This CSS module specifies how pages are generated and laid out to hold fragmented content in a paged presentation. It adds functionality for controlling page margins, page size and orientation, and headers and footers, and extends generated content to enable page numbering and running headers/footers.”

The screen is continuous media; if there is more content, we scroll to see it. There is no concept of it being broken up into individual pages. As soon as we are printing we output to a fixed size page, described in the specification as paged media. The Paged Media specification doesn’t deal with how content is fragmented between pages, we will get to that later. Instead, it looks at the features of the pages themselves.

We need a way to target an individual page, and we do this by using the @page rule. This is used much like a regular selector, in that we target @page and then write CSS to be used by the page. A simple example would be to change the margin on all of the pages created when you print your document.

@page {
margin: 20px;
}

You can target specific pages with :left and :right spread pseudo-class selectors. The first page can be targeted with the :first pseudo-class selector and blank pages caused by page breaks can be selected with :blank. For example, to set a top margin only on the first page:

@page :first {
margin-top: 250pt;
}

To set a larger margin on the right side of a left-hand page and the left side of a right-hand page:

@page :left {
margin-right: 200pt;
}

@page :right {
margin-left: 200pt;
}

The specification defines being able to insert content into the margins created, however, no browser appears to support this feature. I describe this in my article about creating stylesheets for use with print-specific user agents, Designing For Print With CSS.

Is your pattern library up to date today? Alla Kholmatova has just finished a fully fledged book on Design Systems and how to get them right. With common traps, gotchas and the lessons she learned. Hardcover, eBook. Just sayin’.

Table of Contents →

CSS Fragmentation

Where the Paged Media module deals with the page boxes themselves, the CSS Fragmentation Module details how content breaks between fragmentainers. A fragmentainer (or fragment container) is a container which contains a portion of a fragmented flow. This is a flow which, when it gets to a point where it would overflow, breaks into a new container.

The contexts in which you will encounter fragmentation currently are in paged media, therefore when printing, and also when using Multiple-column layout and your content breaks between column boxes. The Fragmentation specification defines various rules for breaking, CSS properties that give you some control over how content breaks into new fragments, in these contexts. It also defines how content breaks in the CSS Regions specification, although this isn’t something usable cross-browser right now.

And, speaking of browsers, fragmentation is a bit of a mess in terms of support at the moment. The browser compatibility tables for each property on MDN seem to be accurate as to support, however testing use of these properties carefully will be required.

Older Properties From CSS2

In addition to the break-* properties from CSS Fragmentation Level 3, we have page-break-* properties which came from CSS2. In spec terms, these have been superseded by the newer break-* properties, as these are more generic and can be used in the different contexts breaking happens. There isn’t much difference between a page and a multicol break. However, in terms of browser support, there is better browser support for the older properties. This means you may well need to use those at the current time to control breaking. Browsers that implement the newer properties are to alias the older ones rather than drop them.

In the examples that follow, I shall show both the new property and the old one where it exists.

break-before & break-after

These properties deal with breaks between boxes, and accept the following values, with the initial value being auto. The final four values do not apply to paged media, instead being for multicol and regions.

auto
avoid
avoid-page
page
left
right
recto
verso
avoid-column
column
avoid-region
region

The older properties of page-break-before and page-break-after accept a smaller range of values.

auto
always
avoid
left
right
inherit

To always cause a page break before an h2 element, you would use the following:

h2 {
break-before: page;
}

To avoid a paragraph being detached from the heading immediately preceding it:

h2, h3 {
break-after: avoid-page;
}

The older page-break-* property to always cause a page break before an h2:

h2 {
page-break-before: always;
}

To avoid a paragraph being detached from the heading immediately preceding it:

h2, h3{
page-break-after: avoid;
}

On MDN find information and usage examples for the properties:

break-before
break-after
page-break-before
page-break-after

break-inside

This property controls breaks inside boxes and accepts the values:

auto
avoid
avoid-page
avoid-column
avoid-region

As with the previous two properties, there is an aliased page-break-inside from CSS2, which accepts the values:

auto
avoid
inherit

For example, perhaps you have a figure or a table and you don’t want a half of it to end up on one page and the other half on another page.

figure {
break-inside: avoid;
}

And when using the older property:

figure {
page-break-inside: avoid;
}

On MDN:

break-inside
page-break-inside

Orphans And Widows

The Fragmentation specification also defines the properties orphans and widows. The orphans property defines how many lines can be left at the bottom of the first page when content such as a paragraph is broken between two pages. The widows property defines how many lines may be left at the top of the second page.

Therefore, in order to prevent ending up with a single line at the end of a page and a single line at the top the next page, you can use the following:

p {
orphans: 2;
widows: 2;
}

The widows and orphans properties are well supported (the missing browser implementation being Firefox).

On MDN:

widows
orphans

box-decoration-break

The final property defined in the Fragmentation module is box-decoration-break. This property deals with whether borders, margins, and padding break or wrap the content. The values it accepts are:

slice
clone

For example, if my content area has a 10-pixel grey border and I print the content, then the default way that this will print is that the border will continue onto each page, however, it will only wrap at the end of the content. So we get a break before going to the next page and continuing.

The border does not wrap each page and so breaks between pages

The border does not wrap each page and so breaks between pages

If I use box-decoration-break: clone, the border and any padding and margin will complete on each page, thus giving each page a grey border.

The border wraps each individual page

The border wraps each individual page

Currently, this only works for Paged Media in Firefox, and you can find out more about box-decoration-break on MDN.

Browser Support

As already mentioned, browser support is patchy for Paged Media and Fragmentation. Where Fragmentation is concerned, an additional issue is that breaking has to be specified and implemented for each layout method. If you were hoping to use Flexbox or CSS Grid in print stylesheets, you will probably be disappointed. You can check out the Chrome bugs for Flexbox and for Grid.

The best suggestion I can give right now is to keep your print stylesheets reasonably simple. Add fragmentation properties — including both the old page-break-* properties as well as the new properties. However, accept that these may well not work in all browsers. And, if you find lack of browser support frustrating, raise these issues with browsers or vote for already raised issues. Fragmentation, in particular, should be treated as a suggestion rather than a command, even where it is supported. It would be possible to be so specific about where and when you want things to break that it is almost impossible to lay out the pages. You should assume that sometimes you may get suboptimal breaking.

Testing Print Stylesheets

Testing print stylesheets can be something of a bore, typically requiring using print preview or printing to a PDF repeatedly. However, browser DevTools have made this a little easier for us. Both Chrome and Firefox have a way to view the print styles only.

Firefox

Open the Developer Toolbar then type media emulate print at the prompt.

Typing media emulate print

Emulating print styles in Firefox

Chrome

Open DevTools, click on the three dots icon and then select “More Tools” and “Rendering”. You can then select print under Emulate CSS Media.

Chrome DevTools emulate print media

Emulating print styles in Chrome

This will only be helpful in testing changes to the CSS layout, hidden or generated content. It can’t help you with fragmentation — you will need to print or print to PDF for that. However, it will save you a few round trips to the printer and can help you check as you develop new parts of the site that you are still hiding and showing the correct things.

What To Do When A Print Stylesheet Isn’t Enough

In an ideal world, browsers would have implemented more of the Paged Media specification when printing direct from the browser, and fragmentation would be more thoroughly implemented in a consistent way. It is certainly worth raising the bugs that you find when printing from the browser with the browsers concerned. If we don’t request these things are fixed, they will remain low priority to be fixed.

If you do need to have a high level of print support and want to use CSS, then currently you would need to use a print-specific User Agent, such as Prince. I detail how you can use CSS to format books when outputting to Prince in my article “Designing For Print With CSS.”

Prince is also available to install on your server in order to generate nicely printed documents using CSS on the web, however, it comes at a high price. An alternative is a server like DocRaptor who offer an API on top of the Prince rendering engine.

There are open-source HTML- and CSS-to-PDF generators such as wkhtmltopdf, but most use browser rendering engines to create the print output and therefore have the same limitations as browsers when it comes to implementing the Paged Media and Fragmentation specifications. An exception is WeasyPrint which seems to have its own implementation and supports slightly different features, although is not in any way as full-featured as something like Prince.

You will find more information about user agents for print on the print-css.rocks site.

Other Resources

Due to the fact that printing from CSS has really moved on very little in the past few years, many older resources on Smashing Magazine and elsewhere are still valid. Some additional tips and tricks can be found in the following resources. If you have discovered a useful print workflow or technical tip, then add it to the comments below.

“I Totally Forgot About Print Stylesheets,” Manuel Matuzovic, UX Collective
“Print Stylesheet Approaches: Blacklist vs Whitelist,” Chris Coyier, CSS-Tricks
“The Perfect Print Stylesheet,” Andreas Hecht, Noupe
“How To Set Up A Print Stylesheet,” Christian Krammer, Smashing Magazine
“5 Powerful Tips And Tricks For Print Style Sheets,” Dudley Storey, Smashing Magazine

Smashing Editorial
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Collective #411

Original Source: http://feedproxy.google.com/~r/tympanus/~3/Y0gejRI-Sic/

C411_HelloSign

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cssgr.id

An interactive CSS grid boilerplate code generator made by Dan Netherton. Read more about it in this article.

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Login Critter

An animated avatar that responds to text field interactions.

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Morph Play Button To Video Player #GSAP #ExpoScaleEase

A fantastic morphing player button demo by Maciej Leszczyński.

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Unavatar

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C411_lifefaker

Lifefaker

A brilliant satirical campaign that highlights how social media can affect your mental health. Read more about it in this article.

Check it out

C411_var

CSS environment variables

Serg Hospodarets’ tweet on how CSS environment variables are getting standardized.

Check it out

C411_figma

Introducing: Figma to React

Karl Jiang shows how Figma’s web API can be used to convert designs into React code.

Read it

C411_figurine

Figurine

Message printing with stylish, random fonts. By Arsham Shirvani.

Check it out

C411_font

Free Font: Aloja

A beautiful handwritten font designed by Ieva Mezule.

Get it

C411_heartbeat

Heartbeat Function

Matt DesLauriers shares a function that results into a ‘beating heart’ type of effect.

Check it out

C411_halftone

Halftone video effect

Louis Hoebregts created this awesome demo with a halftone effect for video input.

Check it out

C411_sort

Ivy

A visualization of various sorting algorithms with “async” powered animations. By Aaron Bird.

Check it out

C411_control

The Illusion of Control in Web Design

Aaron Gustafson on the fragility of websites and how we can’t control everything.

Read it

C411_vscode

VS Code Extensions for Happier JavaScript Coding

A summary of great Visual Studio Code extensions for higher productivity. By Alek Shnayder.

Check it out

C411_loadasset

load-asset

A simple Promise-based asset loader with cross browser support.

Check it out

C411_circripples

Circular Ripples

A WebGL and Web Audio experiment with generative music using a Markov chain. Check out more experiments by Tim Pulver.

Check it out

C411_contents

More accessible markup with display: contents

Hidde de Vries writes about how we can achieve accessible markup and beautiful layout with display: contents.

Read it

C411_dom

A Reusable Way To Present Fresh DOM

Adam Argyle shares a reusable keyframe animation in CSS that transitions your node from whatever, to ‘in’.

Check it out

C411_inspector

Web Inspector Styles Sidebar Improvements

Read about the latest design refresh of the Web Inspector in Safari.

Read it

C411_particlesbutton

From Our Blog
Particle Effects for Buttons

A little library that can be used for bursting particles effects. The idea is to disintegrate an element into particles and make it disappear (or vice versa).

Check it out

Collective #411 was written by Pedro Botelho and published on Codrops.

Super Elegant Business Card Designs Printed by MOO

Original Source: http://feedproxy.google.com/~r/abduzeedo/~3/eg2qPoY0QI8/84676

Super Elegant Business Card Designs Printed by MOO

Super Elegant Business Card Designs Printed by MOO

abduzeedo
May 01, 2018

You probably have noticed that we are fans of minimalist brand identity and design work. We believe in the saying “if I had more time I would have written a shorter letter” applies really well to design. Not only design but pretty much everything could be summarized to its core. Business cards have been a major tool for networking and still play a huge role. It’s also awesome to see how designers translate the brand into such a small format and yet transmit the same message.

For this post I would like to share some awesome business cards and brand identity composition examples designed by MOO customers and printed by MOO. I have been a fan and a client of MOO, have printed all my wedding material with them. It’s awesome to see how much they have grown, and the quality of the print material they deliver is second to none. Here are some examples of how MOO customers have utilized their printing services.

We love great design and believe it can work wonders for every business. That’s why we make it simple to create beautiful, expertly crafted business stationery and promotional materials that’ll help you start conversations, open doors and strengthen relationships.  – MOO

Brand Identity and Business Card Designs

A post shared by moo.com (@moo) on Oct 18, 2017 at 1:04am PDT

A post shared by moo.com (@moo) on Nov 21, 2017 at 1:22am PST

A post shared by moo.com (@moo) on Dec 12, 2017 at 1:02am PST

A post shared by moo.com (@moo) on Jan 23, 2018 at 1:09am PST

A post shared by moo.com (@moo) on Feb 27, 2018 at 1:06am PST

A post shared by moo.com (@moo) on Feb 7, 2018 at 1:10am PST

A post shared by moo.com (@moo) on Feb 6, 2018 at 1:02am PST

A post shared by LAUREN ELFORD (@lauren_elford) on Apr 25, 2018 at 12:33pm PDT

A post shared by Dana Kun (@chez_boheme) on Apr 13, 2018 at 12:51am PDT

A post shared by Triin Maripuu (@triinmaripuu_) on Apr 18, 2018 at 2:57am PDT

A post shared by Michelle Knight (@michelle.k.knight) on Apr 17, 2018 at 6:22pm PDT

brand identity
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Digital artist Justin Maller becomes CCO at DeviantArt

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/LATKadAJDbs/digital-artist-justin-maller-becomes-cco-at-deviantart

Top digital illustrator Justin Maller has recently become chief creative officer of art community DeviantArt. This new role doesn't just mean a return to his roots – Maller started his art career at DeviantArt –  but also involves a geographical uprooting, as he's moved from New York to Los Angeles. 

Read on to discover why this new role appealed, and how Maller plans to balance it around other projects.

How did you new role come about?

I’ve been a part of the DeviantArt community since 2001 – it’s where I got my start as an artist. I was actually one of the earliest volunteer staff members, picking daily features and whatnot. I’ve maintained a great relationship with the site and its admins over the years, particularly with Angelo, the CEO. He broached the idea of me taking the role prior to us going on a trip last year, and after a few long conversations, I started to see the fit. 

What will your new role involve?

I’ll be working with the in-house and Tel Aviv studios, as well as across product and marketing to develop new tools for the community and then share them with the broader world. I’ll also be working on offering more to artists, and ensuring that everything is done with artistic credibility. There’ll be a lot of strategy development that goes in to all that, of course.

I think the biggest challenge is going to be executing all of this across such long timelines when I'm used to operating in a very nimble and immediate environment.

Justin Maller’s apparel illustration for Jordan/Nike

How will you balance your new job with other projects? 

I’ll take some jobs here and there to maintain my standing as a working artist and the relationships I’ve developed, but it will be a much smaller part of my day to day. I hope to make a great deal more personal work, and DeviantArt is very encouraging about that!

How do you think you'll adjust to life in LA?

I'll miss the hell out of NYC. The friends I made there are like family to me. Leaving them and the life I built in NYC over eight years is really hard. But I’ve done it before, moving from Melbourne, so I’m sure I’ll adjust again. I don't think it'll affect any projects, hopefully I'll just be able to relax more in the open space and free my mind to make some cool new stuff.

Is it important to be open with your fans?

To an extent, yeah. I don’t bring a lot of personal stuff to my social media. However I think people got used to seeing a certain volume of production of art, and due to personal circumstances I was way below my usual levels in 2017. I posted on Twitter that I've been having some personal issues because I wanted to have a little bit of frank discourse and remind everyone that I am still a human being, and their Goku wallpaper might have to wait.

Any tips for keeping on top of projects?

Flail frantically at them in a frenetic and disorganised fashion until you’re exhausted. Then take a nap.

This article is featured in issue 279 of Computer Arts, the world's best-selling design magazine. Buy issue 279 now or subscribe.

Related articles:

How to start your digital art journey5 ways to improve your digital art skillsDeviantArt gets bought by Wix

Best Websites for GMAT Test Prep

Original Source: http://feedproxy.google.com/~r/Designrfix/~3/-bu_2tG4czw/best-websites-for-gmat-test-prep

The GMAT test is an essential prerequisite for many MBA students to enroll in their chosen institution. The exam is made up of four distinct sections focusing on literacy and numeracy questions. Earning the perfect scores in the test requires an intensive study and preparation. Of course, due to the importance of this exam, there […]

The post Best Websites for GMAT Test Prep appeared first on designrfix.com.

30 Best Free Screen Capture Tools and Plugins

Original Source: https://www.hongkiat.com/blog/screen-capture-tools-40-free-tools-and-techniques/

Collection of the best free tools and plugins that offer multiple features to capture, edit, save and share screenshots on both macOS and Windows.

The post 30 Best Free Screen Capture Tools and…

Visit hongkiat.com for full content.

Introduction to FuseBox — a Faster, Simpler webpack Alternative

Original Source: https://www.sitepoint.com/fusebox-faster-webpack-alternative/

webpack has arguably become the de facto JavaScript module bundler, but it has a reputation for being confusing and difficult to learn. In this article, I want to present a faster, simpler webpack alternative — FuseBox.

In today’s rapidly evolving front-end landscape, it’s vital to have a solid grasp of the JavaScript module system. Modules can help organize your code, make it more maintainable and increase its reusability. Unfortunately, browser support for ES modules isn’t quite there yet, so you’ll invariably need a module bundler to stitch them together into a single file which can be delivered to the browser.

FuseBox is a next generation ecosystem of tools that provides for all of the requirements of the development lifecycle. It enables developers to bundle any file format, it’s a module loader, a transpiler, a task runner and much more.

In this article, we’re going to use FuseBox to walk you through the common tasks involved in developing a JavaScript application. These are as follows:

bundling: define an entry point and a bundle name
transpiling: write in TypeScript and target ES5
module loading: combine your modules into one single file
handling other assets: use a FuseBox plugin to compile Sass
hot module reloading (HMR): see your project automatically update to reflect your changes
task running: an introduction to Sparky, FuseBox’s built-in task runner
unit testing: an introduction to FuseBox’s built-in test runner
targeting production: produce a minified, uglified bundle for deployment.

Once you’ve finished reading, you’ll be able to drop FuseBox into your next project and benefit from its speed, simplicity and flexibility.

Bundling — a Basic Example

Disclaimer: I’m one of the core contributors to the project.

Projects are becoming larger — that’s a fact. If we were to include all the files required by the page one by one, this would make things considerably slower, as the browser would have to make a bunch of blocking HTTP requests. Bundling solves this issue and reduces the number of files requested and FuseBox makes this process as easy as possible.

To start bundling, we need to teach FuseBox about what we want. FuseBox doesn’t require much in the way of configuration to bundle heavy projects. In fact, ten lines of configuration are usually enough for most use cases. However, before we start getting into some real-world examples, let’s create something simple.

First, create a new folder. Then, from your command line, navigate to it and enter the following: npm init -y. This will initialize your project. Then type npm install fuse-box -D, which will install FuseBox as a development dependency.

Next create a folder called src which is where all your code will go. Also, create an index.js file in your src folder and add the following content into it:

console.log(‘Hello world’);

Next, create a fuse.js file in the root of your project. This file will contain all your FuseBox configuration.

At this point, our folder structure should look something like this:

MyProject
├── node_modules
├── src
│ └── index.js
├── fuse.js
└── package.json

Add the code below to fuse.js:

const { FuseBox } = require(“fuse-box”);

const fuse = FuseBox.init({
homeDir: “src”,
output: “dist/$name.js”
});

fuse.bundle(“app”)
.instructions(“> index.js”);

fuse.run();

Let’s break this code down section by section.

First, we require FuseBox. Then we initialize a new instance of FuseBox with the init method. This is also called the Producer in FuseBox terms. It’s where we define global configuration for all bundles.

The homeDir option points FuseBox to the home directory of our files. This is because FuseBox creates a virtual file structure that mimics the physical one. The output option tells FuseBox where our output bundle should reside. Notice the $name.js: this is a placeholder that will be replaced with the name you provide to your bundle.

The command fuse.bundle(“app”) is where we tell FuseBox about our bundle. We’re telling FuseBox to create a bundle with the name app.js that will reside in the dist folder in your project. The end file will be project/dist/app.js.

The instructions(‘>index.js’) part is where we tell FuseBox what we want to bundle. The symbol > is what we call an arithmetic instruction: it’s the language FuseBox uses to learn what files need to be bundled.

The command fuse.run() tells FuseBox to start the bundling process.

Now from your command line enter node fuse.js — and that’s it, you’re done! FuseBox will now start its bundling magic and create the bundle at dist/app.js.

The full example is available here.

Transpiling TypeScript and ES6

What we’ve done so far is nice, but this is not how many modern JavaScript projects are developed. Applications today are developed using ES6, which is the sixth major release of the ECMAScript language specification. ES6 is great: it enables new language features like classes, arrow functions and much more. The problem, though, is that it’s not fully supported by all browser or Node.js versions yet. So we need to transpile our code into a more common supported version of JavaScript, ES5.

There are two major tools to achieve this: Typescript and Babel. FuseBox supports both. In fact, FuseBox is built with Typescript, thus supporting it natively.

To get started with FuseBox and Typescript, do the following:

create a new project
using the command line, navigate to the root of this project and do npm init -y
create a src folder
inside src folder, add index.ts
create fuse.js in the root of the project
install FuseBox and TypeScript as dependencies: npm install fuse-box typescript -D.

In index.ts, add the following:

const name: string = “FuseBox”;
console.log(name);

You may be wondering what :string means. It’s an example of Typescript’s type system, telling the compiler that the variable name is of type string. To learn more about Typescript, check the official site.

Add the following to fuse.js:

const { FuseBox } = require(“fuse-box”);

const fuse = FuseBox.init({
homeDir: “src”,
output: “dist/$name.js”
});

fuse.bundle(“app”)
.instructions(“> index.ts”);

fuse.run();

Notice that things are still the same as before, the only difference being that we use the .ts file format instead of .js in instructions(‘>index.ts’). Now that the prerequisites are in place, from your command line enter node fuse.js and FuseBox will start bundling.

The full example is available here.

Note: When using ES6 syntax, FuseBox will automatically detect the module type and transpile the code seamlessly. No need for Babel. FuseBox rocks!

Continue reading %Introduction to FuseBox — a Faster, Simpler webpack Alternative%