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Grid Layout with Motion Hover Effect and Content Preview

Original Source: http://feedproxy.google.com/~r/tympanus/~3/_7neVZ70Fl8/

Today we’d like to share a little grid layout with you. We use CSS Grid and a playful hover effect on the grid items which are composed of different wildly placed elements. When an item is clicked, we slide in a content preview overlay and animate the grid items out and the preview items in. For the animations we use TweenMax by Greensock.

GridLayoutMotion_featured

The demo is kindly sponsored by monday.com: Get your team on the same playbook!. If you would like to sponsor one of our demos, find out more here.

Attention: We’ve made this layout with modern browsers in mind.

Here’s how the grid looks like:

GridLayoutMotion_grid

The content preview overlay looks like this:

GridLayoutMotion_preview

We hope you enjoy this little layout and find it useful!

References and Credits

TweenMax by Greensock
Images from Unsplash.com
imagesLoaded by Dave DeSandro
Cross icon designed by Freepik

Grid Layout with Motion Hover Effect and Content Preview was written by Mary Lou and published on Codrops.

Join Glug's club for great creative deals

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/mTTNMaVbP7Y/join-glugs-club-for-great-creative-deals

Everyone likes a good deal, and if you're after some great deals that can help you in your design career then there's a new free platform that can sort you right out.

6 sure-fire ways to build your creative network

Glug Club is a brand new initiative from Glug, one of the most popular creative events around. It started out as a handful of friends talking shop and showing off their work in an East London pub in 2007, and since then has grown into an international movement with events all round the world and talks from some of the biggest names in the business.

With over 40,000 global members, Glug has found itself in the perfect position to negotiate a stack of killer deals with 45 industry-leading suppliers. Glug Club has been specially curated so that there's something for everyone from young creatives to industry veterans, and members can unlock exclusive offers and perks that they might not be able to access as individuals.

"We've curated the list of products and services based on the experience of a select group of Glug Ambassadors," explains Glug's Malin Persson. "They know what's worked and what hasn't, so we can pass these insights down to the next generation of agency owners and young creatives."

Membership of Glug Club is free, and since its announcement last week, it's already attracted another 3,000 members keen to take advantage of its benefits. And with a who's who of top companies involved, including Adobe, Getty Images, Pantone, Slack, Fontsmith and Microsoft, it's easy to see why.

Glug has been organising informal talks and ‘notworking’ events since 2007

"We've been working on Glug Club for some time, trying to negotiate a range of great deals for our community,"  says Glug founder and CEO Ian Hambleton. "With over 40,000 global members, we're now able to push brands to give our community better rates and services."

Hambleton expects that as Glug Club grows, the range of services and offers it's able to share with its members will grow with it. "Glug Club embodies everything we've tried to build with Glug," he continues. "To help young creatives on their career journey and provide them with useful tips and tools to get ahead. In this case, it's not a speaker talk at an event, but rather an amazing list of tools they should use to get ahead."

Want to get involved and give your career a free helping hand? Head over to the Glug Club sign-up page today.

Read more:

How to network successfully: 19 pro tipsThe essential guide to tools for designersThe best laptop deals for May 2018

The Top 10 Best Typography Logos

Original Source: http://feedproxy.google.com/~r/Designrfix/~3/ylbFrgFgus8/typography-logos

Of all the decisions you need to make when starting a business, designing your logo is the one you need to get right. Your logo is your first impression, and we all know the importance of those. Choosing the brightest or the busiest may seem like a good idea initially, but study after study has […]

The post The Top 10 Best Typography Logos appeared first on designrfix.com.

Not All Logo Dimensions Are Created Equal

Original Source: http://feedproxy.google.com/~r/Designrfix/~3/bYvLhRaIbME/logo-dimensions

The importance of logos to modern-day businesses cannot be emphasized enough. More and more content is being viewed on smartphones, and often the very first thing a customer knows about our business is what they understand from your logo. That’s why it’s so important to make sure that your logo dimensions are appropriate and visually attractive […]

The post Not All Logo Dimensions Are Created Equal appeared first on designrfix.com.

Developer Economics Survey: Your Chance to Win Prizes & Voice Opinions

Original Source: https://www.sitepoint.com/developer-economics-survey-your-chance-to-win-prizes-voice-opinions/

This article was created in partnership with SlashData. Thank you for supporting the partners who make SitePoint possible.

Is JavaScript giving you headaches? Do you wish other developers knew how important Swift and Rust will be in the coming years? It’s your chance to turn your opinions into a tool of change! The new Developer Economics survey is open starting from April 30, calling out all software developers to take part. Start right away.

Don’t miss a chance to join over 40,000 developers from 160+ countries who take part in the Developer Economics surveys every year to tell the world where software development is going next.

Who can take the survey?

Pretty much everyone writing code and getting their hands on software development in Mobile, Desktop, IoT, AR/VR, Machine Learning & Data Science, Web, Backend and Games. It doesn’t matter if you’re a hobbyist, a startupper or an enterprise dev – the survey is open for all real developers out there!

What sort of questions are they asking?

The survey is designed to dive into real-life developer issues, from coding skills and favorite tools to satisfaction with learning resources and communities.

Expect questions like:

Which are your favorite tools and platforms?
What’s going up and what’s going down in the software industry?
Are you working on the projects you would like to work on?
Where do you think development time should be invested?

There are also deep-dive questions based on your area of expertise, like Machine Learning, IoT, web development and more where you can really show you’re a pro and answer more complex questions about your favorite frameworks and vendors.

Read to take the survey?

Why should you take the survey?

It’s fun, for starters! The survey is designed to reveal your sci-fi profile, so the more you engage, the closer you get to finding out your place in the galaxy far far away.

Then there’s prizes. This time, devs who take part and complete the survey can win stuff like iPhone X, Samsung S9 Plus, HTC Vive Pro, GitHub Developer Plan, Amazon vouchers and other useful things to help you test your work or just play around.

You can also take part in the referral program, which allows you to win up to $700 in cash by referring other developer friends to take the survey.

Last but not least, everyone who takes the survey will get a insights with key findings from the survey as well as free report with the highlights and up-and-coming trends.

If you have a few minutes to spare and want to have a quality time, then this survey is for perfect for you! You can start right here. Extra tip: if you need to take a break, just click to save your responses and then you can come back and continue where you left off.

Good luck!

Take the survey now!

Continue reading %Developer Economics Survey: Your Chance to Win Prizes & Voice Opinions%

Collective #417

Original Source: http://feedproxy.google.com/~r/tympanus/~3/R_Z1paQaFhs/

C417_HelloSign

This content is sponsored via Syndicate Ads
HelloSign API: Everything IT requires and Developers love

With a robust SDK, amazing support, detailed documentation, and super clean dashboard, HelloSign API is sure to make your team happy.

Try it free today

C417_houdini

Houdini’s CSS Paint Polyfill

A polyfill for the CSS Paint API, with special browser optimizations.

Check it out

C417_dailycss

Daily CSS Design

Colorful daily code experiments by Bjørn Fjellstad.

Check it out

C417_signale

Signale

Signale is a configurable console logger with status reporting and handling of output rendering processes of other node modules and applications.

Check it out

C417_segmenttype

Segmented Type

A fantastic exploration of segmented typefaces. By Marcin Wichary.

Check it out

C417_alessi

The Five Seasons

A beautiful web experience to showcase the Alessi home fragrances.

Check it out

C417_play

Toybox

A collection of computational playthings made by Jean Lo. Check out the GitHub repo.

Check it out

C417_pointervents

Managing SVG Interaction With The Pointer Events Property

Tiffany B. Brown shares some interesting facts about the pointer-events property.

Read it

C417_nightowl

Night Owl

A dark VS Code theme with good contrast for nighttime coding. By Sarah Drasner.

Check it out

Screen Shot 2018-05-21 at 14.40.34

Never forget type=”button” on generated buttons!

Lea Verou shares how type-less buttons can become troublesome.

Read it

C417_checkboxes

Wobble Checkboxes

Some nice wobbly checkboxes made by Tamino Martinius.

Check it out

C417_vuido

Vuido

With Vuido you can create lightweight, native desktop applications using Vue.js.

Check it out

C417_errormess

How not to write an error message

John Moore Williams’ collection of error messages gone wrong.

Read it

C417_vr

Augmented And Virtual Reality Icon Set

A lovely AR and VR related icon set with beautifully colored illustrations made by Vexels for Smashing Magazine.

Get it

C417_jswins

What if JavaScript wins?

Anil Dash explores the possibility of JavaScript being the first-ever truly dominant programming language.

Read it

C417_font2

Free Font: Rallye

A racing game inspired typeface designed by Charlie Le Maignan.

Get it

C417_lordicons

Lordicon

A set of animated SVG icons and illustrations for web and mobile projects.

Check it out

C417_stream

Strimpack

A tool for live streamers to set up their own site, chat, subscription system and forum.

Check it out

C417_font1

Free Font: Dacha

A playful and delicate typeface designed by Denis Serikov.

Get it

C417_MeetHub

MeetHub

An open source MeetUp clone built with Python and Django. Made by Iyanu Ajao.

Check it out

Collective #417 was written by Pedro Botelho and published on Codrops.

23 amazing free Google web fonts

Original Source: http://feedproxy.google.com/~r/CreativeBloq/~3/IYp_AG04qp8/20-amazing-free-google-web-fonts

Looking to start your next digital project? Be it a website, app or other screen-based venture, there’s an abundance of high-quality and (best of all) free web fonts out there. Let’s take a look at some of the best options. You’ll find them all, and many more, at fonts.google.com.

For a wider range of options, take a look at our round-up of the greatest free web fonts.

01. Spectral

Spectral comes in seven weights for all your typographical moods

Commissioned by Google Fonts for use in Google Docs, Sheets and Slides, but suitable for any project, Spectral is a versatile serif face created by Production Type in Paris that's available with seven weights of Roman and Italic, from Extra-Light through to Extra-Bold, with small caps included. Inspired by six centuries of French-type design, it's designed to look good on-screen, making even the most text-heavy pages easier to read.

02. Bubblegum Sans

For friendly type that really pops, give Bubblegum Sans a go

Relentlessly upbeat with friendly brushed glyphs, Bubblegum Sans is a big and bouncy font designed by Angel Koziupa of Sudtipos and produced by Ale Paul. It's something of a 21st century tribute to the sort of lettering you'd see in 1930s advertising, with, we reckon, just a hint of Dr Seuss madcap charm.

03. Anton

Step away from the Impact!

If you're after an eye-catching sans serif display font, it's terribly easy to go for the ubiquitous Impact, especially if you don't have Compacta Bold to hand, but if you want something a little more suitable for modern use then Vernon Adams' Anton is a smart pick. Anton has been reworked from traditional advertising sans serifs, then digitised and reshaped for use as a webfont, with the counters opened up and the stems optimised for use on-screen.

04. Rubik

Rubik features subtle, rounded corners

A sans-serif family with five weights – Light, Regular, Medium, Bold and Black, all with italics – Rubik has subtle, rounded corners and is ideal for both body copy and headlines. It was designed by Philipp Hubert and Sebastian Fischer at Hubert and Fischer. 

05. Monoton

Monoton is a contemporary take on metalpress fonts

A display font (recommended to be used above 30pt) much in the style of Alex Trochut, Monoton is a contemporary take on metalpress fonts, is another font designed by Vernon Adams. It's perfect for a quirky headline on your site – as the estimated 320,000 websites it has been used on proves. Pair it with a modern serif for a contemporary yet classic feel.

06. Karla

Karla comes in Regular and Bold, along with italics

Karla is a grotesque sans-serif typeface in Regular and Bold (along with italics) with some rather nice quirks – check out the subtle, curved descenders on the ‘q’ and ‘y’, for instance. Designed by Jonny Pinhorn, it's equally appealing at over 40pt right down to body copy sizes. It supports Latin and Tamil scripts. 

07. Baloo

You can use Baloo in nine Indian scripts, if you so wish

According to its Google Fonts description, Baloo is "a perfect blend of pointy paws in a coat of fur". While we're not sure it's quite that animalistic, we think it's an intriguing rounded display face, that’s also available in nine Indian scripts along with a Latin counterpart. It's versatile and, well, rather beautiful.

08. Neuton

Neuton is a versatile, Dutch-style face

Neuton is hugely versatile Dutch-inspired face by designer Brian Zick. It's a little like Times in structure, with its large height, short extenders, and compact width and is perfect for body copy. It's available in Extra-Light, Light, Regular, Regular Italic, Bold and Extra Bold. 

09. Alegreya SC

This all-caps face creates impact for headlines

If you’re looking for an all-caps typeface for a bit of impact in your headlines or supporting text, Alegreya SC may be just the ticket. Pair it with the rest of the Alegreya family for elegant consistency across your screen projects.

10. Lilita One

Use Lilita One at 40pt or over for maximum impact

A little bit condensed, a little bit rounded, and a little bit quirky in its rounded terminals and soft appearance, Lilita One is a fun display font for headlines and shorter text (perhaps navigational elements). It's best used at 40pt and above, we reckon.

11. EB Garamond

Worth checking out, even though it’s currently only available in Regular

EB Garamond is an open source revival of Claud Garamond’s classic typeface from the mid-16th century, and we can’t really explain it in any more detail. A sublime and elegant body font, even if it is only available in Regular at this point. It’s worth checking out Cormorant Garamond, as well.

12. Lora

Lora is ideal for large chunks of body text

Available in Regular, Regular Italic, Bold and Bold Italic, Lora is a serif font particularly suited to reams of body text. Google says "the overall typographic voice of Lora perfectly conveys the mood of a modern-day story, or an art essay". We particularly like the way the stem flows into the tittle on the lowercase ‘i’ in Regular Italic.

Next page: more great Google web fonts

13. Space Mono

This sci-fi-style face comes in Regular and Bold versions

Geometric fuses with grotesque in this sci-fi-esque design. A fixed-width family in Regular and Bold (with italics – Regular Italic being our favourite, thanks to its wonderful descenders and serifs), Space Mono is one cool display face. As well as in headlines, use the Regular weight sparingly for short passages of text.

14. Kaushan Script

This calligraphic font purposefully avoids typographic perfection

The calligraphic, energetic Kaushan is a script font that deliberately avoids typographic perfection, with slight variation in angles between verticals in characters and uneven positioning along the baseline. For a script font it’s very readable, even at small sizes – but of course we’d only recommend it for headlines, used in moderation.

15. Julius Sans One

Try Julius Sans One for subtle headlines that still make an impact

There's more than a hint of Roman here, with a modern twist to some of the legs, making Julius Sans One a thin display font perfect for subtle, yet still impactful, headlines. Pair it with the likes of Lato Light, maybe, for a refined, low-key style.

16. Courgette

Use this medium-contrast italic-only font larger than 40pt

A brush script with flourishing impact, Courgette is a medium-contrast italic-only font. Yes, you’ll want to use it larger than 40pt, but it was designed so that the low stroke contrast can even work in body text (although we’d suggest you are cautious if you take that advice).

17. Wire One

This condensed sans is sharp and stylish

Wire One is so thin you’re not going to want to use it at anything below 12pt – and even that may be pushing legibility. It’s a lovely condensed sans, nonetheless, and its minuscule dot terminals are quite beautiful. 

18. Cormorant

Cormorant was inspired by Claude Garamond

This is one behemoth of a free typeface. It comprises Roman, Italic, Infant, Infant Italic, Garamond, Garamond Italic, Upright Cursive, Small Caps, and Unicase; and five weights – Light, Regular, Medium, SemiBold and Bold. You could easily build a whole style around this Claude Garamond-inspired number.

19. Righteous

Righteous’ lowercase ‘e’ will divide opinion

There’s a touch of avant-garde in this display font, inspired by the capital letterforms from the deco posters of Hungarian artist Robert Berény for Modiano. While the lowercase ‘e’ may be a little sharp for some, it’s without doubt an arresting font when used at large point sizes.

20. Bungee Shade

Bungee celebrates urban signage

If you want ultimate impact with your headlines – and even a start for your graphic projects – Bungee Shade is a great shout. Bungee is a celebration of urban signage, and Shade is just one of five variants. Check out the regular Bungee for a less extravagant, yet still impactful display font (and Bungee Inline for a lovely reversal of Shade).

21. Amatic SC

Open source face Amatic SC has a hand-drawn aesthetic

‘Hand-drawn’ and ‘web fonts’ don’t often go together in the same sentence, but Amatic SC (small caps) is undoubtedly one of the better open source offerings out there. Use it sparingly in both headlines and shorter measures of text for a crafty feel.

22. Roboto

Roboto is used on over 16 million sites worldwide

Roboto is one of the most common open source web fonts out there (used on over 16,000,000 sites worldwide), and for good reason. It's a surprisingly rhythmic sans that can be used alongside Roboto Condensed and Roboto Slab for a consistent, contemporary style.

23. Arvo

Geometric slab Arvo works as well in print as it does on screen

A geometric slab, Arvo is equally at home in print as it is on screen – as long as you’re using it for headlines, that is. Arvo is hugely legible at any size over 30pt, and – particularly in the Bold weight – a font that will stop your viewers in their tracks.

Related articles:

50 best free fonts for designers4 modern brands flying the flag for script fontsThe rules of responsive web typography

Questions to Ask Clients Before Starting a Project

Original Source: https://inspiredm.com/questions-to-ask-clients-before-starting-a-project/

Graphic design clients come in a wonderful variety, but every designer has their tales of horror to tell about the treatment they’ve received from some clients. Much of the time trouble originates from misunderstandings, so if the potential for this can be reduced from the start, it will help avoid the resultant problems.

Knowing what to ask is important, and then actually asking the necessary questions is even more important. In this article we’ll share the first part of that task, and it will be up to you to implement it when the time comes.

1. What is your budget for the project?

This is the most important question of all. Many clients have unrealistic expectations, and they may expect a fixed cost to cover everything they request. Asking this question up front lets the client know your costs may be not quite so fixed, and that they’ll need to adjust their expectations to suit their budget.

You will also be able to provide your client with better advice this way. When you know what the client can spend, you can begin calculating what options to suggest. For example, on-location photography is more expensive than stock photography, but gives much better results. You’ll be able to give advice that helps the client make the right decisions.

gif illustration by R A D I O

2. When do you need the project completed by?

Clients also may have unrealistic expectations about the creative process, not realizing it can take time to produce quality work, and expecting you to work like you’re on a production line.

Creative work is a process that normally takes time. We may have moments of intense inspiration which drive us to produce a masterpiece in record time, but normally there are many steps to complete: conceptualizing, research, drafting, editing, rendering, and so on.

If the client gives a tight deadline, get them to justify it. Sometimes clients just want the job done within a certain time frame, and there are times that they won’t really have a reason. Clients with a reason should get priority because they know what they want and why they want it.

3. Who is the intended audience for this work?

It’s very important not to waste your time going down the wrong path. You can’t make assumptions about who the client is attempting to appeal to. Also, having this knowledge, you can make suggestions that the client hadn’t thought of. This makes the client feel secure that they have chosen a professional who can help them make the right decisions.

illustration by Olia & Roma

4. What features in this work do you want to have emphasis?

Clients need to identify the image they want to project to their audience. If they don’t have a strong sense of identity and purpose, you’ll be wandering aimlessly with no reference point to begin from.

What may happen then is you’ll spend time designing something that the client may not necessarily like, and that happens because you’re not sharing a common vision.

The best designs happen when you and your client are in harmony about what the finished work should look like and what goals it should achieve.

5. What similar items appeal to you?

You may need to clarify this question. For example, if it is a website design project, you should ask the client which websites they like best and why they like those sites. If it is a logo design project, ask which logos of other companies are their favorites and why. And so on and so forth.

Asking this kind of question helps establish what the client finds appealing. That may not necessarily be what’s best for them, and you can advise them if you have knowledge that can help them make a better decision, but it also helps you avoid a situation where the client is not satisfied with what you produce.

When you know what the client already likes, you job becomes far easier, because you can design appropriately. Just make sure you get a decent number of favorites so you can find what the examples have in common.

6. What designs in this category are your least favorite?

This question is probably just as important, because it helps you recognize what things you’ll need to avoid. Nothing kills a project faster than not knowing what your client does not like to see in a design.

Again, you’ll need a decent handful of examples to get some idea of the common features that the client isn’t interested in. You can ask them why, of course, but the answers may be too vague to be really helpful.

What you’re trying to gain is insight into the client’s mind, and very few clients know themselves well enough to provide that insight directly. Seeing their likes and dislikes visually in front of you is far more useful in most cases.

gif by Tim Constantinov

7. Do you have an existing design or style?

One of the most surprising things is clients sometimes forget to mention they already have a design or style theme that they need you to comply with. The more you understand about the existing corporate culture of your client, the easier it is to design for them.

Sometimes clients just expect you to know about them. They’re sure you will have heard of their business before and that you’ll know all about it. So they don’t tell you the vital information you need to know in order to produce the best results for them.

Getting that information is your job. You can’t leave it up to the client to tell you, because they almost never will.

Wrapping up

Asking these essential questions before you get started on the project is going to help you avoid problems and will also help you do your job more efficiently and effectively.

Nobody likes wasting time on a project and then not getting paid for their efforts. As creatives, it can be especially rough on you when a client rejects your work, and that can affect your confidence as you go to start on the next project.

If you ask the right questions, you’ll know the right way to go about the task, and the result is better for everyone involved.

header image courtesy of Matt Chase

The post Questions to Ask Clients Before Starting a Project appeared first on Inspired Magazine.

Does Your Ecommerce Store Need a Blog?

Original Source: http://feedproxy.google.com/~r/Designrfix/~3/r6K0bTkRUxM/does-your-ecommerce-store-need-a-blog

It takes a significant investment of time and resources to run an ecommerce store as is. Setting up your store, regulating inventory, providing customer service and the like will take up the lion’s share of your attention. It makes sense to want to streamline your workload by focusing on the essential functions. The thought of […]

The post Does Your Ecommerce Store Need a Blog? appeared first on designrfix.com.

Exploring Dark and Gothic Trends in Web Design

Original Source: http://feedproxy.google.com/~r/1stwebdesigner/~3/LERhk9vkf-4/

In today’s web design world we see waves of minimalist, modern designs that often stick to light colors, standard fonts and lots of space. However, many industries and brands require an alternative approach.

For example, a gaming website might have a better effect with dark tones and gothic-style text. Dark web design can represent class, ruggedness or mystery. You can even see it used when someone is trying to communicate a sense of power. Both masculine and feminine designs use dark and gothic elements. While one website might want to show the strong side of being a man, another might want to display the elegance of being a woman. That’s not always going to be the case, but it works when implemented properly.

It’s important for designers to avoid getting stuck in the rut of only developing the same, “modern” white websites and apps. Because eventually, you’ll run into a client who craves something more sinister, elegant or strong. In that case dark, gothic web design comes in handy.

Therefore, we put together some examples of this type of design. This way, you can reference back to these excellent designs when you’re looking for some inspiration.

Gjezarian

Gjezarian

Here’s a great example of how darker designs often work for female-centric websites. Jewelry and clothing often make people feel richer or more elegant. Therefore, the darkness in a design like this mimics that of a classy, dark restaurant or club. It almost makes the user feel like they’re going to end up hanging out with celebrities if they buy the product.

Olly Moss

Olly Moss

A gothic design doesn’t always mean that you have to make everything black. For instance, this portfolio-style website features a mainly white background. Combine that with the black font and logo and it lets off a feeling of robustness. Not only that, but the gallery pieces have their own gothic appearances.

Black Dog Films

Black Dog Films

Black Dog Films takes its name and uses it to its advantage. The majority of the website has a black header, with shadows placed on the majority of images. You’ll also notice that the logo appears to be rigidly drawn, presenting a rugged, yet powerful, appearance.

Immortal Night

Immortal Night

It’s rather common to see a dark, gothic design on a video game website. It’s especially common when that video game relates to something mythical like vampires or zombies. Notice how the bright red colors create contrast with the black background. This is essential for using darker colors effectively.

Department Creatif

Department Creatif

Here’s a website that merges the trend of retro typography and darkened themes. This is actually a very common way to create header images, where the background is dimmed quite a bit so the text placed on top of it can be viewed properly.

Tender to Art

Tender to Art

A dark design doesn’t have to be complicated. This incubator of contemporary art sticks to the modern layout, with bold typography, minimal content and interesting animations as you click through the website.

Ever and Ever

Ever and Ever

One of the great things about this design is the contrast we see with the white human figures. It almost looks as if the figures are statues from a long time ago, going along with the gothic theme and drawing the eye to those individuals as it sits right on top of the darkness.

Nerisson

Nerisson

Working with darker designs means that you have the opportunity to create an ominous feeling with even more dark elements. The “Ever and Ever” example we saw above is the exact opposite of this one. Instead, we see minimal contrast, where the user has to almost squint to see what’s going on.

These are just a few examples of a darker, gothic web design style. We hope you’ve enjoyed them. And if you have any other examples you’d like to suggest, feel free to leave them in the comments below.